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Nicole Kidman on Stage

"Any chance this transfers to broadway I wonder?" - Joseph

"As a long term Kidmaniac, this is just the type of comeback I was hoping for." - allaboutmymovies


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Entries in Oscars (80s) (110)


Random List-Mania: 40 Best Original Movie Songs of the 1980s

We did this once for the 1990s and you loved it, so here's round two. 

Young Oscar fanatics might not have tripped over this tidbit yet but in the 1980s they were still giving out an award for "Original Song Score" - an old vestige category of the decades when a dozen plus movie musicals arrived each year. Three of these Oscars were handed out in the 1980s for Victor / Victoria (1982), Yentl (1983) and Purple Rain (1984).  None have been handed out since even though it's technically still a category... just not one that they invoke anymore. Though it's a pity they didn't consider giving one to Moulin Rouge! or Hedwig and the Angry Inch for 2001 as the category can also be awarded to "Adaptation Score"

The presence of this category in the early 80s probably explains why Purple Rain and Victor/Victoria had no "Original Song" nominees in their years (why double dip?) but it does not explain why Yentl had nominations in both categories. Because of these films I only allowed myself 2 songs per movie so as not to let these five films hog this entire list.

Beautiful Song Craft and/or Cheesy Epic Ballads For the Wins
* Oscar nominee | ** Oscar winner 

  1. "Nine to Five"* -Nine to Five (Dolly Parton)
  2. "Le Jazz Hot" - Victor/Victoria (Henry Mancini)
  3. "Purple Rain" - Purple Rain (Prince)
  4. "Into the Groove" - Desperately Seeking Susan (Madonna)
  5. "Xanadu" - Xanadu (Jeff Lynne)
  6. "Fame"** - Fame (Michael Gore & Dean Pitchford)
  7. "When Doves Cry" - Purple Rain (Prince)
    33 more numbers after the jump...

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Bring Link On

Mic Manuel on the transgressive feminism of Bring it On 15 years later
Grantland Mark Harris on four takeaways from this summer's box office - great piece as usual
Stuff this piece is old but I was shocked to learn (sorry if I'm way late) that the 80s posters (like Madonna's debut album) in A Girl Walks Home Alone at Night weren't real. I loved that vampire bedroom!
Awards Daily reshares the Lady in the Van trailer. I guess it's back on for 2015? Such a crowded year for Best Actress already but I'm expecting an onslaught of "weak year for best actress" pieces any moment since we get those every year even when it's a good one
A Fistful of Films shares his personal awards from 1988 - fun choices including Married to the Mob and Salaam Bombay both of which are underloved 

Empire I'm trying to avoid reading about the new Star Wars -- doesn't anybody like to be surprised in the movie theater anymore? -- but I ended up clicking on this piece about Kylo Ren (with the jagged lightsaber) and now I'm more excited about the premise behind the villains
Empire Léa Seydoux offered female lead in Channing Tatum's Gambit
Pajiba catches us up on what's going on with Tom Hardy's TV projects including a new one called "Taboo". (Somehow Tom Hardy is making time for TV every year despite his ever increasing In-Demandness in big movies, too)
Guardian the great Jacques Audiard will make his English Language debut with The Sisters Brothers. John C Reilly headlines. Audiard's past leads have tended to be fascinating dangerously sexy actors like Matthias Schoenarts, Romain Duris, Vincent Cassel and Tahar Rahim. John C Reilly as follow up? 

Stage Door
Playbill Kevin Bacon will star in a stage adaptation of Rear Window in October.
THR fun guests at Taylor Swift's Monday concert including Ellen Degeneres
Playbill Top US colleges for Theater Majors? from NYU to Florida State via the highly specific metric of which colleges are represented on Broadway right now
Theater Mania Steven Pasquale on a painful audition. He has been working on stage and TV forever and somehow people don't realize how incredible his singing voice is. Movie musical please.

"Rock Dentistry" fun tumblr of the moment 
The Poke lost Stephen King books recovered. Need to read "Brian's Arse"
EW "how the internet would have GIF'ed the first MTV Music Video Awards" - the title is more exciting than the GIFS chosen but a highly worthy topic and of course, the internet would have GIF'ed the hell out of Madonna's "Like a Virgin" 
"Hi, I'm Marvel... and I'm DC"



Beauty Break: John Huston & The Huston Dynasty

Today is the 109th birthday of the famed director John Huston. Of course he died long ago, just a few weeks after this picture with his daughters Allegra and Anjelica was taken in fact, at the age of 81. But what a filmography! And what a showbiz family.

The Hustons are one of the rare families with multiple Oscar-winning generations. They're also ridiculously photogenic, with faces that march straight past traditional pretty with strong noses held high as if they can't be bothered with generic beauty standards. Their faces fascinate. They have character. They're ideal for storytelling. More...

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Hit Me With Your Best Shot: "Amadeus" (A Visual Index)

For this week's Best Shot topic, Milos Forman's scrumptious musical duet between jealous Salieri and genius Wolfgang. It was called Amadeus and it was very very good and very very popular -- raking in big box office, too. Though it never landed in the box office top five it had major legs and ended its reign as the 12th highest grosser of 1984.

The music drama won 8 Oscars (from 11 nominations) but curiously one of the prizes it lost was cinematography! The DP was Miroslav Ondrícek who had also been nominated for the previous Milos Forman picture Ragtime (1981).

