Entries in Tilda Swinton (61)
In the imaginary awards ceremony we hold for the Film Bitch Awards each year (when: January through March; where: Nathaniel's brain and on this website) Missi Pyle as "Ellen Abbott" announces the nominees for the limited or cameo role categories. With three or four sharp scenes in Gone Girl she's too big for this category but she's good TV, you must agree. Getting the balance right for this category is tricky. Which roles are too big to fit? Many of the people who immediately popped to mind this year as "cameos" were really were more than that. Oprah Winfrey is great in that crucial opening expose about voter suppression in Selma but she also marches, gets arrested and her throughline doubles as the whole narrative arc of the movie, so we couldn't really include her. Lindsay Duncan in Birdman, was another close call, but we opted to include due to only two scenes even though she's the focus.
We take this seriously y'all. As proof look at all these fine actresses we were considering...
Top left to right by row: Karin Myrenberg (Force Majeure), Charlotte Rampling (Young & Beautiful), Lesley Manville (Mr Turner); Jena Malone (Inherent Vice); Alison Pill (Snowpiercer); Lindsay Duncan (Birdman); Hong Chau (Inherent Vice); Sela Ward (Gone Girl); Anamaria Marinca (Fury); Menna Trusslar (Pride); Tilda Swinton (Grand Budapest Hotel); Annie Funke (A Most Violent Year); Uma Thurman (Nymphomaniac Vol. 1); Casey Rose Wilson (Gone Girl); Kathleen Rose Perkins (Gone Girl); Karina Fernandez (Pride)
And here are the nominees, wrapping up nominations in all categories for the 15th annual Film Bitch Awards. The nomination stats are at the bottom of the "best scenes" page if you're interested. Gold, Silver and Bronze medals in all categories will be handed out this weekend.
It's a mini-tweets o' the week roundup because I didn't spend much time on social media this week. But I do feel the need to share these yummy morsels featuring Tilda Swinton (Not Tilda), Little Women, Hugh Jackman, Crimson Peak, and Cate Blanchett after the jump...
Toys R Us is way more homoerotic than I remembered. pic.twitter.com/k5x87IMohO— itsonlyzach (@itsonlyzach) March 15, 2015
Team Experience is counting down our 15 most anticipated for 2015. Here's Nathaniel...
Who & What: No, kids. NOT the watery pop art David Hockney painting. Not even the highly naked 70s era fictionalized bio sprung from that painting, though we'd happily see that too should someone screen it. (Curators?) What it is is FINALLY the Luca Gaudagino follow up to I Am Love which topped our charts when it was released in 2010. That film's inimitable star Tilda Swinton and its gifted cinematographer Yorick Le Saux (Only Lovers Left Alive) and editor Walter Fasano are all returning. New collaborators are production designer Maria Djurkovic (Tinker Tailor Soldier Spy, The Imitation Game), Dakota Johnson untied, and two of the best male screen actors in the world in Ralph Fiennes and Matthias Schoenaerts.
Here's the only photo that I'm aware of from the set:
Why We're Excited About It: Swinton and Fiennes hinted at fabulous chemistry in Grand Budapest Hotel in their ultra brief screentime together. They're playing ex-lovers this time -- with Tilda married to Schoenaerts so just those names all smooshed together in a daisy chain sound like a bodice ripper for art film fans. The characters all collide on vacation in Italy including Fiennes screen daughter (Dakota Johnson) and things get... well, no spoilers but there's obviously TROUBLE and that trouble is at least somewhat sexual. It's adapted from La Piscine (1969) a French film starring the beauteous coupling of Alain Delon & Romy Schneider. If you want spoilers, go there.
What if It All Goes Wrong: Guadagnino has been doing shorts and documentaries for the past several years after I Am Love, just as he had before that international breakthrough. Following up a masterpiece is never easy. It's probably not safe to expect something that brilliant again though we wish him enormous success so he might finally get that proposed remake of Auntie Mame with Tilda in the leading role made after all. Another concern: Margot Robbie was originally cast in Dakota's part and, ,apologies to Dakota, but that feels like a downgrade on the evidence of what we've seen so far from both of them.
When: Fox Searchlight has distribution rights for America and filming has wrapped so we'd expect a TIFF or Telluride bow followed by a November or December release if people are wild for it. But you never know. I Am Love did Venice and TIFF in 2009 and then waited until summer of 2010 for release.
previously in We Can't Wait, Kate Winslet in The Dressmaker
Did you catch the premiere of RuPaul's Drag Race S7? Underwhelming! It's that time in competitions before you've had any time yourself during which to fall in love / hate / conspiracy / indifference / lust with any players.
I eagerly await the moments each episode when the names of showbiz divas or pop culture properties are dropped but that usually comes from either the smartest or most seasoned queens or the judges who tend to have a better grasp of showbiz history than the competing queens each year whose pop awareness often seems disappointingly limited to Beyoncé waking up flawless. RuPaul dropped "Mitzi Gaynor" while commenting on a queen (I forget who). I'll bet you ten dolla and 33 cent that that queen will be googling it, like, "What's a Mitzi Gaynor?"...
Manuel here to discuss one of last week’s hottest trailers by one of my favorite funny ladies. After the success of Bridesmaids ($288 million worldwide gross and 2 Oscar nominations), it’s not surprising seeing Judd Apatow partnering up with another small-screen comedy talent for her big screen debut.
Written by Amy Schumer and directed by Apatow himself comes Trainwreck ("We all know one" the poster coyingly tells us), which opens this July as a nice bit of counter-programming (it goes up against Apatow-alum Paul Rudd's Ant-Man so you know where my momey that weekend will be going to). The film will first show itself over at SXSW as a "work-in-progress" so we'll have word of what to expect sooner rather than later, though it shows great confidence in the material. It also tells us precisely what kind of demographic they're hoping to muster enthusiasm among. Both Funny People and This is 40 failed to capitalize on the success of Knocked Up and The 40 Year Old Virgin so I'm sure hopes are higher for this female-fronted comedy.
But let's not get ahead of ourselves, in true TFE fashion, let’s dive right into the trailer giving it the YES, NO MAYBE SO treatment: