Weekend Awards Wrap-Up: From the PGA to Cinema Eye

by Cláudio Alves

THE ZONE OF INTEREST proved an unexpected hit with the Producers Guild of America.

Oscar voting is ongoing, so this past week's honors feel especially important. They can be the spotlight that shines on a movie at just the right time, reminding Academy members of its merit as a contender. But of course, in terms of guild honors, they're also a way for awards obsessives to get a sense of what movies the industry values most. For example, the latest onslaught of guild nods makes the picture clear for those doubting that Anatomy of a Fall and The Zone of Interest could succeed beyond critics' prizes. If an organization as mainstream-inclined as the PGA can embrace Jonathan Glazer's latest nightmare, what's stopping AMPAS from doing the same?

So, from producers to regional critics, Annie nominees to Cinema Eye winners, this is what happened last week…

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ADG Nominees

by Nathaniel R

The Art Directors Guild have named their film nominees in four categories (Period, Fantasy, Contemporay, and Animated). While the nominations are of note themselves, of course, they are also key tells in the tale of the year's Oscar race as the Best Production Design ogenerally come from a combo of three of those four categories; Sadly Oscar's branch members have never honored an animated film in the category, even a stop motion film which of course built actual sets with set decoration, just like live-action movies do...

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ADG Nominations - Good news and bad news for presumed Oscar Contenders

by Nathaniel R

Adam Stockhausen scored a double nomination at the ADG (French Dispatch and West Side Story)

The Art Directors Guild of America has released its nominations for the 2021 film (and television) year offering some surprise omissions (no Power of the Dog in period) and some delightful inclusions (In the Heights and The Green Knight for contemporary and fantasy respectively). The nominations for guild awards (any kind of guild awards) generally suggest as much about what the industry is watching as they do about whatever craft the awards are for. This is particularly true in "contemporary" categories, where we see year in and year out that the films are usually the ones with buzz in Best Picture, whereas in the Period of Fantasy category that's less important presumably because the work is so much more noticeable.

Their nominations plus punditry notes after the jump... 

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