Entries in Julianne Moore (124)
Written and directed by Todd Haynes. Cinematography by Alex Nepomniaschy.
With Julianne Moore, Xander Berkeley, James LeGros, Beth Grant and Peter Friedman.
Hit Me With Your Best Shot has been running for six years and we've finally braved one of the most fascinating jewels of the 1990s cinema. Todd Haynes's disturbing, sad, confounding, and highly interpretable early masterwork [SAFE]. It's the film that layed the groundwork for the cult of Julianne Moore (on the heels of her well regarded but little-seen performance in Vanya on 42nd Street). Two years later mainstream stardom with frequent eyes on the art house, hit. In 1997, a seismic year, she had her first major role in a blockbuster (Lost World: Jurassic Park), her first instant classic with accompanying Oscar nod (Boogie Nights), and fell in love with her eventual second husband, then freshmen director Bart Freundlich (Myth of Fingerprints). And by then people were starting to discover [SAFE], too. The film's reputation is such now that people forget that not many people knew about it back then. It grossed just $500,000 in theaters and mystified many critics.
I've never forgotten this line from a Damian Cannon review back in the day
The acting is amazingly flat and inexpressive, the result of a performance by Moore which is either fantastic or abysmal. "
More after the jump including the Best Shot Choices
Manuel here eager to discuss the new trailer for Julianne Moore and Ellen Page's upcoming lesbian drama, Freeheld. Nat is swamped off-blog today so it's up to me to rush in to talk about this (ugh watermarked!!) trailer that premiered last night. We all know where the TFE readership will fall in pre-viewing collective excitement about Peter Sollet's film about the legal fight of a local cop with the Ocean County, New Jersey Board of Chosen Freeholders over her pension benefits transferring to her domestic partner after she's diagnosed with lung cancer. But that won’t stop us from submitting it to our handy Yes No Maybe So test, and typing YES several times in the next couple of paragraphs.
The breakdown and trailer after the jump...
AV Club Parker Posey cast in Woody Allen's next film. Here's hoping she can graduate to lead muse
Variety Miramax and its 700 film library (all of which were Oscar nominated in the 1990s*) are for sale. Potential buyers balking at the $1 billion price tag.
Guardian Emma Stone on being "the butt of jokes" and learning about whitewashing in Hollywood through that Aloha fiasco of hers
Empire Aladdin added to Disney's growing 'let's make live-action movies based on our animated library' list
Joanna Robinson ...offered my favorite response to this
Variety Julianne Moore leaves Nicole Holofcener's Can You Ever Forgive Me? - replacement seeking commence (10 bucks on Catherine Keener cuz that's how Holofcener do)
Coming Soon David Gordon Green will direct a Boston Marathon bombing related film with the extremely generic title of Stronger
Harpy annoys me with this article asking us to excuse bad character design in X-Men movies if the movie turns out OK. Let's not lower our standards shall we?
The Wrap Star Wars unhappy with Amy Schumer's risqué GQ photoshoot
Screencrush realizes that every Marvel villain is essentially the same guy
Salon has Hollywood reached a tipping point with sexism? More and more A listers speaking out
This piece from The Telegraph won a lot of online attention. It looks back at the then unique Sky Captain and the World of Tomorrow (2004) and how the filmmakers (Kerry Conran and Kevin Conran) were immediately forgotten by Hollywood despite their process becoming enormously influential.
...and ICYMI Tim's Toons also revisited this Visual FX landmark last year for its 10th anniversary
The Cut "what open marriage taught one man about feminism" - I would argue that this is not about feminism at all BUT it is about one couple's complicated relationship and it's interesting to hear intimate things about people's private lives that you're not usually privvy to. What's even more fascinating (if depressing / expected) is how defensive and hateful the comments are. People just can't handle anything that challenges the norm without excessive judgement - it terrifies them, they lash out. We've seen this over and over with every social battle... and also with every argument about what "marriage" means. Marriage has such a fraught complicated evolving history in legal, political, sexual, religious terms that it's hilarious that conservatives are always claiming that it's this great unchanging sacred monolith since the days of Adam & Eve.
Smithsonian has a history of creepy dolls
The Verge 'the trolls are winning the internet' - you don't know how often I'm grateful to most of you in our comparatively pleasant comments here at TFE
Pajiba asks that you stop writing, reading, publishing thinkpieces if the people writing them have not seen the thing they are writing about (it's an epidemic, really in this clickbait era)
*I'm kidding but it feels true.
