Film Bitch History
Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Film Bitch Awards: Visual Categories

"Annihilation, First Man and Roma are especially pretty" - Anonny

"The best thing about Roma is that splendid Black and White cinematography. And Lady Gaga could not have asked for a better shot film" - Jaragon

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Ben Foster (Leave No Trace)
Nadine Labaki (Capernaum)
Mamoru Hosoda (Mirai)
Justin Hurwitz (First Man)
Glenn Close (The Wife)
Hirokazu Koreeda (Shoplifters)

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Entries in Adaptations (262)


Film Bitch Awards: The Best Screenplays

by Nathaniel R

We just called to tell you you have amazing screenplays.

Movies are much more than their screenplays. There's a reason they call them motion pictures. But no matter what a filmmaker has up their sleeve in terms of visuals or sound, a sturdy platform from which to lift off is crucial. These ten films (and some finalists, too) were already starting at a significant advantage before the first day of shooting due to the calibre of their words, plots, themes, ideas, and structure. Herewith Nathaniel's ballot in both screenplay categories. We don't expect the bulk of these to be Oscar-nominated on Tuesday (let us not weep for Diablo Cody's Tully, for example, because history will be kind to it) but here's hoping that Eighth Grade, The Favourite, First Reformed, BlacKkKlansman, and Can You Ever Forgive Me? (at least) make their respective Oscar shortlists since they appear to have good shots at doing so. 

P.S. in case you missed them, the visual categories are half done, and the sound categories are complete. You can also see an ongoing nomination tally as we announce at the bottom of the sound page.


Blueprints: "Mary Poppins Returns"

This week, Jorge explores how a movie reintroduces iconic characters to a new generation.

When a new Mary Poppins movie was greenlit, many sighed a sigh of relief when it was announced that it wouldn’t be a remake of the 1964 classic, but rather a sequel. This new story would bring Mary Poppins back to the Banks children, who are adults now, and would look after their own kids now. Perhaps she would straighten the mess in their lives once again. 

The writers of this continuation faced the challenge of not only finding a new take inside the rest of author P.L. Travers’ series, but also reintroducing a character that has become a staple of cinema. A character who, because of the 60-year gap between movies, would be a completely different person. It turns out their answer was to treat it as if Mary Poppins had never left at all…

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USC Scripter Noms & Final Screenplay Predictions

The USC Libraries, chaired by USC professor Howard Rodman, that began in 1988. Though they can signify strength moving into Oscar nominations, it's important to remember that they're a juried award from a college so not connected to the Oscar voting body, though perhaps Rodman himself is a member since he as once president of the WGA.  

Their nominations as well as our final predictions for Oscar's Screenplay categories are after the jump...


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Guild Nominations En Masse!

by Nathaniel R

Today is a big day. It's Globe fallout day but also the day when  the guilds start announcing en masse. Today we heard from the writers, the editors, and the art directors guilds to give us more clues as to which films the industry is gaga for. The only films that scored at all three guilds were A Star is Born and Roma, which NOT COINCIDENTALLY feel like the two most likely films to win Best Picture on Oscar night, give or take Black Panther.

The nominations are all after the jump...

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Blueprints: FYC, Adapted Screenplays

In this week's Blueprints, Jorge Molina looks into five adapted scripts that should be featured n the awards conversation. If you missed the Original Screenplay FYCs, they're here


While Original Screenplays tends to be where usually the Academy rewards more unconventional stories, the adapted screenplay category carries with it an air of respectability and prestige. Maybe it’s because it usually involves translation from a literary medium, respected novels or award winning plays. Maybe it’s because adaptations carry a built-in audience, something Hollywood values. Adapted screenplays have the advantage of arriving with an already fully formed and sometimes familiar story. But translating that into a cinematic medium is one of the hardest tasks for a writer: making the verbal into visual, compressing dozens of chapters into a two-hour story, learning what to leave in, what to take out, what to add or change.

Here are five screenplays that each took a previously published piece and turned it into an engaging, engrossing and cinematic experience....

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