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New Q & A - Actors who should be more famous and more...


"For the life of me I will never understand why Audra McDonald isn't bigger outside of Broadway." - Brian

"I will add to that list Irfhan Khan; he gets roles steadily, but in my mind he should be a household name." -Rebecca

"I'll also echo that Rosemarie DeWitt is one of the most talented working actresses, full stop. There is no other Best Supporting Actress of 2008." - Hayden


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Entries in Steven Spielberg (71)

Friday
Apr062018

Cast This: The Next Indiana Jones

We’d have to change the name from Jones to Joan. And there would be nothing wrong with that. - Steven Spielberg.

We already knew the next Indiana Jones would not be Shia Labeouf, Crystal Skull notwithstanding. Now Steven Spielberg has indicated it might be a woman. Harrison Ford will be back, one last time, for the 5th film in the hugely popular series. But after that we might get Joan Jones? Indiana Joan? Spielberg also seems not to know the difference between first and last names.

The 5th Indiana Jones, as yet untitled,  has been announced as Spielberg’s next directorial project. It will be shooting in the UK next year. Which means we have a lot of time to fantasy cast the female Indiana. Who would be your choice?

Wednesday
Mar282018

Review: "Ready Player One"

by Chris Feil

The pairing of godfather of contemporary pop culture Steven Spielberg with a film adaptation of Ernest Cline’s reference heavy Ready Player One sounds like one that would fit like a glove. Cline’s novel has great reverence for the Spielberg canon, not to mention a wide-ranging affection for video games, cinema, and general geekery that is greatly indebted to him as one of our greatest storytellers. The chance for the legend to riff on the likes of John Hughes and Robert Zemeckis already carries a bit of whimsy, an acknowledgement of the type of now omnipresent fan culture that he laid the groundwork for. Don’t forget Spielberg was the original movie nerd, and the opportunity to play with some of his own inspirations like King Kong should naturally allow him to approach the material with necessary affection.

But this perfectly-fit glove turns out to be an inside-out rubber one that’s spent the day scrubbing an ancient multiplex floor, and it’s our hands that end up covered in junk...

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Tuesday
Feb202018

Doc Corner: 'The Most Dangerous Man in America' Goes Where 'The Post' Doesn't

By Glenn Dunks

If The Post gave you a hankering for the truth behind the Pentagon Papers, then the 2010 documentary The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers will prove uncommonly fulfilling. In fact, watching this Academy Award-nominated doc (it lost to The Cove), you would be hard-pressed to believe that it's about the same events as portrayed in the Steven Spielberg movie.

Last week we looked at The Price of Gold and how closedly I, Tonya mimicked it, so it's actually quite amusing to see that this week's Best Picture / Documentary cross-over is the complete opposite. Sure, they overlap here and cross-over there, but The Most Dangerous Man in America goes longer, deeper, wider, and somehow all but completely ignores The Washington Post and the personalities within the 2017 film...

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Friday
Feb092018

A quick look back at the Oscar Nominee Luncheon

by Nathaniel R

photo via Rebecca Keegan

The Oscar Nominee Luncheon -- which we must belatedly now obsess over -- is one of the greatest Oscar traditions, for a variety of reasons which have nothing to do with lunching. One of the secrets to its wonderfulness is possibly that it's not telecast so it still maintains some kind of insider cachet. Nevertheless the media are invited so it's not "private" per se. And even if it were, in our social media age the stars serve as their own kind of media outlet, too, with their selfie madness...

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Tuesday
Jan162018

Women of "The Post" 

By Spencer Coile 

There is a scene during a climactic moment in The Post where Katharine Graham (Meryl Streep), publisher for The Washington Post, wades into a crowd. News outlets and reporters swarm around her, probing her decision to run an article exposing the U.S. government for their involvement in the Pentagon Papers. Without uttering a word, she glides past the press, but the camera slows as Katharine finds herself surrounded by a small group of women in this crowd, all staring at her with admiration. 

The Post serves as a timely reminder for why we should never underestimate the impact one powerful woman can make. Though Katharine Graham is the central female focus of the film, Spielberg's latest work features multiple women: they are reporters, wives, mothers, daughters. Each character provides insight into this pivotal moment in American history. So how does The Post honor their legacy? 

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Wednesday
Dec272017

Reviews: "The Post" and "The Greatest Showman"

This review was originally published in Nathaniel's column at Towleroad. It is reprinted here in slightly altered form...

If you take film critics, Rotten Tomatoes, or any review aggregate site seriously you might think that future Oscar contender The Post (86%) is a pricey gift from Santa Spielberg that’s come exquisitely wrapped for Christmas. You might also believe that the new Hugh Jackman musical The Greatest Showman (51%) is an oversized lump of coal fouling up your otherwise pretty stocking. Don’t fall for that anti-fun / theme=worth messaging; See both for a well-rounded holiday week at the movies...

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