Oscar Volley: Best Actor - locked and loaded?

Lynn Lee and Ben Miller discuss the Best Actor race.

Ralph Fiennes in CONCLAVE. Will it *finally* be his time?

LYNN: First, a double disclaimer: 1. I haven’t yet seen some of the likely Oscar contenders this year, including in this category.  2. I’m also generally pretty meh on this year’s contenders (and movies) as a whole, especially compared with last year’s embarrassment of riches.  This also extends to the best actor category, which was overflowing with worthy candidates last year, whereas this year I’m not sure I could even pick a top five I have strong feelings about, at least based on what I've seen so far.  

All that said, my one bright hope for this season is that Ralph Fiennes finally gets his Oscar...

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Weekend Awards Wrap-Up: Regional Critics Groups Galore

by Cláudio Alves

Adrien Brody is on his way to his second Oscar nomination. Maybe his second victory.

When those critics honors start coming, a trickle quickly turns into a tsunami. There's so much to go over, but here's the general state of the race. Best Picture is a mess, with at least four contenders nabbing multiple top prizes this past week. Still, Anora and The Brutalist lead the pack. Adrien Brody and Mikey Madison are the critical frontrunners of their respective races, but Colman Domingo and Marianne Jean-Baptiste are trailing closely behind. Kieran Culkin is sweeping the Supporting Actor awards (even though he's a co-lead), but it's not a Da'Vine Joy Randolph-style sweep. After all, Maclin, Borisov, Pearce, and Washington have all won something. In Supporting Actress, chaos reigns…

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An Early Look at the Best Actor Oscar Race

by Eric Blume

A COMPLETE UNKNOWN remains unseen, but Chalamet is already a major Best Actor contender.

I recently posted about the Best Director Oscar race, and how the same five men seem to be on almost every prognosticator list in town.

A similar thing seems to be happening in the Best Actor Oscar race as well.  Almost anywhere you go, these five names seem to fill everyone's list...

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Venice '24: "The Brutalist" is monumental

Please join us in congratulating Elisa Giudici on this milestone, her 100th post for The Film Experience. Direct from Venice, Italy. And what a film, apparently, for this occassion. 

by Elisa Giudici

THE BRUTALIST

After multiple attempts, Brady Corbet has finally made his Great American Film. It’s always risky to make such a statement, but The Brutalist isn’t just the standout film of this year’s Venice Film Festival, nor merely the most ambitious and monumental project of 2024; It's a work destined to leave a lasting legacy. With the right reception, this could easily become a landmark in cinema history...

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Awards Season Catchup: "Blonde" on Netflix

By Abe Friedtanzer

It’s hard to wait to watch a film months after its release and not be at least somewhat affected by what the public thinks about it. To say that the Marilyn Monroe biopic Blonde has not received favorable mentions is an understatement. Still everyone has opinions so it seemed possible that there might be something worthwhile about it, like Ana de Armas’ Golden Globe-nominated performance or the Oscar-shortlisted makeup and hairstyling. Seeing the NC-17 rating and the daunting 2-hour-and-47-minute runtime at the start of the film sets up certain expectations, and, somehow, this film still manages to surprise, and not in a good way.

Blonde opens in black-and-white on a young Norma Jeane Mortensen (Lily Fisher) and her mother Gladys (Julianne Nicholson), who shows Norma a photo of a celebrity she claims is her father. Gladys quickly descends into a manic state, driving her young daughter straight towards a fire while everyone else is running the other way...

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