Split Decision: "The Brutalist"

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Nick Taylor and Abe Friedtanzer discuss The Brutalist...

NICK TAYLOR: Hi Abe! I hope the cinematic year of 2024 and the numerical year of 2025 have been treating you well! Today we’re here to talk about The Brutalist, which is one of my favorite films from 2024 and one of the most nominated films at this year’s Oscars. Because this is the Split Decision series, I’m gonna guess you are not a fan of this film, or you’re at least more ambivalent about it than I am. But an object this self-consciously huge deserves to be argued about, and I would love for you to start us off by sharing what you think of The Brutalist.

ABE FRIEDTANZER: Hey Nick! I will say that I didn’t hate this film, and even found much to admire about it. I saw it at a morning press screening at the Toronto International Film Festival back in September, so early enough to not have heard much about it and to be able to fully appreciate it. I knew very little of the story, and so naturally my interest was piqued. As soon as the film ended, I wanted to research the true story, only to find out that its events were invented. I had seen Brady Corbet’s previous film Vox Lux (which I hated with a passion) as well as The Sleepwalker (directed by Mona Fastvold with a screenplay by her and Corbet, a role reversal of their duties on this film), which I liked much more. From what I could find, and have been able to since, it doesn’t seem like either of them are Jewish or have any Jewish heritage. Those two factors have irreversibly impacted my perception of the film and made it hard to truly process it in a positive way...

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Oscar Volley: Best Actor - locked and loaded?

Lynn Lee and Ben Miller discuss the Best Actor race.

Ralph Fiennes in CONCLAVE. Will it *finally* be his time?

LYNN: First, a double disclaimer: 1. I haven’t yet seen some of the likely Oscar contenders this year, including in this category.  2. I’m also generally pretty meh on this year’s contenders (and movies) as a whole, especially compared with last year’s embarrassment of riches.  This also extends to the best actor category, which was overflowing with worthy candidates last year, whereas this year I’m not sure I could even pick a top five I have strong feelings about, at least based on what I've seen so far.  

All that said, my one bright hope for this season is that Ralph Fiennes finally gets his Oscar...

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Weekend Awards Wrap-Up: Regional Critics Groups Galore

by Cláudio Alves

Adrien Brody is on his way to his second Oscar nomination. Maybe his second victory.

When those critics honors start coming, a trickle quickly turns into a tsunami. There's so much to go over, but here's the general state of the race. Best Picture is a mess, with at least four contenders nabbing multiple top prizes this past week. Still, Anora and The Brutalist lead the pack. Adrien Brody and Mikey Madison are the critical frontrunners of their respective races, but Colman Domingo and Marianne Jean-Baptiste are trailing closely behind. Kieran Culkin is sweeping the Supporting Actor awards (even though he's a co-lead), but it's not a Da'Vine Joy Randolph-style sweep. After all, Maclin, Borisov, Pearce, and Washington have all won something. In Supporting Actress, chaos reigns…

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An Early Look at the Best Actor Oscar Race

by Eric Blume

A COMPLETE UNKNOWN remains unseen, but Chalamet is already a major Best Actor contender.

I recently posted about the Best Director Oscar race, and how the same five men seem to be on almost every prognosticator list in town.

A similar thing seems to be happening in the Best Actor Oscar race as well.  Almost anywhere you go, these five names seem to fill everyone's list...

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Venice '24: "The Brutalist" is monumental

Please join us in congratulating Elisa Giudici on this milestone, her 100th post for The Film Experience. Direct from Venice, Italy. And what a film, apparently, for this occassion. 

by Elisa Giudici

THE BRUTALIST

After multiple attempts, Brady Corbet has finally made his Great American Film. It’s always risky to make such a statement, but The Brutalist isn’t just the standout film of this year’s Venice Film Festival, nor merely the most ambitious and monumental project of 2024; It's a work destined to leave a lasting legacy. With the right reception, this could easily become a landmark in cinema history...

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