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Entries in sequels (66)

Friday
Jan022015

Linkcatcher

Forbes a curious realization. Nearly half of the 20+ sequels coming in 2015 are sequels to 2012 films from Magic Mike XXL to Pitch Perfect 2 and beyond
Erik Lundegaard great movie quotes of the year 
Film Stage unused concept art for an Alien film from Neill Blomkamp (of District 9 fame)


Deadline talks to rising DP star Bradford Young (Selma, A Most Violent Year) about lensing black films 
Variety Selma will be screened for free in its titular city
/Film Yes, Emily Blunt is aware that the internet would like her to play Captain Marvel in the upcoming Marvel film
LA Times on Robert Elswit, another fine cinematographer with two films this year (Nightcrawler, Inherent Vice)
Boy Culture Mark Wahlberg pic (the headline for pic is A+)
The Feminist Spectator is justifiably miffed that Theory of Everything and The Imitation Game can't be bothered to pay more attention to women or pass the Bechdel Test (though I actually think Theory of Everything technically does due to that unintentionally hilarious "you should go to church. bye" scene) 
YouTube Avengers: Age of Ultron commercial. I know this is par for the course now but it never fails to amaze and amuse and depress me that commercials (all trailers are commercials) now get their own commercials (premiering on January 12th!) when they themselves are sequels to commercials (third trailer!). What a world. FWIW this ant-size commercial for the upcoming Ant-Man commercial is pretty clever.

a few more 'best of' lists
Kyle Turner's top 14 from Mommy to Gone Girl
Scott Feinberg's unusual top ten, critical hits of various ilk and... Magic in the Moonlight?  
Pop Culture Crazy's "foolhardy" top ten construction from Life Itself on upward 

Happy New Year NPH

 

Dave and Mark Schulz in Olympic timesOscar Campaign Pot Holes
Pretty much every website is writing about Mark Schultz absolute freak out over Foxcatcher (that links takes you to the fullest recap I've seen with his "Die! Die! Die! deleted tweets and all) so I figure it doesn't need its own post. But it is the juiciest current movie explosion going on now that the Sony e-mail hack story has slowed down. The former Olympian didn't seem to have a problem with the film in which Channing Tatum plays him until several months after he first saw it. Interestingly his U turn happened during Oscar voting. Hmmmm. He says he is contractually obliged to support the film making this very public rage even more complicated. His about face appears to stem from a delayed realization of the film's homosexual subtext... which we only very recently discussed on our podcast and weren't all that impressed with as a choice. Schultz has since apologized for the outburst but is sticking with his claims of total inaccuracy.

Variety suggests that what's going on with Imitation Game and Selma is smear campaigns but is it really? Disputes about accuracy of biographical pictures are plentiful throughout history no matter the subject or Oscar heat. But for what it's worth people are saying that Selma's depiction of LBJ is problematic (sorry Tom Wilkinson - not what we needed disputed if we want to avoid that Robert Duvall nomination!). Now even a former Presidential aide to LBJ is chiming in on the controversy. For what it's worth, director Ava DuVernay, who used to be a publicist so knows this game, is very smart about dodging these attacks and keeping a cool head with her statements.

Disputes over Selma's screenplay credit aren't half as gripping, if only because this just happened last year with 12 Years a Slave and it seemed a lot bitchier then. Remember Steve McQueen's airclapping when the screenwriter won his Oscar?

Sunday
Nov232014

Review: The Hunger Games: Mockingjay Part 1

Michael C here with what I suppose is part one of my review of Mockingjay.

“I wish she were dead,” says Finnick Odair at the start of the third entry in the Hunger Games series. “I wish they were all dead and we were too,” he adds to include himself, Katniss, and all the tributes that remain in the clutches of the Capitol after the events of Catching Fire

If that seem like a dispiriting way to start an action blockbuster rest assured it perfectly establishes the tone of The Hunger Games: Mockingjay – Part 1, a grim, disjointed film that is short on thrills and long on misery. Francis Lawrence’s sequel progresses from torture to bombs dropped on hospitals to the wreckage of towns strewn with skulls, all of it scrubbed down to a bloodless PG-13. Our big reward for wading through this suffering is to see our beloved Katniss strangled within an inch of her life. 

