Oscar Volleys: Best International Film aka “Emilia Pérez” vs. the World

The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Nathaniel Rogers discuss Best International Film...

EMILIA PÉREZ | © Netflix

ERIC:  Nathaniel, what fun to have you all to myself to discuss the nominees for Best International Film (which I sometimes still call Best Foreign Film, because that's been in my brain too long).  I think we have five pretty terrific nominees this year.  Before we get into their Oscar-ability, what is your personal take across the five films?  I wouldn't be mad at a ranking!

NATHANIEL:  I share the same nomenclature waffling but we both were Oscar watching since the 1980s so who can blame us?...

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The 13th Annual Team Experience Awards: NOMINATIONS ANNOUNCEMENT!

by Cláudio Alves

THE BRUTALIST | © A24

The Brutalist leads the nominations for the 13th annual Team Experience Awards. Brady Corbet's Oscar player scored in seven categories, including Best Picture, Director, and Actor. The film premiered on digital today, so if you missed it in theaters, it's time to give this epic a look. Many other Oscar frontrunners appeared on our ballots, with every one of AMPAS' Best Picture nominees featured in one category or another. As always, it's a fascinating mix of prestige fare and outré offerings, awards magnets, and obscure titles that got here on the basis of a few writers' burning passion. These awards are a testament to the variety of opinions featured on The Film Experience, having been voted by several members of its team. With the notable exception of Nathaniel, whose Film Bitch Awards are another matter altogether.

Discover the full list of nominees in 20 categories after the jump…

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Team Experience Oscar Prediction: Final Scores

by Cláudio Alves

No one predicted I'M STILL HERE in Best Picture. | © Sony Pictures Classics

We're still reeling from this morning's Oscar nominations announcement but it's time to check predictions and assess the numbers. Like last year, various members of the Team Experience put forward their best guesses. While the point of this exercise is to see how different folks see the race, it's also a little competition of sorts, with a pundit ranking at the end. Overall, our collection of writers did better than last year, averaging a 75% success rate when excluding those tricky short film categories. These predictions also help us grasp what the day's big surprises truly were, both in terms of shocking selections or notorious snubs. Without further ado, here's the final score…

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Some Positive Thoughts on Our Oscar Nominees...

by Eric Blume

EMILIA PÉREZ | © Netflix

Each Oscar nomination morning, there’s always that moment of sadness or anger over our favorites being left out of the race.  It’s part of the fun of the awards season really…righteous indignation feels damn good!  And I’m sure, for all of you, this year was no exception.  There’s always something to gripe about on how the Academy did someone dirty, or how they’re sheep about following the trends, etc.

BUT, let’s have some fun and look at some of the positive things about this year’s nominees…

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Which International Feature Films will get into Best Picture?

by Juan Carlos Ojano

96 years of Oscars, 14 international feaure films nominated for Best Picture.

While some awards bodies have already commenced the season, Best Picture is still very much an open race. One of the statistics many predictors consider is the presence of international feature films in the category. Since 2018’s Roma - and save 2020, where Another Round even got into Director - every Best Picture lineup has included one. Last year, history was made, when two international features making it in, with Anatomy of a Fall and The Zone of Interest.

Perhaps this is one of the effects of the inclusivity efforts the Academy has initiated post-#OscarsSoWhite, where they included more world artists into their membership. This year, which international feature films will stand a chance of getting into this year’s Best Picture roster? Consider...

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