Quick Retro Spotlight - Last Year's Film Bitch Award Medalists

by Nathaniel R

CHALLENGERS took the Best Kiss gold medal for its threesome turned twosome. Who will win for 2025 cinema?

As we gear up for both the 98th Oscars and the 26th (!) annual Film Bitch Awards, it surprised me (though it shouldn't have given my track record) that I had never posted the final page of 2024 (the "Scene" categories) which I had definitely completed a year ago. Since those awards are about to be supplanted by a current  "Best of the Year" party (beginning tonight with a bit of silliness!), I invite you, if you're so inclined, to think back on last year's cinema for however many minutes you so desire to check out the gold, silver, and bronze medal honors in several categories as well as the heretofore unseen choices for  the final scene categories like "best opening scene", "best musical sequence" and many more... Among the 42 categories in our annual awards jamboree, 64 films were honored with at least one citation. As I've said many times, it's pretty rare that even the best films of the year are THE BEST AT LITERALLY EVERYTHING the way the Academy of Motion Picture Arts and Sciences would have you believe.

A few notes about the awards follow...

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Actressexual Honors - Best Leading Actresses of 2024

 By Nathaniel R

It took me a second viewing to appreciate what Margaret Qualley was up to in "The Substance". Great work!

Reckless sex workers, repressed CEOs, witches-in-training, and a triple helping of “Elizabeths” (!?!) factor into the incredible characterizations offered up by gifted actresses in leading roles this past film season. As we say goodbye to the year in cinema just behind us, a tribute to my personal dozen favourites (alpha order) from leading ladies. Though it’s a full dozen I still had to leave out highly enjoyable star turns from June Squibb in Thelma and Scarlett Johansson in Fly Me to the Moon, as well as Amy Adams' funny and underappreciated juggling of dowdy and feral as “Mother” in Nightbitch. The actual shortlist for my own Best Lead Actress honors is revealed at the end. 

top dozen - alpha order

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Best Actress Volley: It's On!

Nick, Nathaniel, and Eric engage in a discussion about everybody's favorite Oscar category:  Best Actress. For the record this conversation started the day of the Globes nominations so watch things narrow down as we speak! 

 

Will a surprise SAG nomination rescue any underperformers?

ERIC:  Nick and Nathaniel, I'm really excited about this volley because the Best Actress category is as always stacked, this year featuring at least a dozen ladies who stand a fairly legitimate shot at a nomination at this point.  I thought it might be fun, before we get to the current leading contenders, to take a look at that back half of the possibilities to gauge your thoughts.  Of the actresses that seem slightly less likely to nab a nomination this year...Kate Winslet, Pamela Anderson, Amy Adams, Tilda Swinton, Saoirse Ronan...do you see the winds changing in the weeks to come where any of them could gather enough momentum to move to the front of the pack?

I'm considering Jolie, Madison, Gascon, Moore, Kidman, Erivo, Torres, and Jean-Baptiste more ahead at this point, but comment as you may.

NATHANIEL:  It does feel like quite a crowded, anything-could-happen* year. Take for example one from your column B: Saoirse Ronan and one from your column A: Angelina Jolie...

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TIFF '24: From the Lido to Lake Ontario

by Cláudio Alves

Dea Kulumbegashvili's APRIL won the Special Jury Prize in Venice.

For many critics who don't attend the big European festivals, TIFF marks their first chance to see some of the circuit's most talked-about titles. This year, I spent a good portion of my time in Toronto catching up with Venice films – the two events overlapped as they usually do – and managed to watch a whopping eleven titles from its official competition. Elisa already reviewed many of the big ones, and Abe also shared his take on Kill the Jockey, so I won't bother with those titles past a capsule. However, there's much to say about the yet-unreviewed April and Vermiglio, two Venice prizewinners that rocked my world. Dea Kulumbegashvili did it with a formalist assault, vicious and visceral, while Maura Delpero opted for a pastoral meditation, as peaceful on the surface as the gradual changing of the seasons…

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Venice 2024: "The Room Next Door" takes the Golden Lion

by Nathaniel R

Pedro Almodóvar and his actresses Julianne Moore and Tilda Swinton working on THE ROOM NEXT DOOR which is now a Golden Lion winner

The 81st annual Venice Film Festival has ended and the two perceived frontrunners The Brutalist and The Room Next Door took home major prizes, as did Babygirl, The Quiet Son, and Brazil's possible Oscar submission I'm Still Here. The "Competition" films are the headlining titles of course but they aren't the only films that get major mileage from applause and kudos as any festival wraps up. Outside of the main competition films like Familiar Touch (US), Familia (Italy), Iddu (Italy),  Mon Inséparable (France), Paul and Paulette Take a Bath (UK) and The New Year That Never Came (Romania) all won fanbases if the awards that flew around this week are indication.

The prizes went like so... 

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