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Entries in Best Cinematography (51)

Monday
Mar212022

The ASC winner is 'Dune' but will it repeat at the Oscars?

by Nathaniel R

With the PGA, WGA, and now the American Society of Cinematographers, we have our last clues going into Oscar night. Not that guilds always line up with Oscar wins mind you. They do share some members with the Academy but all the guilds have far more members than their parallel branches in the Academy. Here's what they chose this year...

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Tuesday
Mar152022

Oscar Volley: Best Cinematography could make History

Team Experience is discussing the various Oscar categories. Here's Cláudio Alves, Nick Davis, Ben Miller, and Eurocheese discussing the Best Cinematography race.

CLÁUDIO ALVES: From an aged future that looks like the ancient past to a black-and-white nightmare of Expressionistic Shakespeare, from digital polish to a rainbow of 35mm lens flares, the Best Cinematography Oscar race presents a cornucopia of varied visual strategies. However, to celebrate this category for variety feels somewhat disingenuous this year. For the first time since the color and black-and-white categories merged in 1967, the Cinematography ballot looks identical to the Production Design one. Even though voted on by separate branches, these lineups' sameness speaks to a broader problem – how the Academy feels increasingly resistant to expand its interest beyond a select group of pictures each season…

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Thursday
Feb172022

"Best Shot" Choices from 'Nightmare Alley'

We've revived the long dormant "Hit Me With Your Best Shot" club and kicking us off is Guillermo del Toro's Nightmare Alley  which is up for four Oscars including Cinematography. Each week anyone who would like to join is welcome to post their choice for the chosen film's best shot. We'll add more Nightmare Alley shots if any more come in.

Click on these "Best Shots" to see why these players chose it...

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Thursday
Feb172022

Hit Me With Your Best Shot: Nightmare Alley (2021)

Welcome back to the series, "Hit Me With Your Best Shot" by Nathaniel R. Each week we'll discuss a single movie via a particular shot. Anyone who'd like to participate can choose their own!

Best Prop

When you're reading your mark, as former circus psychic Pete (David Strathairn) teaches us, you're searching for external clues to internal damage. The fatal flaw of Nightmare Alley, up this year for Best Picture, may well be that Guillermo del Toro, though a gifted filmmaker, isn't much for interiority. But oh his surfaces! Overly lacquered beauty and the ugly rot it's faililng to hide are the greatest assets of his latest film. On that note we must pause to honor the funhouse sequence early in the film which operates like a veritable FYC ad for the Oscar-nominated Production Design. The set amazes and one particular prop in the 'funhouse', a mirror stating "TAKE A LOOK AT YOURSELF  SINNER" is a perfect offhand joke. We know very little about Stanton Carlisle (Bradley Cooper) but he already knows he's "no good". The camera lingers for a second on the mirror, to make sure we do... 

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Tuesday
Feb012022

Oscar Volley: Best Cinematography, Half-Locked, Half-Not?

Continuing our Oscar Volley series at The Film Experience. Eric Blume, Elisa Giudici, and Glenn Dunks talk Best Cinematography. 

Greig Fraser shooting Timothée Chalamet in the desert for Dune (2021)

Eric Blume:  Glenn and Elisa, Do we all agree that we probably have two "locks" for Best Cinematography nominations:  Delbonnel for The Tragedy of Macbeth, and Greig Fraser for Dune?  Those feel like two very worthy nominees to me.  While I think Joel Coen's conception of his film is limited and flawed, I admired Delbonnel's execution of Coen's concept, really leaning into that austere Calvinist guilt like we got in Carl Theodore Dreyer movies, and stealing from Sven Nykvist's framing in Bergman movies...yet netting out in its own unique visual scheme to highlight those sets and costumes.  And I thought Fraser's work made Denis Villeneuve's arid sci-fi epic surprisingly sensual, which helped the film (which is dense and heavy) enormously by taking you out of your head sometimes and back to your senses. Do you think both are locks?  What are your thoughts on those two, and their closest challengers... 

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