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Entries in Best Cinematography (70)

Thursday
Jun252026

529 Invites are out for Academy Awards Membership

by Nathaniel R

As is annual tradition, The Academy of Motion Picture Arts & Sciences has published the list of the people they're inviting to join their 19 branches this year. Being on this list doesn’t mean you’ve become an Academy member; it just means you’ve been sponsored and  invited (you cannot apply for membership – they have to invite you.) The only other way to become a member, outside of sponsorship from a current member, is to be Oscar-nominated. You’re automatically considered, with or without a sponsor if that happens.

More on invitees I’m thrilled about and other particulars after the jump…

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Saturday
Mar282026

What's next for key players from Oscar season?

by Nathaniel R

Elle Fanning and Michelle Pfeiffer in the forthcoming series MARGOT'S GOT MONEY TROUBLE

Let's gently segueway now to a new year in film. When Cláudio reminded us that  Timothée Chalamet has high profile projects coming up in the wake of two consecutive years of 'close-but-no-cigar' Best Actor runs, it got me to thinking about what's next for each of this year's nominees. We're skipping anything we already covered in the  first 2026 previews we did (Dune Part Three, Digger, The Odyssey, The Weight, etc) So herewith 20 enticing projects from film, tv, and stage featuring one or more of the players who were just up for Oscar gold. Will they return to the Oscar stage and, if so, how soon? The projects are listed in rough ascending order of current interest though that could obviously change once we see stills, trailers, or hear more buzz...

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Friday
Mar062026

Oscar Volley: Will “Best Cinematography” make history?

The Oscar Volleys continue. Today, ERIC BLUME and CLÁUDIO ALVES discuss the potentially historic race for Best Cinematography.

With SINNERS, Autumn Durald Arkapaw might become the first woman to win the Best Cinematography Oscar. | © Warner Bros.

ERIC: Hi Cláudio, I'm the lucky man who gets to talk to you about one of Oscar's most exciting categories, Best Cinematography.  Except, for me, it is not a very exciting category this year.  Usually, this branch has at least one or two truly inspired nominations that feel exclusive to their expertise.  This year, much like the Production Design category I just discussed with Ben, I feel like we broke more into the "default" films that popped up in every category. 

What's your initial impression of the five nominees:  Frankenstein, Marty Supreme, One Battle After Another, Sinners, and Train Dreams?

CLÁUDIO: My initial reaction is that the cinematographers branch should collectively see an optometrist, while the Academy at large needs to watch more movies than the twelve or so titles left contending for a Best Picture nod at the end of December. Alas, that is not the world we live in…

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Tuesday
Jan202026

2025 in Review: Perfect Costumes & Other Visual Delights

by Nathaniel R

I had briefly hoped to do a huge post in each awards category but in the interest of time and availability thereof, we have to wade into the deep end. Herewith a random shout out to 4 costumes from the film year that I think are special in some way. ONLY THE FIRST IS A NOMINEE for Best Costume Design (here at TFE) but in the interest of spreading the wealth I really wanted to shout out some films randomly and these were the first four I thought of.  I love costume designers with all my heart. They regularly elevate and enrich storytelling and especially when costumes aren't the focus of the picture, they get way too little credit for it. 

Willa's Act Three Ensemble - One Battle After Another
If you ask me four time Oscar winner Colleen Atwood had been running on fumes for some years trapped as she was in Burtonisms and puffy shoulder fetishes. Something in Paul Thomas Anderson's near future battlefields -- not her usual type of assignment - set her imagination free again. She makes one inspired choice after another...

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Monday
Jan192026

It’s Autumn Season for Best Cinematography

By Juan Carlos Ojano

Ryan Coogler and Autum Durald Arkapaw while filming SINNERS. (Courtesy: Eli Adé)

After 98 years, history might just be made in Best Cinematography. Autumn Durald Arkapaw, the cinematographer of SINNERS, is the current frontrunner for Best Cinematography, the last non-gendered Oscar category yet to have a female winner. Born of African-American and Filipino descent, Arkapaw has worked for more than a decade. Her resume includes Palo Alto, Teen Spirit, Black Panther: Wakanda Forever, and The Last Showgirl. In Sinners, Arkapaw already made history for being the first female cinematographer to have shot a film on large format IMAX film.

The history of women nominated for this category has unfortunately been short and recent. The list includes...

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