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Alicia Vikander cast as Lara Croft: Tomb Raider
Only supporting actress winners are allowed to play this role!

"What on earth can Alicia bring to this role, and why bother? Good luck." - Tom F

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Entries in Team Experience (79)

Tuesday
Feb232016

Team Experience - Favorite Presenter Moments from the Oscar Show

The Academy has announced the names of many presenters for the big night on February 28th. The list includes the best actress nominee who gave us this often used gifable funny moment, reacting to the makeup in The Wolfman (2010).

A few writers from The Film Experience share 7 more favorite moments from the presenters after the jump, including Meryl, Jim Carrey and Emma Stone...

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Thursday
Feb042016

"To enter the mind of a killer she must challenge the mind of a madman."

Oh...um... If this door should fall down or, ha ha, anything else, this is the number for our Baltimore field office. 

I love Clarice Starling's little 'I mean... what could happen?' nervous chuckle just before she slides under that fateful "Your Self Storage" facility door, don't you?

Remember when we tag-teamed Alfred Hitchcock's Rebecca? We're doing the same for Jonathan Demme's thriller classic Silence of the Lambs (1991) for its 25th anniversary next week. Be here Monday through Friday at 12:30 PM EST next week for each continuing chapter of the retrospective!

For maximum pleasure, if we may use such a word for this macabre event, rewatch 1991's Best Picture with us and join the conversation!

Thursday
Jan142016

Farewell My Lovely: Team Experience Says (Figurative) Goodbyes to Oscar's Unsung

If you dwell too much on the negatives on Oscar Nomination Morning it can be so deflating that the rest of the season (just one month to go) can feel agonizing. Nevertheless we owe the movies and actors that enrich our lives a proper send off here now that Oscar has closed this particular chapter on them. But never fear. The Academy Awards are a fun time from a anecdotal calendar perspective and important in a history chapter kind of way but they're never ever ever the full book on the movies.

Here are achievements in film from Carol, Creed, Inside Out, and more that we here at TFE have no intention of saying goodbye to in reality, though we'll have to set them aside in a particular kind of way this month... 

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Benicio del Toro in Sicario
While Sicario received some recognition in the technical categories, it didn’t end up making the cut for any of the majors, including the acting awards.  That’s a particular shame in the case of Benicio del Toro, who quietly managed to steal the movie from his excellent co-stars but couldn’t quite nab a supporting actor nod from Oscar.  His character starts out as a taciturn, enigmatic presence, content to keep a low profile and deflect questions about why he’s there.  But as the movie unfolds, he starts to assume increasing authority and gradually morphs into an ominous, even terrifying figure of retribution.  It’s arguably somewhat lazy writing that he’s driven by personal revenge, yet del Toro, to his credit, doesn’t use this tried-and-true motivation as an excuse to chew scenery.  Instead, he delivers a remarkably controlled and powerful portrayal of a formerly moral man who’s corrupted by his single-minded pursuit—and knows it. -Lynn Lee

Inside Out
When the Academy decided to open up the Best Picture category, it was thought that more diversity would be represented. While there have been a few interesting choices since the decision, it is usually just more middle of the road prestige pics. That a genre film like Mad Max Fury Road was able to make it in today should be celebrated....

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Thursday
Jan142016

Team Experience: Personal Favorite Oscar Nods

While I update the charts I asked the team to share their single favorite Oscar nomination of the day. And I hope you'll pick a single nomination to praise in the comments to. What most delighted you?

And now the favorite things hoopla begins... 

Mad Max: Fury Road - Best Picture
Back in May, critics and cinephiles, myself included, fell in love with Mad Max: Fury Road. It wasn’t just lust or infatuation. It was the kind of love that breeds doubt that others could see in the movie what we saw. Perhaps for that reason, a chorus of moans immediately went up about how not only is the Academy so often forgetful of Spring films, but that Mad Max was probably too fun, too action-y, too daring, hell, too feminist, for the academy to acknowledge it come Oscar season. Then, over the course of the summer, it didn’t even become the blockbuster many expected it would. Domestically speaking, it barely recouped its $150 million budget. (That may sound like a lot, but in the summer of “gigantosauri,” as Mark Harris called it, it was runtish.) How wonderful then today, to see a movie as exciting as it is smart get its due. - Kyle Stevens

Lenny Abrahamson, Room - Best Director
Every moment is so carefully considered. His touch is so gentle that he earns every tear he's coaxed out of us by patiently setting up character and context. He makes Room feel so big and the real world so oppressively small. You can feel that the film was constructed by someone with a deep well of compassion and a profound understanding of what presentation the story demands to impact us. I had hoped that he could make it in, but so rarely does the director's branch award solid quiet observation. - Chris Feil  

more after the jump... 

