The 14th Annual Team Experience Awards: “One Battle After Another” is our champion! Three cheers for PTA!!!

by Cláudio Alves

ONE BATTLE AFTER ANOTHER | © Warner Bros.

Later tonight, we’ll have a new batch of Oscar winners to celebrate. But, for now, let us rejoice for the Team Experience Awards, voted on by the site’s writers, sans Nathaniel, who has his own Film Bitch Awards. It’s likely some of these victors may echo AMPAS’ picks, as One Battle After Another is our champion, after having tied with Sinners in nominations, twelve apiece. As ever, there are some ties to report as our voting body is quite small, with Supporting Actress and Costume Design the tightest races of the lot. Sentimental Value and The Secret Agent fans will also have reason to rejoice, with each flick scoring three prizes. Indeed, half of our winners come from international cinema...

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98th Academy Awards: FINAL PREDICTIONS!

by Cláudio Alves

Ryan Coogler's SINNERS is the most Oscar-nominated film ever! But will it win the most awards at the 98th Academy Awards? ONE BATTLE AFTER ANOTHER is tough competition.

The 98th Academy Awards are almost upon us, so, on this last day before the festivities, let’s put our pundit hats on and try to suss out whom AMPAS has picked. Nine Team Experience writers, including Nathaniel(!), have provided their best guesses, evidencing some interesting trends, some even more interesting conflicts. One of the big questions is who’ll reign supreme between the two Warner Bros. Best Picture frontrunners. Will it be the all-time nomination leader or the critical darling whose director has been due for ages already? Nat is betting on Sinners getting the biggest haul of the night, including Best Picture, while others, like Eric Blum and Juan Carlos Ojano, don’t even think the vampire flick will beat Frankenstein in sheer number of victories. Presently, I’m the only one predicting Sinners getting the most wins with One Battle After Another still taking Picture. Only time will tell who’s rightest among us. 

Without further ado, please venture, after the jump, to see the full prediction charts, plus some added commentary from the team…

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Split Decision: “Marty Supreme”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Today, ABE FRIEDTANZER and CLÁUDIO ALVES discuss Marty Supreme...

ABE: In 2024, I achieved an exciting milestone: seeing all the major Oscar movies before Thanksgiving. The last one I caught was the late-breaking Timothée Chalamet movie no one had seen yet, A Complete Unknown. Since I'm not into music all that much, I was impressed but not wowed, but happy at least, even if just for prognostication purposes, to have seen a film that was going to factor into the Oscar race.

It's amusing that, one year later, the film that nearly eluded me and turned out to be close to my last one to screen was also a little-seen late-breaking Timothée Chalamet movie. The difference here, however, was that Marty Supreme had its surprise premiere at the New York Film Festival, and then I managed to RSVP for an FYC screening in mid-October in LA that disappeared from listings moments later. I got to the Academy Museum and only found my seat ten minutes after the screening was supposed to start, stunned at how popular this hard-to-see film was. I knew nothing about it other than that it was Josh Safdie's first time directing a movie on his own in many years, and Chalamet was supposed to be incredible. Several hours later, I found myself in solid agreement…

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Oscar Volley: Will “Best Cinematography” make history?

The Oscar Volleys continue. Today, ERIC BLUME and CLÁUDIO ALVES discuss the potentially historic race for Best Cinematography.

With SINNERS, Autumn Durald Arkapaw might become the first woman to win the Best Cinematography Oscar. | © Warner Bros.

ERIC: Hi Cláudio, I'm the lucky man who gets to talk to you about one of Oscar's most exciting categories, Best Cinematography.  Except, for me, it is not a very exciting category this year.  Usually, this branch has at least one or two truly inspired nominations that feel exclusive to their expertise.  This year, much like the Production Design category I just discussed with Ben, I feel like we broke more into the "default" films that popped up in every category. 

What's your initial impression of the five nominees:  Frankenstein, Marty Supreme, One Battle After Another, Sinners, and Train Dreams?

CLÁUDIO: My initial reaction is that the cinematographers branch should collectively see an optometrist, while the Academy at large needs to watch more movies than the twelve or so titles left contending for a Best Picture nod at the end of December. Alas, that is not the world we live in…

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Oscar Volley: “Best Actor” will be a nail-biter to the bitter end

The Oscar Volleys continue. Today, CLÁUDIO ALVES and EUROCHEESE discuss the Oscar race for Best Actor.

Timothée Chalamet in MARTY SUPREME | © A24

CLÁUDIO: Last year in movies turned out to be an odd one for me. Mostly because, when I looked at my spreadsheets and lists to make up a ballot, the male acting categories felt markedly richer than their female counterparts. This never happens, not to me, at least. Yet, here we are. And while the supporting acting races don't necessarily show this - the Supporting Actress quintet AMPAS chose is one of the strongest we've had in years, mayhap decades - the leads bear the truth of the matter quite starkly.

In other words, I'm surprisingly happy to be discussing Best Actor rather than Best Actress in this year's volleys. I'm even happier to be doing it with you, Eurocheese! Are you similarly enthused?

EUROCHEESE: Same! I could have easily filled ten Actress slots the prior year, but last year saw a slew of brilliant male leads, making the limit to five a difficult choice. I can't complain about the choices the Academy made here - all five deserve their names in this lineup...

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