Gotham Awards Revue: "Pillion"

by Cláudio Alves

Harry Lighton's Pillion has just opened in UK and Irish cinemas, ahead of a stateside February release by A24. This free adaptation of Adam Mars-Jones' Box Hill novella premiered at Cannes in the Un Certain Regard section, where it won the Best Screenplay prize. Still at the Croisette, Rosie, one of its canine stars, was also laurelled with a special Palm Dog – Mutt Moment Award. Sadly, other voting bodies don't have categories for the likes of Rosie, though Pillion has already scored eight BIFA nominations (the main ceremony is tonight!) and two wins for its costumes, hair and makeup. At the Gotham Awards, which will be handed out tomorrow, the film is up for two prizes – Best Adapted Screenplay and Outstanding Supporting Performance for Alexander Skarsgård. 

All this talk of awards may obfuscate what a fascinating piece of work Pillion turns out to be. Sensual like the kiss of leather straps on hard muscle, as tender as a fresh purpling bruise, Lighton's feature directorial debut is unlike most visions of queer love that get welcomed into the picture house…

Click to read more ...

New Oscar Charts: Screenplays, Music, and Visuals

by Nathaniel R

Speeding the April Foolish Oscar chart production up now, with 10 of Oscar's 24 categories posted, in order to finish by, uh... June's end.

• Prediction Index
  (in progress since some categories are still under construction)
• Original & Adapted Screenplay 
• Visuals (all but two posted)
• Sound
• International Film

Ten categories left to publish (we never predict the shorts or documentary categories this early), so we'll try hard to get them all up this week and say more about the, too. They are: Actress, Actor, Animated Feature, Casting, Cinematography, Costume Design, Director, Picture, Supporting Actress, and Supporting Actor. 

Wicked and Sinners currently lead the predicted tallies though that may change with the remaining categories yet to be posted. What's interesting is that they could fill up 80% of the original song category since Wicked (an official musical) has two Original Songs, one for each of its leading ladies, while Sinners (an unofficial musical) has four or five ... though of course only two song nominations are allowed for any film given the current Oscar rules; That rule is kind of a bummer because given the popularity of both Wicked and Sinners we could have finally had a year without the mandatory throwaway Diane Warren nomination! 

Fatal Attraction Pt 2: She's not going to be IGNORED, Dan!

by Nathaniel R

In Act 1 of Fatal Attraction (for a three-part retrospective), we met the happily married Gallaghers and their longsuffering dog Quincy, who was neglected for almost a whole weekend. The cause was Husband Dan's (Michael Douglas) sexually explosive weekend with a new co-worker Alex (Glenn Close). Dan ignored a handful of fire-engine red flags.

When we left our players, Alex was suicidal and Dan was headed back to his normal life. He will now attempt to pretend that nothing at all has happened. You can guess how how that attempt plays out!

"What are you doing here? It's 8:00 AM."

40:08 As we return to the film in progress, Dan tells his executive assistant Martha that he's 'in the shitter' and way behind at work. That's what happens when you fuck Glenn Close all weekend...

Click to read more ...

Oscar Volleys: Let’s wrap this up!

The Oscars are TONIGHT. To end the volleys, Cláudio Alves and Nathaniel Rogers are here to cover all the categories the team hadn't yet discussed…

THE BRUTALIST | © A24

CLÁUDIO: As much as we try to cover every Oscar race at The Film Experience, it isn't always easy to get conversations going for all of them. So, here we are, Nathaniel, dealing with the last slew of races before the big night. Since last time, we focused so much on the eye candy trifecta, we could give the place of privilege to the aural achievements now. Or Best Editing since that's so strongly correlated to Best Picture. And let me tell you, I am quite lost when it comes to that particular lineup. I could see all five of the nominees winning. Though I presume The Brutalist has the least chance since it is my favorite, and I've learned, over the years, to predict pessimistically to avoid disappointments. It's a good method - everyone should try it.

NATHANIEL: Predicting pessimistically has cost me at times for overall punditry scores (not that I care to much about those stats) but the amount of emotional armor it provides is helpful…

Click to read more ...

Split Decision: “Conclave”

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, for the last convo of the season, Abe Friedtanzer and Cláudio Alves tackle Conclave...

CLÁUDIO: As the Academy congregates to elect a new Best Picture winner, here, at The Film Experience, we continue our Split Decision convos. However, this debate won't finish with the white smoke of agreement - we never seem to come to such conclusions around these parts. And yet, we persevere in arguing because it's fun. Oh, how I wish Conclave were as fun to watch as it is to reflect upon and talk about. I've fallen in love with the movie those Yaoi girlies saw and keep promoting online, but that's not the movie I watched at TIFF. Edward Berger's too self-serious for such levity, even if this adaptation would have significantly benefited from a surrender to its gossipy pleasures. Give us RuPaul's Drag Race: Vatican with a matching Untucked, not this mirthless drudgery that only elicits laughs because it treats its characters as fodder for shock rather than people. I guess that's enough for an introduction. So let me do like Cardinal Lawrence and wrap up this homily. Or should I emulate Bellini and declare war? Whatever the case, let's go, Abe. Come defend your Catholic fave.

ABE: We're off to a good start with this bevy of puns and references, which should make for a great conversation…

Click to read more ...