I expect fans of the series will like it a lot...

Click to read more ...

Thursday
Nov062014

Your 2014 animated Oscar contenders

Readers, an apology. Here I am, the Film Experience's resident animation expert, and I'm late with news twice over. First, on Tuesday, the Academy annouced the full list of 20 contenders for Best Animated Feature. Nathaniel prepared a post discussing this development, but wasn't able to publish it before traveling to California. Here are his thoughts on the subject:

As expected we will have a full five-wide Best Animated Feature category this year. It only takes 16 contenders to trigger that and we have 20. This branch is definitely not the most predictable when it comes to nominees -- or even, sometimes winners (remember how competitive the Brave year was?) --  often opting for a few little seen critical and foreign darlings. The internet seems to be rooting for The Lego Movie which is by a significant margin the most popular animated film of the year in the US. What's interesting is that it's uniquely American appeal means that internationally the numbers are much different and How To Train Your Dragon 2 is, globally, the biggest cartoon of the year. It's also probably the frontrunner for Gold but you never know. It's not as undeniable as Toy Story 3 (a universally acclaimed capper to a hugely beloved trilogy that wasn't able to be honored with the competitive Oscar until then since the category hadn't existed).

Disney's Big Hero 6, opening this week, I can't personally see winning the category but it's a likely nominee and, what's more, the short before it called Feast, which tells the tale of a human's love life through his hungry puppy, is a strong contender for the short film Oscar. It was love at first sight for me and I'm not even a dog person.

THE ELIGIBLE 20 (plus 10 eligible animated shorts after the jump)...

Click to read more ...

Friday
Sep052014

Robert Wise Centenary: The Curse of the Cat People (1944)

It's Tim. September marks the centennial of famed director Robert Wise, winner of Oscars for the musicals West Side Story and The Sound of Music among several other classic films, and the members of Team Experience are going to spend the next several days revisiting work from the entire range of his career. And what better place to start than at the very beginning: 1944's The Curse of the Cat People, which was Wise's directorial debut, taking over from Gunther V. Fritsch, when the project fell behind schedule. It's part of the legendary run of movies produced by Val Lewton's horror-oriented B-unit at RKO, a studio where Wise had already logged time as an editor (cutting both Citizen Kane and The Magnificent Ambersons, no less). But it's not, itself, a horror movie, despite being the sequel to Cat People, one of the canonically great horror films in history. And despite Wise having a terrific hand for horror, as he'd first prove with his third feature, the Lewton-produced The Body Snatcher.

The Curse of the Cat People is, rather, a sort of psychologically realist fairy tale, taking its title (which RKO forced upon Lewton, though giving him the freedom to make any plot he wanted to under that name) to the most symbolic, abstract extreme possible. It involves Oliver Reed (Kent Smith) and his wife Alice (Jane Randolph), the heroes of the earlier film, moved to the New York suburbs with their six-year-old daughter Amy (Ann Carter), who's having a problem separating fantasy from reality lately. And the audience is forced into having much the same problem, when Amy wishes for a friend and gets one in the form of Irena (Simone Simon), whom devotees of Cat People might recall was Oliver's first wife. The one who transformed into a panther when she got sexually aroused, and is dead now.

Click to read more ...

