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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Entries in Cinematography (193)

Wednesday
Aug192015

HMWYBS: Angels in America (2003)

What follows is a republishing of a piece I'm proud of from our very first season of Hit Me With Your Best Shot (you can see the index of all six seasons here) when I was somehow far more concise with "Best Shot" despite feeling like I was overdoing it. I've added in notes and links for contributions from other Best Shot participants and I'd like to thank Manuel heartily before we begin for his fascinating contextual work on HBO's long history of LGBT films and series this summer and for sharing this week's HBO LGBT episode with us for our redo episode of this Great Work. Read that piece before you read this. Ready? Let's begin...

Tony Kushner's extraordinary two part stage epic Angels in America centers around two overlapping young couples in the mid 80s, struggling married Mormons, pill popping Harper and her closeted husband Joe and the gay couple Louis and Prior they become connected spiritually (Harper befriends Prior... in her dreams) and physically (Joe becomes Louis's other lover). But it's also about politics, immigration, religion, identity, and evolution and encompasses multiple other characters from Louis's outspoken gay friend Belize, to Joe's mother, to the evil lawyer Roy Cohn, the dead Communist Ethel Rosenberg, and a frequently orgasmic Angel who descends on many of the players. This masterpiece was adapted for the screen in 2003 by Oscar winner Mike Nichols. Along its journey it won 7 Tonys, The Pulitzer, and later 5 Golden Globes and 11 Emmys and here's the thing: it deserved every single prize. If you haven't seen it drop everything (seriously everything) because it is unmissable. I've seen it performed on stage three times in three different states with wildly different budgets and casts and seen the miniseries a few times too... and every single time it's a fascinating prismatic living thing, like it will always be teaching you, entertaining you, and provoking you.

Rather than limit myself to one shot I'm picking one from each of its chapter. This I can manage!

Chapter 1 "Bad News"

Click to read more ...

Monday
Aug172015

"Carol" is a tease

Just gorgeous. We'll Yes No Maybe So it with the full trailer but obviously we're all in. It's Todd Haynes. It's actressy. And the cinematography, by Edward Lachman who previously shot Far From Heaven, Mildred Pierce, and I'm Not There for Haynes, is suitably ravishing.

The song, for those who are curious, is Margaret Whiting's rendition of "My Foolish Heart". Add it to your every playlist in anticipation. Whiting was a famous singer in the 40s and 50s and even had her own television series in the 50s with her sister. Margaret provided Susan Hayward's singing voice in Valley of the Dolls (1967) as well.

Thursday
Aug132015

Working Late

Wednesday
Jul292015

[SAFE]

[SAFE]
Written and directed by Todd Haynes. Cinematography by Alex Nepomniaschy.
With Julianne Moore, Xander Berkeley, James LeGros, Beth Grant and Peter Friedman.  

Hit Me With Your Best Shot has been running for six years and we've finally braved one of the most fascinating jewels of the 1990s cinema. Todd Haynes's disturbing, sad, confounding, and highly interpretable early masterwork [SAFE]. It's the film that layed the groundwork for the cult of Julianne Moore (on the heels of her well regarded but little-seen performance in Vanya on 42nd Street). Two years later mainstream stardom with frequent eyes on the art house, hit. In 1997, a seismic year, she had her first major role in a blockbuster (Lost World: Jurassic Park), her first instant classic with accompanying Oscar nod (Boogie Nights), and fell in love with her eventual second husband, then freshmen director Bart Freundlich (Myth of Fingerprints). And by then people were starting to discover [SAFE], too. The film's reputation is such now that people forget that not many people knew about it back then. It grossed just $500,000 in theaters and mystified many critics. 

I've never forgotten this line from a Damian Cannon review back in the day

The acting is amazingly flat and inexpressive, the result of a performance by Moore which is either fantastic or abysmal. "

More after the jump including the Best Shot Choices

Click to read more ...

Friday
Jul242015

Early "Revenant" Chatter: Or, how Grantland kickstarted Oscar Season way early

David Upton on an unexpectedly early Oscar campaign kickoff - Editor

It’s only July, but this stuff starts earlier every year: barrels are loaded and sights are set on Oscar season. No one has started earlier than the team behind The Revenant. The recent buzzy Grantland piece on the film harks back to a kind of promotion that is somewhat out-of-fashion: long form, detailed reporting that really digs into what the movie might be. By sheer existence, the piece becomes part of the hype machine, now rolling towards the end of the year when The Revenant sees a release on 25th December.

This is prestige movie promotion at its most precise; why else, you might wonder, would anyone want to see a film that sounds so utterly depressing on Christmas Day

Click to read more ...

Wednesday
Jul222015

"Best Shots" and Plentiful Words on VMA Nominees

Presenting: a "very special" (ahem) edition of Hit Me With Your Best Shot in which Nathaniel climbs on a speeding train of thought for an impromptu journey into this year's celebrated music videos. Lots and lots more after the jump...

Click to read more ...

Tuesday
Jul212015

Podcast: Trainwreck and Tangerine, a raunchy double feature

The gangs all back together to discuss two riotous female comedies: Amy Schumer's mainstream Trainwreck, already a hit and packed with famous faces, and the LGBT festival favorite Tangerine, which features no famous names or faces but abundant ragged laughs. See them both and listen in!

Contents
00:01-23:30 Trainwreck 
We all like it but how much: It's a very good comedy but maybe not a very good movie? The division of duties between Judd Apatow and Amy Schumer and the trouble the movie has navigating its outre sexuality with its traditional romcom trajectory. Also discussed: the great supporting cast including Tilda Swinton, Brie Larson, and James LeBron.
23:30-42:36 Tangerine
We discuss Tangerine's aggressive charms, iPhone lensing, one-day structure, and charismatic actors. But mileage may vary on how people perceive its portrayal of trans women of color as prostitutes again. We were all won over by the movie's specificity of place and character but will people ever stop mistaking it for the Estonian Oscar nominee Tangerines

You can listen to the podcast here at the bottom of the post or download from iTunes.  Please continue the conversation in the comments...

Tangerine-Trainwreck