A New Season of "Red Carpet Lineup" Begins...
NATHANIEL: Bonjour Jose. You're back on red carpet duty by popular request. I dared to post about the Met Gala without a conversation to go with it and I heard it from the readers.
JOSE: I'm moved but if they saw what I'm wearing now they wouldn't ask for me.
NATHANIEL: Always blame it on Laundry Day.
Before we begin proper can I just say that one thing I find exceptionally annoying about Cannes is when stars don't pose alone but only with groups. This seems to happen most with the Jury who are joined at the hip like they will be judged as a team in this maxi-challenge. And tonight Deneuve, the great lady of French cinema, stuck with her director Emmanuelle Bercot (whose opening night film Standing Tall has received warm notices) and the cast despite a rather becoming two-looks-in-one dress.
JOSE: She wants others to bask in her light, maybe? I do love her double gown. Two Face in a couture Batman
NATHANIEL: Opening Night always brings out the A listers so we have some of Oscar's favorite gown-wearers to discuss after the jump Natalie, Naomi, Lupita, and Our Juli...
Thanks to everyone who answered last week's open question about DVD coverage. We won't fuss too much about switching things up but we will do a little more than we are doing for the second and third wave audiences.
NEW DVD / BLURAY
This is your weekly reminder that Julianne Moore is now an Oscar winner! The film that finally did the job (in conjunction, of course, with goodwill from a dozen undeniable acting triumphs in her past) was Still Alice, a minimalist drama about a linguistics professor suffering from early on set Alzheimers which is now out on DVD and BluRay for you stragglers. Who still hasn't seen it? You owe it to Julie so, rectify. For those that did see it two questions:
- Which scene do you think cemented Julianne's Oscar traction or even her win?
- If it's different, what scene or moment do you still think about?
Also recommended: Germany's most recent Oscar submission Beloved Sisters didn't win much press or Oscar traction despite an actual theatrical release in the December glut but it will satisfy those of you that love a good costume drama and don't mind a long running time. It's about two sisters whose mother hopes for them to marry rich but they both fall in love with the same penniless poet. Perhaps they'll share him? Here's the complete review if you missed it.
Also new though good luck finding someone who recommends them: Mortdecai (Johnny Depp + Gwyneth Paltrow + moustaches?), Blackhat (Michael's review), The Cobbler (the scathing reviews were something of a surprise since writer/director Thomas McCarthy is usually beloved), and Taylor Lautner in Tracers (though I'm never going near one of those again post-Abduction)
Two recommended Instant Watches after the jump...
We saved the best for last. The complete April Foolish Oscar Predictions are up with the Best Actress chart finally complete. As is usual for this beleagured actress psychic, once I've thrown the first charts up in all categories I immediately feel a tidal wave of "no, no, that's all wrong!" though the years have proven me relatively adept at first wave guesswork. At least comparatively speaking.
After fixing up a chart that included 3 older women who happen to be 3 of the 4 most recent winners (Julianne Moore, Cate Blanchett, and Meryl Streep) I immediately realized that this surely could not come to pass and regretted hitting publish. But you have to get the first wave predictions up eventually, so published it stayed. And a truth: everyone is going to be wrong this year because it looks highly competitive with multiple promising leading roles for women.
Recognizing the over 40s in Best Actress has never been AMPAS's strong suit so surely the tide will turn sharply this year or next after so many older winners and even a year with the oldest lineup of all time in terms of nominees in this category (2013). Perhaps this year's lineup will include none of those darlings and skew very young: Saoirse Ronan, Carey Mulligan, Ellen Page, Alicia Vikander (with 8 movies opening something is going to stick), and Jennifer Lawrence (again)... though I personally hold out hope that Lily Tomlin's bravura turn in Grandma can win some "career tribute" style press and make a play for her second nomination 40 years after her first for Nashville.
Or maybe they'll finally make room for my riskiest hunch, Emily Blunt and give her her first nomination at 32 years of age for playing a young FBI agent up against a swarm of dangerous men. Shades of Jodie Foster in Silence of the Lambs anyone?
Please do check out the chart and let's get busy discussing!
Rooney: Do you think we'll be nominated again, Cate?