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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Ashley Judd, Pulp Queen

"Double Jeopardy is my jam!!! I ain't mad at cha, Miss Ashley! " - Dorian

"Ashley reminds me of Ida Lupino, who in the '40s had a lot of talent but was undervalued because of her association with genre potboilers." -Brookesboy

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Entries in Julianne Moore (157)

Tuesday
Feb062018

T'weetweek, T'Challa! 

a semi weekly collection for those w/ or w/out twitter curated by Nathaniel R

After the jump little jewel tweets on Saoirse Ronan, ASL in film, Russell Crowe on his next film, and Jessica Chastain relating to Lady Bird. But first Black Panther...

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Tuesday
Jan162018

The Flesh is Weak: Body of Evidence at 25

 by Seán McGovern

Madonna is a lot of things: Singer. Mother. Grammy Winner. Cosmetics Magnate. She is also a “movie killer”. But Body of Evidence, which turns 25 this week, is not entirely her fault. Nor, sadly, is it camp enough, ludicrous enough or, really, bad enough for the opinion of it to have changed after all these years.

Body of Evidence arrived at a particular nexus of Madonna's career. Riding on the wave of Like A Prayer, pushing boundaries with the Blonde Ambition Tour and the exuberant Truth or Dare, Madonna's imperial phase began to dip with her boundary-pushing take on sex and erotica; namely, SEX and Erotica. While Madonna would remain unapologetic, Body of Evidence, and the accompanying explicit period in career concluded with one of the most consistent criticisms of Madonna: rigid-perfectionism and managed-spontaneity...

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Wednesday
Jan032018

Interview: on the Ghostly Costume Design of "The Beguiled"

 by Nathaniel R

The costume designer Stacey Battat has, to date, worked mostly in female-oriented contemporary indies. That's quite a perfect niche to build a design career from. Or at least it is when the women who've visually helped define your early work are such stylish talented icons themselves. Battat first made her mark on two Parker Posey features in the late Aughts (Broken English, Happy Tears). Soon after she was deep in the Julianne Moore business (Still Alice, Freeheld, What Maisie Knew). Other credits include The Disappearance of Eleanor Rigby: Her and Him and Mozart in the Jungle but it's been her partnership with writer/director Sofia Coppola that's come to define her young career.

The two began working together on the LA dreamy Somewhere (2010). Battat proved invaluable to all the fashiongasms of Coppola's arguably most underrated feature The Bling Ring (2013). Then came an atypical challenge: a forgotten girls school deep in the Civil War era.

I spoke with Battat recently by phone to talk about one of the most visually striking films this past year, The Beguiled, and what she brought to it. Our interview, edited for clarity and length follows...

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Saturday
Dec232017

Year in Review: 17 Wigs From 2017

Each day a new "year in review" angle. Here's Chris Feil...

Perhaps it's the return of RuPaul's Drag Race next month or the fact that we finally have Greta Gerwig in the Oscar race, but we've got wigs on the brain. While Oscar has nailed down the potentially nominated wiggery for the Makeup and Hairstyling category, it's worth reflecting that this year gave us far more glorious wig moments than can be captured in a single Oscar category.

From Michelle Williams's subtle 70s waves in All the Money in the World, the white trash extravaganza of I, Tonya, to The Greatest Showman's candy confections, the movies had us shouting "WIG!" all year long.

Here are 17 memorable moments in wigs in 2017...

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Monday
Nov272017

"Gloria" and "Magdalene" First Looks!

Chris here, with first looks for two of our most beloved actresses. The first is far less dramatic than those fabulous smoking set photos, but comes with some dramatic backstory: Mary Magdalene. Here we see Rooney Mara's biblical woman gorgeous and windblown between smoke breaks...

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