"Close Encounters of the Third Kind" in 30 Perfect Shots

by Cláudio Alves

Years ago, as part of the dearly departed Hit Me With Your Best Shot series, the Film Experience hosted a celebration whose theme was the 1977 Best Cinematography Oscar nominees. Much was written about the contenders' beauty, their visual storytelling, and aesthetic vices. None was more praised than Steven Spielberg's Close Encounters of the Third Kind, whose lensing earned Vilmos Zsigmond a well-deserved Academy Award. It was the film's only victory on Oscar night, partly because another seminal work in American sci-fi stole its thunder. Even so, Spielberg's creation endures, as miraculous as it ever was.

American audiences now have the privilege of revisiting the film in a new 4K restoration. Last weekend, it played in selected theaters as a special event, and there's an encore this Wednesday. Oh, how I wish I could experience it on the big screen. In lieu of that, I re-watched the film at home and decided to write about thirty of its best shots – and there are so many perfect ones! Consider this my lengthy and much-delayed contribution to that Hit Me With Your Best Shot of years past…

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Queering the Oscars: Best Actor "A Special Day"

by Eric Blume

Marcello Mastroianni’s 1977 Best Actor Oscar nomination for Ettore Scola’s film A Special Day was one of the first examples of a straight actors being recognized for playing a gay role.  Prior to that, we’d only had Peter Finch in Sunday Bloody Sunday and Al Pacino in Dog Day Afternoon, and neither of those actors had such an entrenched persona of the “macho lover” as did Mastroianni.   

A Special Day gives us not just one Italian cinema icon playing against type, but two...

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