Final Best Actor & Best Supporting Actor Thoughts

Dearest Reader, we know you want to move on from 2024 but please allow us our final indulgences for only one more week - promise! 

Jason Schwartzmann (Queer) was one of MANY supporting performances that might have been discussed this past year if Leads weren't usurping the supporting actor oxygen

by Nathaniel R

The film year has ended with Adrien Brody (The Brutalist) and Kieran Culkin (A Real Pain) taking their Oscar categories. So... on account of the timeless procrastinator's slogan 'better late than never' I'm now sharing my own ballot. It was rather shocking / unpleasant (given my predilections) to realize that the men had arguably outdone the women (or at least equalled them) in acting achievements this past cinematic year. Nevertheless, since I far prefer watching / discussing actresses on the silver screen, I’m forcing the men to share one constrained listicle article. Take that, men – you can’t keep a good actressexual down.

Herewith the finalists (i.e. top dozen) for my own ballots in both Supporting Actor and Best Actor at the Film Bitch Awards. The official nominees are also announced... 

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New Oscar Trivia / Stats for 2025

by Nathaniel R

FLOW is first in two different ways!

UPDATED WITH MORE STATS (03/06/25 1:30 PM EST)

With another year ending we can now look at new stats and trivia from the year that was and acknowledge records that weren't broken, too, but are of note. If you have anything to add to the list share it in the comments, please. Herewith some things to ponder in regards to Oscar trivia...

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Oscar Night in Review: Highs, Lows, and "What Just Happened?" Head Scratching

by Nathaniel R

Conan O'Brien hosts the 97th Academy Awards. Photo © Myung J. Chun for the Los Angeles Times

It was one of the great livery-stableman's most masterly intuitions to have discovered that Americans want to get away from amusement even more quickly than they want to get to it.”
-Edith Wharton, The Age of Innocence

Another cinematic year has ended. Another eagerly awaited Oscar night's credits roll over clips of the key moment. Out there in the dark, at home and at Oscar parties, everyone immediately wishes to put it all behind them. I am also that livery-stableman, but shouting "Wait, wait! There are a few things we should talk about before we depart!" So please bear with us, dear reader, as we think aloud at you and with you (should you choose to join in the conversation) and wrap up this cinematic year and twisty awards rollercoaster. We'll try to 'get away from (this) amusement' within a week's time and move on to 2025 (and other years as we do for mini celebrations). That's the goal.

So let's talk Oscar night's highs and lows and wtf moments...

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Oscar Volleys: Brody vs. Chalamet in Best Actor

The Oscar Volleys are back for some post-nomination talks. Today, Eric Blume and Eurocheese discuss the Best Actor race...

SING SING | © A24

ERIC:  Hi Euro, I'm thrilled for this one-on-one with you to discuss our five Best Actor candidates.  While I'm eager to discuss the actual race, because I think we have a real race here with several possible outcomes...what are your thoughts on the nominees themselves?  How do you feel about the five?  I think one is a little weaker than the rest (and that's Colman Domingo, more to come), but all in all a wonderful quintet full of talented actors doing very fine work.  What is your take?

EUROCHEESE:  That's funny - of the five here, Colman Domingo would actually have my vote…

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Split Decision: "The Brutalist"

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Nick Taylor and Abe Friedtanzer discuss The Brutalist...

NICK TAYLOR: Hi Abe! I hope the cinematic year of 2024 and the numerical year of 2025 have been treating you well! Today we’re here to talk about The Brutalist, which is one of my favorite films from 2024 and one of the most nominated films at this year’s Oscars. Because this is the Split Decision series, I’m gonna guess you are not a fan of this film, or you’re at least more ambivalent about it than I am. But an object this self-consciously huge deserves to be argued about, and I would love for you to start us off by sharing what you think of The Brutalist.

ABE FRIEDTANZER: Hey Nick! I will say that I didn’t hate this film, and even found much to admire about it. I saw it at a morning press screening at the Toronto International Film Festival back in September, so early enough to not have heard much about it and to be able to fully appreciate it. I knew very little of the story, and so naturally my interest was piqued. As soon as the film ended, I wanted to research the true story, only to find out that its events were invented. I had seen Brady Corbet’s previous film Vox Lux (which I hated with a passion) as well as The Sleepwalker (directed by Mona Fastvold with a screenplay by her and Corbet, a role reversal of their duties on this film), which I liked much more. From what I could find, and have been able to since, it doesn’t seem like either of them are Jewish or have any Jewish heritage. Those two factors have irreversibly impacted my perception of the film and made it hard to truly process it in a positive way...

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