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Entries in Adaptations (134)

Friday
Jul242015

This Week in WTF: "King of Comedy", the Musical

Dancin' Dan popping in for a weekend dose of WTF.

There's no sense in burying the lede: Composer Stephen Trask (Hedwig and the Angry Inch) and writer Chris D'Arienzo (Rock of Agesare on board to make a musical out of Martin Scorsese's The King of Comedy.

My head is spinning. This has to be the weirdest screen-to-stage transfer ever. Even American Psycho made slightly more sense, since music was so important to that film. While it's true that King of Comedy has only proven more and more timely as the years have gone on, it still doesn't scream "MAKE ME A MUSICAL!!!" the way some films do. And the team of Trask and D'Arienzo could not be more mismatched on paper: The man behind the music of Hedwig, one of the most unique musicals ever written, and the man behind the words of one of the weaker jukebox musicals in recent memory (at least book-wise) working on one of the darkest satires of modern culture? Weird. Weirder. Weirdest.

Knowing not what to make of this news, we drift to a future pressing question: WHO WOULD THEY EVEN CAST? I can personally see the great Alan Cumming in either the DeNiro or Lewis roles, but there isn't a single person I can think of who I'd want to see in the Sandra Bernhard role. What other triple threat (you know she's gonna have at least one big dance number) has that acidic, caustic sense of humor? Who would even want to step into those shoes? 

Are you amply confused by this announcement, too? Who would you cast as the leads? 

Wednesday
Jul222015

1995: The Year Jane Austen Came to the Movies

Our look back at 1995 continues with Lynn Lee on an unexpected breakout...

Clueless turned 20 this week, but as the Internet has constantly reminded us, it hasn’t aged a day.  At once timeless ("a classic," as Cher would say) and delightfully dated, it’s a modern riff on a period piece – Jane Austen’s Emma – that's become something of a period piece itself. The latter aspect tends to draw attention away from the former, but I happened to see the movie again at a recent party and was reminded not just how perfectly it captures the ’90s, but also (1) how brilliantly it adapts Emma, and (2) how 1995 really was the breakout year for Jane Austen in film. 

Keep in mind that prior to 1995, the only film version of a Jane Austen novel was the 1940 B&W “Pride & Prejudice” starring Greer Garson and Laurence Olivier.  1995 changed all that...

Click to read more ...

Tuesday
Jul142015

Yes No Maybe So: Kate Winslet IS The Dressmaker 

This is dedicated to the patient among you, those who don't badger me about things they KNOW are coming. (Like we're not going to cover this trailer, at TFE! It's like you've never been here before). Most importantly this is dedicated to the die-hard Kate Winslet fans who will sit through Labor Day, Divergent, and A Little Chaos to be there her true return to form whenever it happens. By the looks of this trailer for The Dressmaker, the wait may soon be over.

The Yes No Maybe So breakdown, which is crazy overstuffed with screencaps since this diva murderess fashionista Oscar winner demands them, is after the jump with the trailer... 

Click to read more ...

Monday
Jul132015

Leo Bird Johnson & Other Casting News

Aaron Tveit considering Grease: Live...Manuel here helping you catch up with plenty of recent casting news! 

Broadway hunk Aaron Tveit (Enjolras in Les Misérables, 2012) is our new Danny Zuko in that live musical version of "Grease" which will also star Julianne Hough as Sandy (sigh) and Vanessa Hudgens as Rizzo (double sigh). TFE Best Supporting Actor dream Emmy nominee Teddy Sears is joining CW's The Flash as the original Flash Jay Garrick. And Jonathan Rhys-Meyers will front a The Clash biopic called London Town.

But if you made it this far it is because you’re wondering about that amazing retooling of Melissa Leo’s “Consider” Ad we all love so much.

Yes, while we’ve been suffering through close to five years of post-Oscar Leo ubiquity. I’m glad she’s been getting steady work, but I can’t be the only one who wishes she’d say no sometimes to every woman-in-power-suit role that comes her way. I guess they can’t all be Prisoners-style performances, can they? Well, as HBO continues to ready Jay Roach’s adaptation of All the Way (ie. the play that won Bryan Cranston a Tony), they’ve cast Melissa Leo as Lady Bird Johnson and I can’t believe we haven’t discussed that at TFE. I mean, I don’t subscribe to the “actor needs to be a spitting image” of the real-life person they’re portraying but this is just much too perfect, no? To make the casting news even sweeter, they've cast Anthony Mackie as Martin Luther King Jr. which just makes me happy as it means we're not losing all of our Hurt Locker boys to solely Marvel-produced films.

"Consider..." Are you excited about the LEOgend’s chance at a second* Emmy?

She previously won for her guest work on Louie

 

Monday
Jun292015

CAST THIS: Clueless, The Musical

Manuel here still recovering for a wonderful Pride weekend which I'm greedily extending for two more days with Bette Midler tonight and Fun Home tomorrow. Needless to say, movies and musicals, and movie musicals are on my mind. Thankfully, Amy Heckerling is here to tide me over, stoking Clueless fandom by letting us know she's finished writing the book for a stage musical adaptation of her 1995 film (though dampening the excitement a bit by confessing it's a jukebox musical to be directed by ??, of Rock of Ages fame). And so, since she acknowledged casting would be a big hurdle before we see "As if!" being uttered on stage, I thought we could help her out brainstorming names for the central three performances.

More...

Click to read more ...

Sunday
Jun282015

Podcast: More 1948 Smackdowning. Which Films Have Aged Well? 

You've read the new Supporting Actress Smackdown. Now here is it's companion podcast. This month there wasn't an obvious theme as in 1979's gender politics, but we had fun discussing the films and genres presented from noir to Shakespeare to soggy memoirs.

Host: Nathaniel R
Special Guests: Abdi Nazemianset, Catherine Stebbins, Joe Reid, and Tim Robey

Contents

  • 00:01 Introductions and how 1948 is new to us
  • 04:20 I Remember Mama is a George Stevens film? And how about those accents in Mama and Johnny Belinda
  • 18:00 Why did Key Largo only get one nomination -was it the noir thing?
  • 21:00 Stage & Cinema - they're all play adaptations but Key Largo and Hamlet both have an Ophelia! Shakespeare archetypes and Orson Welles
  • 33:00 Claire Trevor in Raw Deal (1948)
  • 36:00 Alternate nominees plus other 1948 films we like: Easter Parade, Cry of the City and Red River.
  • 40:00 Goodbyes and remake/recasting pitches from 1948

You can listen to the podcast here at the bottom of the post or download from iTunes.  Please continue the conversation in the comments. Who would you have nominated in 1948 for the big categories -- particularly in supporting? Which of the four main films we discussed is your favorite? 

And how about that Ann Miller in Easter Parade


 P.S. Further reading. During our 1948 month we looked at five additional films ICYMI: The Red ShoesLetter From an Unknown Woman,the animated shorts of the yearTreasure of the Sierra Madre and Sorry Wrong Number

P.P.S. The next smackdown at the end of July is 1995 so make sure to watch Sense & Sensibility, Mighty Aphrodite, Georgia, Apollo 13, and Nixon this month for a refresher. 

1948 Smackdown Companion