A Few Thoughts on the Golden Globes

by Nathaniel R

Screenshot from the Golden Globes 

Did you watch the Golden Globes Sunday night? The show was (mostly) bereft of the kind of shocks we got in the pre-reform era but in a year where crystal Oscar balls are still foggy with possibility -- seriously, which film is going to win Best Picture? -- there was still inherent drama in the opening of envelopes. At least on the film side; the TV prizes were a complete snooze fest, merely rubber-stamping September's Emmy wins! Spreading the wealth should not be such a difficult concept for awards voters but we live in an age of monopolies and oligarchs so maybe abundance it's just not a vibe for the entertainment industry these days. 

Emilia Perez (4 wins) and The Brutalist (3 wins) were all the rage with Globes voters. But did anyone else get a boost heading toward Oscar nominations?

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Best Actress Volley: It's On!

Nick, Nathaniel, and Eric engage in a discussion about everybody's favorite Oscar category:  Best Actress. For the record this conversation started the day of the Globes nominations so watch things narrow down as we speak! 

 

Will a surprise SAG nomination rescue any underperformers?

ERIC:  Nick and Nathaniel, I'm really excited about this volley because the Best Actress category is as always stacked, this year featuring at least a dozen ladies who stand a fairly legitimate shot at a nomination at this point.  I thought it might be fun, before we get to the current leading contenders, to take a look at that back half of the possibilities to gauge your thoughts.  Of the actresses that seem slightly less likely to nab a nomination this year...Kate Winslet, Pamela Anderson, Amy Adams, Tilda Swinton, Saoirse Ronan...do you see the winds changing in the weeks to come where any of them could gather enough momentum to move to the front of the pack?

I'm considering Jolie, Madison, Gascon, Moore, Kidman, Erivo, Torres, and Jean-Baptiste more ahead at this point, but comment as you may.

NATHANIEL:  It does feel like quite a crowded, anything-could-happen* year. Take for example one from your column B: Saoirse Ronan and one from your column A: Angelina Jolie...

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Mother-Daughter Duos at the Oscars

by Cláudio Alves

Fernanda Montenegro in Walter Salles' I'M STILL HERE.

This past week, Fernanda Montenegro celebrated her 95th birthday. A living legend of Brazilian culture in various mediums, she is our oldest living Best Actress nominee. Montenegro is back on the awards trail with Walter Salles' I'm Still Here. While her late-film cameo won't excite many voters, Brazil's Best International Film submission is raking in Audience Awards at festivals worldwide and sterling reviews to match. Perhaps Sony Pictures Classics can even look away from Saoirse Ronan and Almodóvar's leading ladies for a moment, and mount a Best Actress campaign for Fernanda Torres. Her performance as Eunice Paiva is nothing short of magnificent. 

Though a longshot, Torres' nomination would be amply deserved, making her and Montenegro one of the few mother-daughter duos to score acting Oscar nominations. It's a very exclusive club that includes…

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TIFF '24: "I'm Still Here" is a staggering piece of political cinema

by Cláudio Alves

An absence is a scar. You might not see it like you would scarred flesh, but deep down, you feel it. Memories are both a salve and a burning touch that keeps the tissue raised, red and angry. Memories are all that's left in the absence, so they define it as much as they soothe the pain. People are covered in such scars, littered all over their spirit. Places have them, too, like the ghosts of paintings and photographs taken down from the wall, leaving faded patches within a home that is no more. Countries bear them, their history a story of scars. We can learn from them. We have to, for the alternative is forgetting and forgetting is the death of history, of justice. If a country forgets, new scars will come to pass, torn with impunity in a vicious cycle without end. So, treasure the memory and learn to acknowledge the pain of absence. For absence is a scar, and we are our scars.

In his latest film, I'm Still Here, Brazillian director Walter Salles weaves these notions into every frame, articulating a passionate plea. His is a cinema that fights for the national memory and cries, bloody and furious, against forgetting…

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