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Friday
Sep182015

Team Experience: 2015's Best Emmy Nominees

Andrew here with some more Emmy treats.

In anticipation of Sunday's big night for TV, the television lovers at The Film Experience are bringing to you a special Team Experience top 10 list.Sure, each year a handful of Emmy nominees leave us scratching our head in confusion, but we wanted to celebrate the citations that the voters got right this year and compiled our list of favourite nominees. Unlike usual Team Experience top 10s, though, we're offering you a look at each of our individual top 10s.

Nathaniel always points out how interesting individual ballots in awards tends to be more dynamic than the final tally and to celebrate the wide range of nominees in the prizes still to be handed at Sunday's ceremonies. So, we disregarded the already decided on categories from the Creative Awards ceremonies and from the 26 categories to be decided on Sunday, our twelve person team each submitted their favourite of the nominees.

Unsurprisingly, our individual ballots were full of Actresses. Go below the jump to see them all.

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Friday
Sep042015

Team Top Ten: Back to School Edition

Amir here, bringing you Team Experience’s latest top ten list.

It’s hard to think of a genre that gets less respect than the high school film, but try contemplating a list of the best high school films of all time and a never-ending stream of classics seems to rush forward. That’s exactly what our team decided to do this month, and to make things difficult for ourselves, we expanded our horizons to include school films about kids of all ages, from all countries. After all, teenagers aren’t the only ones going back to school next week. What about the younger kids?

As it turned out, our team was more enthusiastic about this poll than any we had done before. With more ballots and more votes than ever before, this list was a real hoot for me to compile; and the range and quality of the films that were left off the final ten only serves to highlight the wealth of options at our disposal. From bonafide classics like Splendor in the Grass and If…, to influential foreign films like Zero for Conduct and Where Is the Friend’s Home?, to more recent films like Elephant and Perks of Being Wallflower, to documentaries like Hoop Dreams, back to school gives everyone with any cinematic taste something to savor. And those are just the stuff that didn’t make the cut! Well, those along with Grease, Boyz n the Hood, American Graffiti, Heathers, Wet Hot American Summer, Back to the Future, Dead Poet’s Society, and… you get the picture.

So, without further ado...

 Team Experience’s Top Ten School Films

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Tuesday
Aug182015

The Team on TV: Masters of Sex S3

Last week we kicked off a new weekly series in which we assemble a few rotating members of Team Experience to discuss various TV shows. Here's Dan, David, Deborah, and Manuel on discuss Masters of Sex - Editor
 

Dan: Hello everybody, welcome to our roundtable discussion on Masters Of Sex. I want to begin with a general topic: How do you all respond to time jumps in TV shows? Masters of Sex does this a lot, with several months often taking place offscreen either in between episodes or even during a single episode (S2's "Asterion" comes to mind). The second season ended in 1961, and this season began in 1966, skipping anything dealing with finding a publisher and marketing the study as a book. Did that throw you? Did you miss anything that would have been covered in the years we didn't get to see?

I was taken aback when it turned out Isabelle Fuhrman was Virginia's daughter Tessa, because last we saw Virginia had given up custody of her kids and Tessa was still a little girl. Now she's all grown and sneaking alcohol and drunkenly attempting to kiss Bill.... what happened to our sweet girl?

Deborah: Hi Dan and all!  I'm a Mad Men fanatic, so I don't mind time jumps in theory. But Masters of Sex has been clunky with it. A big time jump at the halfway point of a season (Asterion) is awkward. At the time, I wrote "Halfway through Season 2, Masters of Sex decides 'to hell with this.'" It was strange. Jumping forward between seasons is a more elegant way and it makes sense. Here's what doesn't make sense: The show clearly wanted to get to the publication of the book, because all the years of research for the book were bound to become repetitive. That being the case, now that they've brought us to the book, why put so much attention on Virginia's kids and Bill's marriage?

More...

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