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Entries in Nicole Kidman (113)

Tuesday
Jul152014

Queen of the Desert Pic and Nicole in the Oscar Race?

Queen of the Desert, Werner Herzog's biopic on Gertrud Bell starring Nicole Kidman wrapped filming in March. Though it's still looking for a distributor it looks like post-production is all done since producers are tweeting about the final cut and calling it "EPIC". Herzog has also expressed real enthusiasm about Nicole's performance in his slightly oddball way of speaking.

"Now, Nicole Kidman,” Herzog said of her lead performance in "Queen Of The Desert." “Wait for that one. Wait for it. I make an ominous prediction: How good she is.”

(You can even hear his voice when you read quotes from him, can't you?)

Nicole shared this photo of the wrap of shooting.first official image. will they keep this aspect ratio? it's so Lawrence of Arabia long

Of course all of this is from people who are involved in the picture so they'd never be anything less than enthusiastic. But I myself have high hopes and I'm not involved. Unless you count my heart which belongs to Nicole.

Though I'd love for Werner Herzog to have a major Oscar success -- imagine how fun he would be on the campaign trail all season? -- the truth is Oscar has resisted him over and over again. Despite a prolific acclaimed filmography his only Oscar success is Encounters at the End of the World (Documentary Nomination, 2007). Nope, they didn't even go for the classic going insane in the jungle epic Aguire, The Wrath of God (1972) or the classic going insane building opera houses movie Fitzcarraldo (1982) or the classic already insane and hanging out with bears in the wilderness doc Grizzly Man (2005) all of which attracted awards heat elsewhere... just not with AMPAS. (Does Nicole Kidman go insane in the desert? I'm sensing a theme here.)

This sudden burst of news about the picture and our love of Nicole Kidman has us hoping she can climb the Oscar charts. But given that last year's Best Actress Shorlist had the most communal previous nominations of all time  I'm sensing this is the kind of year where Oscar is going to want some fresh blood.

UPDATED OSCAR CHARTS
BEST ACTRESS and BEST SUPPORTING ACTRESS 

Friday
Jun202014

Happy Birthday Nicole & NathanielR?

Kidman's first Vanity Fair appearance in 1990 with the "Dead Calm" look

I can still hear her saying it...

Nathaniel. It's Nicole!"

...t'was one of my all time favorite life moments, interviewing her. Today twitter informed me that it was my 7th birthday there. By their count I'm almost old enough to start obsessing on movies. And, as Graham pointed out, that means I joined Twitter on Nicole Kidman's birthday. Was this intentional? I can't recall. For our faux shared anniversary, Catarina challenged me to share my single favorite Nicole Kidman photograph. Just one? I've selected seven in keeping with my twitter age.

My top seven (at the moment) are after the jump but before we get there, I just want to say that this challenge led me to Kidman pictures I'd never seen before like this one with Ed Harris from Bruce Weber! They didn't have any scenes together in The Hours so what was going on here? I'm obviously forgetting a movie as I'm typing.

Click to read more ...

Friday
May162014

Cannes Diary Day 2: Or, How I'm Still Grappling With 'Grace of Monaco'

Diana Drumm is reporting for The Film Experience from Cannes

As you should know by now, thanks to mid-screening tweets, prompt reviews and Nathaniel being awesome as always, Grace of Monaco is bad. So bad that Cannes critics are being divided into indifference, dislike and rollicking hate. I, for one, fall into a fourth category, that of the now-jaded hopeful still grappling with how it all could have gone so horribly wrong. It’s from the director behind La Vie En Rose and... NICOLE KIDMAN. And I do mean grappling, I’ve barely eaten since that lovely sandwich or slept since nodding off on the Nice-Cannes commuter and my attempts at writing an actual review have gone the way of nonsensical jibberish with many ‘rather’s, ‘while’s and ‘thereby’s. Plus I’ve missed multiple opportunities to stow-away on champagne and celebrity-laden yachts. (Well, maybe not, but you get the gist – me, bedraggled by disappointment.) It could be the jet lag typing, but I wish I could go back to the before time, before I knew for certain that Grace of Monaco was a bad film. 

For weeks, I’ve been hushing naysayers, lah-lah-lahing the latest Weinstein cut rumors and ignoring the strawberry blonde Nicole Kidman as Grace press photos. With its synopsis reading like My Week with Marilyn meeting Evita for cucumber sandwiches to discuss an upcoming charity event and swap stories about who was handsier, Ari Onassis or Alfred Hitchcock, I kept telling myself that whether Grace was good or bad, it would be nice to see Grace Kelly’s story onscreen. I was wrong, so wrong. This isn’t to say that the film’s downright awful, or even amongst Cannes’ worst (Splitting Heirs, anyone?), but as someone with only love in her heart would say, it’s not that I’m angry, it’s that I’m hurt and disappointed. 

Princess Grace and Old Hollywood fairy tales after the jump...

Click to read more ...

Thursday
May152014

Cannes Diary Day 1: Trains, Badges, and Nicole Kidman 

Diana Drumm is reporting from Cannes for The Film Experience

After delays, a cancelled train and discovering the local bus line just went on strike, I hurried from the Cannes train station in an ill-chosen bulky trench coat, swooping up my overfilled laptop bag. Following my newly made acquaintance-guide who I'd bonded with over the inefficiency of French trains (as you do), we scurried through the maze of narrow boutique and cafe-lined streets. The city is brimming with people: the tanned and about to be sunburned, the stiletto-heeled and Doc Marten-ed, the maddening tourists and the maddened locals. After approximately two turns and nearly body-checking at least three walkers of a more leisurely pace, she stopped and I looked up. There was Guido Contini (Marcello Mastroianni in Fellini’s 8 ½) peering over his sunglasses seductively, with a look that falls somewhere between cheekiness and contempt (let’s just call it “rawr”), plastered on the Palais des Festivals. 

