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Entries in Ralph Fiennes (44)

Sunday
May192019

New Podcast: Poms, The Hustle, and Under the Silver Lake

by Murtada Elfadl and Nathaniel R

 

Index (50 minutes)
00:01 Diane Keaton and Jacki Weaver and Pam Grier (sort of) in Poms
10:30 David Robert Mitchell directs Andrew Garfield in bizarre red-herring filled hallucinatory noir called Under the Silver Lake
24:45 Anne Hathaway and Rebel Wilson in The Hustle 
34:00 Joanna Hogg's The Souvenir starring Tilda Swinton's daughter
40:22 Olivier Assayas' Non-Fiction
42:30 Ralph Fiennes's Nureyev biopic The White Crow
48:18 Bye for now! 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Poms, The Hustle

Tuesday
Jan292019

Sundance: Keira Knightley has "Official Secrets"

Abe Fried-Tanzer reporting from Sundance

As if there wasn’t enough going on in today’s American and international politics, events that happened a decade and a half ago seem to be coming into focus again. The start of the Iraq war and its implications were covered in the Best Picture nominee Vice and are the subject of two new films premiering at SundanceMurtada just shared his thoughts on The Report, which focuses on the investigation into torture practices used by the United States. Official Secrets takes place across the pond, following the fallout of one British intelligence translator’s decision to leak an NSA memo detailing plans to blackmail United Nations security council members into voting to go to war in Iraq...

Click to read more ...

Thursday
Jan032019

Was 1993 the Best "Best Supporting Actor" Lineup Ever?

To celebrate the 25th anniversary of a rather amazing Oscar lineup, here's Ben Miller...

There have been several iconic Oscar nominee lineups throughout the years.  Best Actor 1967, Best Actress 1939, Best Director 1975... a wholly fearsome lineup comes around but once every couple of decades or so.  One of them is celebrating its 25-year anniversary this season: the 1993 lineup for Best Supporting Actor.

Before we get to the nominees, look at who just missed the lineup...  

Click to read more ...

Monday
Nov272017

Beauty vs Beast: Lady (Bird) You Are Doing Just Fine

Jason from MNPP here, fresh off of standing five feet away from Greta Gerwig and Noah Baumbach just hanging out at MoMA yesterday (Baumbach had actually just done a Q&A for The Meyerowitz Stories, so "hanging out" might be a stretch I suppose) to take us yonder Sacramento way. I think it's time for Lady Bird to get the "Beauty vs Beast" treatment, you guys.

The film has a perfect score at Rotten Tomatoes and it just crossed 10 million bucks at the box office, which is about what it cost to make. So it's all profit from here on out for Greta & Co, and all signs points towards plenty. It's in around 800 theaters and doing terrific - I can see it playing well all holiday-season. Hooray for good things doing good! Now let's pit the film's complicated mother/daughter core (and eventual Oscar nominees) against one another.

PREVIOUSLY You guys surprised me! When I wrote last week beside our Bigger Splash poll that I figured I knew who you'd vote for I really thought you'd go for Ralph Fiennes. I suppose in retrospect it was silly to underestimate the pull of Matthias Schoenaerts in very small shorts, which drew almost 70% of your vote. Explained Dancin' Dan:

"Yes, Harry is more fun and more interesting than Paul (and Fiennes gives by far the better performance), but he's also INFINITELY more exhausting. I don't think I could stand to be around him more than a few hours. So I'm gonna have to vote for Paul, and the less clothes he wears, the better."

Monday
Nov202017

Beauty vs Beast: The Bigger Boys

Jason from MNPP here, ready to pop some peach champagne for the release of Luca Guadagnino's Call Me By Your Name, which finally hits theaters in New York and LA on Friday. The thing is, although I personally have already seen the film six times (if you've been to MNPP at any point in the past three months you're more than aware of my obsession but if you missed my first take on the movie out of NYFF it's one of the most meaningful pieces of writing I've ever done, says me), it seems that some of you have not seen the film six times yet. Since it's not in theaters yet, and all. So I probably can't devote this week's "Beauty vs Beast" to it then!

So we'll do the next best and look back at Luca's last movie, A Bigger Splash. When ABS came out we polled you about the film it's based on, La Piscine, but I figure enough of you have seen Luca's version by now. I'm pretty certain where you guys will fall when forced into Tilda Swinton's glamourous shoes to choose between the two men in her life, solid wall of Paul (Matthias Schoenaerts) and bearded blast of noise Harry (Ralph Fiennes), but I'm asking anyway...

PREVIOUSLY Oscar season is here but we devoted one last moment of silliness to Superhero Season by tackling Thor: Ragnarok's two actresses last week - Tessa Thomspon put up a valiant fight but... well, she was going against Cate Blanchett. Cate took 58% of your vote as bigger-than-Asgard-itself Hela; said chasm301:

"Do you really think that Cate Blanchett would lose a competition on this website? Her most gif-able performance outside of Carol (2015)"

Wednesday
Jul192017

Soundtracking: "A Bigger Splash"

This week, Chris Feil's series on music in the movies sits poolside with last year's steamer...

Confession: Luca Guadagnino’s A Bigger Splash has been something of a minor addiction for yours truly in the year since its stateside release. And it’s key use of “Emotional Rescue” by The Rolling Stones has put that track into heavy nonstop rotation as well. I mean how can you not fall in immediately love with a film that casts Tilda Swinton as a rock star named Marianne Lane. It is sensory overload, all mouthwatering cuisine and eye contact between actor and camera. But not least of its horny senses is its rock and roll soundscape, subtly infused throughout to appealing effect.

In Splash, the lasting impact of great music is just like to great sex for its lingering spell. Its cues and references are scattered throughout, recalling the visages of Bowie and Patti Smith to make its musical world more realized. Even more fluidly, it crafts character identity and relationship as one with the music in ways as subtle as how its reveals their shiftiness.

Click to read more ...