Weekend Awards Wrap-Up: From the PGA to Cinema Eye

by Cláudio Alves

THE ZONE OF INTEREST proved an unexpected hit with the Producers Guild of America.

Oscar voting is ongoing, so this past week's honors feel especially important. They can be the spotlight that shines on a movie at just the right time, reminding Academy members of its merit as a contender. But of course, in terms of guild honors, they're also a way for awards obsessives to get a sense of what movies the industry values most. For example, the latest onslaught of guild nods makes the picture clear for those doubting that Anatomy of a Fall and The Zone of Interest could succeed beyond critics' prizes. If an organization as mainstream-inclined as the PGA can embrace Jonathan Glazer's latest nightmare, what's stopping AMPAS from doing the same?

So, from producers to regional critics, Annie nominees to Cinema Eye winners, this is what happened last week…

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PGA nominates the usual suspects plus "Wakanda Forever" and "The Whale"

by Nathaniel R

The Producers Guild of America has announced their nominations for 2022 entertainment. Their 34th annual awards will be held on Febuary 25th at the Beverly Hilton Hotel. Nominations and comments and some things to consider while making Oscar predictions are after the jump...

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Oscar Volley: Best Picture in the final days...

Team Experience is discussing the various Oscar categories. Here's Baby Clyde, Elisa Giudici, Abe Friedtanzer and  Eric Blume to discuss Best Picture. We're not saving it for last. This conversation began BEFORE the PGA went to CODA but ends afterwards...

the five films with the most nominations this year.

ABE FRIEDTANZER: I'm thrilled to be talking the top Oscar prize with my esteemed colleagues Eric, Elisa, and Baby Clyde. I do think there's plenty to discuss here, but I believe that one film is very far out in front. That's The Power of the Dog, of course, which some may doubt after it missed out on an ensemble nomination from SAG. There is absolutely momentum for CODA after its win there and its triumph the night after that with the Hollywood Critics Association. But Dog also underperformed with nominations from the latter group, so the comparison isn't all that helpful. There just isn't enough going against Jane Campion's western for it to lose, in my opinion. But there are nine other nominees, and at least a few of those will siphon votes. Aside from CODA, King Richard gets a boost from its ACE Eddie win, and Drive My Car is worth considering since it hasn't been in competition with many other groups. What films do you think are still in the mix?

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The PGA goes to 'CODA' but we still have a race and here's why...

by Nathaniel R

CODA is still riding high on that SAG wave but will cresting during Oscar voting give it the win? If it does a LOT of records will be broken. No film since the current slate of categories was in place (many decades now) has managed a Best Picture win with only 3 Oscar nominations. Most film with 12+ Oscar nominations (like The Power of the Dog has) have won more than three Oscars though sometimes they've lost Best Picture (examples include Mary Poppins, The Song of Bernadette, and La La Land) . No films without either a Directing or an Editing nomination (since all the current categories were in place), and CODA has neither has won Best Picture. Finally no film by a streaming company has won Best Picture though this last stat was bound to fall sooner or later and will next Sunday whether CODA or Power of the Dog wins. Unless of course something else entirely surprises. Winners are after the jump...

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Producers Guild Awards say 'You can't sit with us!' to the blockbusters

by Nathaniel R

The Producers Guild of America has spoken and even though in past years they've shown a fondness for superheros and blockbusters nominating films like Star Trek, Wonder Woman, and Deadpool, this year they've dashed the Oscar dreams of the 8th Spider-Man movie and the 25th official James Bond movie and selected only Dune to represent big franchise filmmaking. The "surprise" nomination, though it really shouldn't be considered a surprise given that they even nominated Molly's Game, was Aaron Sorkin's Being the Ricardos. Their nominees are as follows...

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