Regaining my breath, heart still pacing, I got into the queue. Four of them actually (bag-check, press badge, press queue, another bag-check) all the while terrified as the clock struck closer and closer to the festival’s first press screening. Praying and stroking my good luck charm (a piece of Errol Flynn’s suit) I made my way up three flights of stairs to a seat in the center of the balcony. The lights dimmed, the curtains separated, and the festival’s Opening Night film, the already much-maligned Grace of Monaco, began to roll. (Full review forthcoming)

Though no one booed, there were enough ill-placed guffaws, lit-up mobile phones and hushed chatter mid-screening to indicate that this crowd was less than enamored with Olivier Dahan’s latest about model turned actress turned princess Grace Kelly. As the credits rolled (sappy music over images of red and white roses), I attempted a mad dash to the stairs in order to get to the Grace of Monaco press conference and catch Her Highness Nicole. Unfortunately, almost everyone else had the exact same idea and the handsome security men proved unbribable.


I was one of those left in the celebrity-less cold. Although tempted to leap over the blockade, I'll save that one strike surely ban-worthy offense for Michael Fassbender. But there she was… An ethereal vision in white, with slightly curled longer-than-shoulder-length blonde hair and oh-so-fair skin (lips as plump as cherries), Nicole Kidman walked briskly by the throng of still-waiting and exiled press, surrounded by a posse and giving off her characteristic aura of A-list-seclusion grace. In the midst of my awe, I attempted to snap a few photos of La Kidman, but all three turned out too blurry for your visual consumption.   

Eating my feelings of slight disappointment, I scarfed down a “Croisette” sandwich (smoked salmon, cucumber, radishes, cream cheese and lettuce on ciabatta bread) and the best tasting in-plastic chocolate mousse ever at a film festival food counter. With time to kill before the next screening (not enough for writing, plenty for wandering), I got my bearings around the International Village and the film market -- look out for Jail Caesar starring Derek Jacobi, not coming to a theater near you. Then I queued up yet again for Timbuktu, which, unlike Grace of Monaco, got laughs in the appropriate places and warm, appreciative applause.

Onto Day Two!

Cannes Diary: Day 2 Grace of Monaco | Day 3 Mr Turner & Timbuktu  | Day 4Amour Fou & The Blue Room | Day 5? The Homesman Press Conference and The Homesman Review | Day 7 Mommy, Maps to the Stars &  Two Days One Night

Diana Drumm, who recently completed a stint as one of 8 young critics to take part in the 2nd annual NYFF Critics Academy became a member of our team this February. You can follow her on Twitter or visit her home page. See her previous posts for The Film Experience here.

 

Wednesday
May142014

Cannes Beauties: Jane Judges, Nicole Headlines, Amy Sells

We'll be hearing from Diana, our woman on the ground in Cannes, soon for her take on Grace of Monaco. Since I'm starting to feel human again (yay!) I'm back at the computer and hoping to be full speed by Friday. So let's check out the festival's first day. 

1. Jane Campion, Gender, and Juries
First a Red Carpet Lineup. Who wins your best dressed vote from the ladies of the jury? (And isn't it special that they all have such different styles?)

Coppola (USA), Yeon (South Korea), Campion (New Zealand), Hatami (Iran), and Bouqet (France)Lelia, Sofia & Jane

Campion, an outspoken feminist and infrequent filmmaker (let's get that new film rolling!) responded to questions about the lack of female films at the festival (which is famously very resistant to new voices, often inviting the same "masters" each time they make a movie... so we're talking lots of old men).

It does feel very undemocratic. We don’t get our share of representation. It always seems to be a surprise for the world when a woman does come out [as a success].”

Thankfully women are well represented on the jury and for the opening film you got two movie goddesses (Grace Kelly & Nicole Kidman) for the price of one... though most critics wanted their money back even though they saw the movie for free.

Nicole Kidman & Amy Adams & Lots of Photos after the jump...

Click to read more ...

Monday
May052014

Say What: Nicole Who Never Sleeps

This might sound strange to y'all given the common knowledge that I am a Kidmaniac but I have real trouble keeping up with her career. Lately it seems as if the Aussie/Nashville goddess lives, eat, drinks, breathes acting and exists not outside of film sets. In addition to the potentially high profile releases like the troubled Grace of Monaco, the children's film Paddington, and the biopic Queen of the Desert (which I wholly suspect will find a distributor since Werner Herzog movies are good and it has three famous men in support: Robert Pattinson, James Franco, and Damian Lewis) and the just announced Genius and Family Fang,  there are two more obscure titles on the way which both released stills this past week. One of them I hadn't even heard of and I pay attention! So here are two images for your "say what" amusement. Add dialogue or caption in the comments for a chance to win a walk-on part in Nicole's eighth 2015 release*

Joseph Fiennes & Nicole in "Strangerland"

Nicole in "Before I Go To Sleep"

After the jump, the winners from the last Say What contest!

* this is not a real prize.

Click to read more ...