Review: "Soundtrack to a Coup d'Etat" is Essential Viewing

by Cláudio Alves

One of the year's best and most essential documentaries is finally in theaters! Johan Grimonprez's Soundtrack to a Coup d'Etat is 50% history lesson, 50% jazz concerto, and 100% political essay if you can believe it, a mad dash rollercoaster of a documentary that brings together a litany of ideas under the same cinematic roof, illuminating their connective tissue like few films before it. The entire thing might run for two and a half hours, but you'll hardly notice the time passing since there's no opportunity for passive, apathetic spectatorship. Instead, the filmmakers demand full attention and a modicum of curiosity, trusting the viewer to keep up with Rik Chaubet's miraculous cutting as Soundtrack to a Coup d'Etat approaches midcentury decolonization movements through a musical prism…

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Nicole Kidman Tribute: Lion (2016)

by Cláudio Alves

The late 2000s saw Nicole Kidman's reputation suffer under the strain of bad reviews and a perceived rejection by mainstream audiences. Jokes about plastic surgery were a dime a dozen, and not even a couple of brilliant turns could dissuade the naysaying masses. But then came Rabbit Hole and a third Oscar nomination, a new chance at proving herself. As usual, she took the opportunity and ran with it, kickstarting one of the most productive phases of her career. From 2010 to 2016, the actress amassed an astounding sixteen screen credits and appeared in the award-winning West End production of Photograph 51. It was also then, as Kidman settled into her 40s and came nearer to the half-century mark, that she started playing more supporting roles. 

Make no mistake, Kidman is a Hollywood leading lady, a confirmed A-lister to this day. But that doesn't preclude her from trying her hand at smaller parts. Coupled with revitalized prestige, a return to Oscar glory in a new category felt near inevitable. And so it was, with the star receiving her first Best Supporting Actress Oscar nomination, for Lion…

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TIFF '23: The Origin of Our Discontents

by Cláudio Alves

Aunjanue Ellis-Taylor in "Origin"

Dealing with complex sociological issues in cinema is tricky. The risk of didacticism is hard to avoid, but abstraction can also be the enemy of clarity, especially when the filmmakers want to posit movies as an instrument of change, a spike of awareness. Writing about this type of film, I'm often confronted with inner conflicts about how to approach criticism. It's tempting to celebrate cinema that confirms one's worldview and political alignments. But does that alone make for a good film?  Many films at this year's TIFF confront issues of systematized injustice on the basis of race, gender, sexuality, and other forms of identity. Two such films, Ava DuVernay's Origin and Nora El Hourch's Sisterhood present distinct visions though a striking sense of confrontation unites them...

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Almost There: Sidney Poitier in "In the Heat of the Night"

by Cláudio Alves

Last week, we took a look at the cast of A Raisin in the Sun for the Almost There pieces. Among that quartet of fabulous performances, Sidney Poitier's Walter Younger stood out as the most overwhelming one, so full of energy that the claustrophobic set seemed incapable of containing him. This week, we're again exploring the filmography of the first Black man to win the Best Actor Oscar, giving him a solo opportunity to shine. You could actually do an entire miniseries about the many times Poitier might have come close to an Oscar nomination and failed:  A Raisin in the Sun, Edge of the City, Porgy and Bess, A Patch of Blue.

Today, however, we'll be looking at Poitier's 1967 Oscar bid, when the actor starred in three hits, two of which went on to be nominated for Best Picture. Of them, Norman Jewison's In the Heat of the Night went on to win the big award and features what is probably the best performance of Poitier's career…

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1999 with Nick: Best Cinematography Falls on "Cedars"

This week, in advance of the Oscars, Nick Davis is looking back at the Academy races of 20 years ago, spotlighting movies he’d never seen and what they teach us about those categories, then and now...

Spotlight Movie: Snow Falling on Cedars

Today's case study from the 72nd Academy Awards is a less auspicious instance than yesterday's of a movie sneaking onto Oscar's ballot with just one nomination. I'd also call it an example of good filmmaking that, in context, arguably constitutes bad filmmaking, or at least disappointing and misguided filmmaking. Cinematographer Robert Richardson is not the exclusive or even the primary defendant in the case I’m going to make. He was probably executing to the best of his ability the mandates of a director and a producing team intent on the picturesque. Still, I’m not sure we needed to reward him for following such dubious orders. And now, as so often in this movie, we flash back...

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