Amadeus is so visually luxurious that I figured it would be a hard assignment and these eight images surprised me and I can't wait to dig into the articles. Unfortunately I had a computer mishap -- something is not working about my screengrab program (argh-the timing) -- so my own pick for Amadeus will have to wait. But please do read these articles and consider the visual choices. I'm not even going to attempt to put these in chronological order. It's a massive three hour film with lots of performances and difficult to place shots from the luxury overload. Today's Best Shot choices, from brave cinephiles round the web who dare to play this game, are presented in the order in which they were sent to me.

click on the photos to be taken to the corresponding article 
Next Wednesday: MAGIC MIKE (2012)... grab your singles and pick a shot to shove them into 

Forman wisely draws a visual (and comedic) parallel between the two appearances of the mask.
-The Entertainment Junkie 

When all you can do is seethe in your utter failure...
-Drink Your Juice Shelby 

In a film with such a lavish production, a quiet, almost bare scene caught my eye...
-Sorta That Guy

Hard to pick a shot because its best visual moments come from clever cutting and juxtapositions...
-Coco Hits NY

'It seemed to me that I was hearing the voice of God...'
-54 Disney Reviews

Thematically, I can't think of a more blunt message statement... 
-Antagony & Ecstasy

-Movie Motorbreath 

If every Oscar winner was as loose and irreverent as Amadeus...
-Serious Film 

This resplendent film earned every one of its 8 statues.
-Film Actually

The perfect metaphor for the movie's dynamic...
- The Expert Newbie *first entry* 

"I'm frightened!!!" Yet she was fearless. Cynthia Nixon at 18
-Paul Outlaw



Q&A Pt. 2: Rain Men, Paperboys, Oscar Greats

We had too many good questions last week to keep it all confined to one post. So now that you're read part one, so here's part two of the week's reader question roundup. I saved all the Oscar questions for this round to motivate me to update those Oscar chart this weekend. Ready? 

SONJA: Why do we mourn/rage about "undeserved" wins so often? In reality it doesn't change anything....

It's as useless as making your bed in the morning but we still make our beds, right? Or in my case throw the comforter haphazardly across the sheets - close enough! Listen, I consider it a sign of good character to mourn poor choices from awards bodies as long as one does so pointedly and briefly and doesn't allow it to become part of one's whole character like hating an actr- OH WAIT OOPS.  

People like to be dismissive about awards and say 'they don't matter!'  but it's simply not true. THEY DO. Awards permanently influence resumes and entire careers by way of their temporary affect on opportunities and, yes, praise (once considered a "great" it takes decades for the petals to fall off that rose... it took decades for people to start getting snippy about Al Pacino & Robert DeNiro's work!

Plus it goes in the history books. Baby cinephiles decades later still look these things up and watch the movies that were awarded to teach themselves movie history. I speak from experience. I know this to be true.

CASH: Dustin Hoffman's win for "Rain Man" baffles me...

more after the jump...

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Revenge of the 80s ~ Now With More 10s Sexism!

When the red band trailer for the revival (not a reboot but a long distant "next generation" sequel) of Vacation premiered yesterday, with Chris Hemsworth swinging a big fake one around for a cheap laugh, it got me to thinking about how phallic-centric Hollywood has become. This is no new thinkpiece notion of course. But with the incredible amount of material from the 1980s that Hollywood has been mining and regurgitating, we're getting about the sharpest resolution picture possible of how Hollywood has regressed in terms of equal opportunities for female stars. Hollywood has always had its share of sexism but today's Hollywood seems especially female-averse. How did it happen exactly? Hollywood will reboot ANYTHING from the 1980s. So long as it did not star a woman. No, not even if it was a smash hit. They won't do it... although they will allow those titles to be remade for television if you're really desperate to see them revamped. 

To prove the point here are a list of the most successful 1980s movies starring women. I only looked at the top 25 or so box office hits from each year of the 1980s. To give you a contemporary correlative of their success that's like from the tippity top American Sniper sized behemoth down to the Lucy-sized hit levels last year if you pretend that each year is roughly the same as the last in terms of gross domestic box office.

Disclaimer: This list should in no way be mistaken as a plea to remake these pictures -- we have more than enough remakes. We need original material!  It's just to make a point. 

(in very rough order of success) 

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Happy Birthday, Giorgio Moroder

Tim here. Today's the 75th birthday of Giorgio Moroder, pioneering electronic-dance-pop mastermind, and winner of four Grammys. But this being a film site, what we're interested in is his work in movie scoring, for which he won three Oscars. And what stellar work it is!

Moroder's soundtracks - and even more than that, his songs - are absolutely definitive. Any child of the '70s or '80s can't help but associate Moroder's compositions with a certain kind of glossy, high-concept spectacle. Moroder's sleek, borderline-campy music brought pop-art grandeur to everything from the political drama Midnight Express (his Best Score Oscar) to the smutty musical Flashdance and from the kitschy Superman III to the sparkling black fantasy The NeverEnding Story. His compositions for these films are the opposite of timeless; they are emphatically and proudly mired in a specific period of pop culture history.

But for the same reason, his scores and songs are the best imaginable fit for the giddy, playfully shallow cinema of that decade, bringing the energy and dazzle of the first years of the Blockbuster Era to life with style and flair whose period-specific artificiality is their greatest strength, not any kind of weakness. But let's allow the man's music to speak for itself. Here are my three personal favorite from his 80s soundscapes.

From Cat People (1982): "Cat People (Putting Out Fire)", later used to magnificent effect in Inglourious Basterds

From Flashdance (1983): "Flashdance... What a Feeling" (his second Oscar, the first for Best Song)

From Top Gun (1986): "Danger Zone" (he won his third Oscar for "Take My Breath Away" from the same movie)

What are your favorite Moroder film scores and songs?