Monday
Aug252014

Box Office: An Expensive Lesson in Sequel Production

Amir here, with the weekend’s box office report. Much like last week, the biggest story at the multiplex is the massive failure of a has-been brand. Then, it was the shrinking shoulders of 80s action heroes that could not bear the weight of a changing, modern world. Now, it is Frank Miller’s overly familiar aesthetic and the fading stars of Jessica Alba and crew. This catastrophe is of epic proportions. Budgeted around $70m, Sin City: A Dame To Kill For failed to make even 1/10th of its production costs back and fell behind the aforementioned Expendables 3. Reviews haven’t been kind and any affection for the original film has vanished in the intervening decade. You either have to suffocate the audiences with non-stop sequels and reboots before they know who’s hitting them, or they’ll forget you. That’s the lesson for Robert Rodriguez and Frank Miller and one they have had to pay at least $50m dollars to learn.

The best selling wide release was also the weekend’s Film Amir Is Too Old To Watch, a romance starring Chloe Grace Moretz called If I Stay that didn’t have the muscle to take the throne from Guardians or Turtles, making this one of the year’s quieter weekends. 

WEEKEND BOX OFFICE
01 GUARDIANS OF THE GALAXY $17.6 (cum. $251.8)  Review
02 ...NINJA TURTLES $16.8 (cum. $145.6) remember the animated one?
03 IF I STAY $16.2 *new*
04 LET'S BE COPS $11 (cum. $45.2)
05 WHEN THE GAME STANDS TALL $9 *new*
06 THE GIVER $6.7 (cum. $24.1) Review
07 THE EXPENDABLES 3 $6.6 (cum. $27.5)  recommended read
08 SIN CITY: A DAME TO KILL FOR $6.4 *new*
09 THE HUNDRED FOOT JOURNEY $5.5 (cum. $32.7) 
10 INTO THE STORM $3.8 (cum. $38.3)  
11 LUCY $3.5 (cum. $113.7) Podcast
12 BOYHOOD  $1.8 (cum. $16.5)  Review & Podcast
13 MAGIC IN THE MOONLIGHT $1.3 (cum. $6.8)  
14 DAWN OF THE PLANET OF THE APES $1.1 (cum. $203.9) Podcast & Reviewish
15 GET ON UP  $.9 (cum. $28.7) Review & Viola Davis

On the limited side, brighter news: Ira Sach's Love Is Strange a film The Film Experience adores, did strong business on only 5 screens. Here’s hoping it expands across North America as quickly as possible. The only new release I watched in the past couple of days is Ari Folman’s The Congress, which isn’t actually out until next weekend. Stay tuned for my review! What have you watched this weekend?

Saturday
Jul262014

Live from Comic Con: The Boxtrolls and Sin City's Sequel

Anne Marie here, surviving on pop tarts and coffee and delivering film news live(ish) from SDCC. This next bit covers two very different panels that were placed side-by-side: kid-friendly The Boxtrolls and blood-and-guts comic book noir Sin City: A Dame To Kill For.

The Boxtrolls
The latest picture from the studio that brought us Coraline and ParaNorman is another stop-motion animation that made the chattering crowd of Hall H stop and stare. The trailer gave us everything we expect from Laika; a creative world, seamless animation, and humor. But they really got the audience's attention from a preview of a nearly wordless scene featuring the Boxtrolls searching through the garbage and playing with a trashed teddy bear. Have you ever heard 6,000 people "aww" at the same time? It's both loud and cute.

The panel assembled creators Travis Knight, Anthony Stacchi, and Graham Annable, along with voice talent Elle Fanning (bubbling over and wearing yellow eyeshadow), Isaac Hempstead, and Sir Ben Kingsley. The Boxtrolls is based on Here Be Giants, and has been 8 years in the making (as long as Coraline, as the head of Laika informed us). Stop-motion animation is hardcore! Knight and Stacchi described a bit of the time-consuming frame-by-frame process, which puts animators through a physical wringer, burned fingers handling lights, contorted bodies fitting in tiny sets, sliced hands handling puppets. Knight admitted the sets get destroyed too, as the man-sized cameras push through the doll-size set pieces. The sacrifices look worth it, though. The Boxtrolls looks utterly unique. 

Sin City sequel after the jump...

Click to read more ...