Did Paul Newman win for the wrong movie?

by Cláudio Alves

Throughout the history of the Academy Awards, many a winner conquered their statue not because they were the best of the year, but because they had a grand filmography in need of golden recognition. Career Oscars are a bittersweet sort of honor, though. On one hand, it feels just to see living legends rewarded with Hollywood's most coveted trophy. On the other, the win sometimes comes from such a minor work it doesn't feel representative of the artist's true genius. In terms of acting prizes, Paul Newman is one of the most flagrant cases of a winner that was rewarded for his career rather than the merits of one performance. By the time he won a competitive Oscar, he had been nominated seven times already and had even won the first of two Honorary prizes. He might have agreed with those judgments, considering he wasn’t even present to receive the statuette.

At least, that's what most people seem to believe about the great star's Best Actor trophy for 1986's The Color of Money…

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Last Chance Streaming: "The Hustler" and "The Way of the Dragon"

I haven't quite dared to cut the Netflix cord yet, but I get closer every month since I find myself downloading movies more and more from iTunes or streaming on Amazon instead. Since Netflix is systematically erasing all traces of cinema pre 2000 (and even their 2000-2010 collection is tremendously lacking!) as they focus more and more on becoming a TV channel, you have until June 1st to watch the following 20th century films which are leaving the service.

We'll play our little streaming roulette game and screengrab whatever comes up as we bid adieu to the following. Which will you watch before it's hard to find them again?

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A Comeback for The Zeéeeee?

Renée earlier this year. Still a fashionistaTravel back with me through time just nine years hence. Renée Zellweger was on top of the world: A list career, consecutive Oscar attention, hit movies, red carpet superstardom.  She was so ubiquitous that she became the arch-enemy of The Film Experience only ever referred to as She Who Must Not Be Named™. By the time Hilary Swank had robbed her of the Most Hated title round these parts, she seemed depleted of everything else as well. In the past few years I've begun to feel bad for her and the way the public can suddenly turn on actors they once rushed out to see (see also: Meg Ryan). I now affectionally call her The Zeéeeee in remembrance of the five happy years we spent together (1996-2001).

While there's no such thing as an Oscar curse, Oscar wins quite often, and maybe quite naturally, mark the peak of an actor's career. Whether snagging showbiz's ultimate prize depletes the ambition you need to survive Hollywood, whether Oscar winners feel crushing pressure to prove they deserved their win and stiffen up, whether personal problems derail a career just as it seems to be perfect, whether a well earned vacation turns into a "we didn't miss you" extended hiatus ... well, who can say, really, but many stars fumble immediately after being crowned king or queen of Tinseltown for a year.

Recent movement in Zeéeeee's camp suggests she's ready for her career's second (third?) act now. She'll make her directorial debut with a film called 4 ½ Minutes which will star Johnny Knoxville as a struggling comedian. He is hired to babysit the Zeéeeees son and hijinx ensue. She's also lining up her Broadway debut in an adaptation of The Hustler, presumably in the Piper Laurie role. (Poor Piper! Leave her signature alones, people) Both projects are being scripted by Anthony Tambakis who wrote the screenplay to the fighting brothers drama Warrior. Some reports say that Tambakis is also co-writing a television series with the actress called Cinammon Girl to air on Lifetime. They must have hit it off.

Do you think this career can be saved? If so what would it take.

Unsung Heroes: The Technical Advisor on 'The Hustler'

Willie MosconiSerious Film's Michael C. here. 2011 will mark the 50th anniversary of Robert Rossen's classic The Hustler, so in this episode of Unsung Heroes I thought it a great opportunity to tip my hat to a man who is a large part of why the film is still watched and loved five decades later.

There is a vibe you get from certain films, a vibe that tells you “this movie knows what it’s talking about. This is how it really is.” The film's subject may be totally unfamiliar, space travel or gourmet cooking, but you can still sense when a film has done its homework and when it’s faking it. It’s the difference between the poker movie which simply gives the hero a royal flush, and the poker movie that knows it is more impressive to watch the hero play an average hand brilliantly.

Robert Rossen’s The Hustler is a movie you can feel knows its business cold from its first seconds. The Hustler had as technical advisor pool playing great Willie Mosconi, a man whose impact on the game of pool is comparable to Wayne Gretzky’s on hockey. His mastery seeps into every frame of this movie.

From the way the players screw their cues together to the way they call their shots this film has every detail in place. The Hustler is especially skilled at showing what happens when two competitors at the top of the game come up against each other.  A lesser movie would simply have billiard balls spinning and hopping all over the table but The Hustler is wiser than that. Thanks to Mosconi’s know-how, and the great script by Rossen, it makes clear that the game is won or loss on stamina and concentration, not on show-off displays and trick shots.

Rather than bogging it down with technical info this level of detail opens the story as a battle of personalities. The Hustler understands not only how pool is played, but how different characters types manifest themselves on the table. In one memorable exchange George C. Scott informs Newman's Fast Eddie he has the talent to be the best. When Newman asks why it was he lost anyway, Scott smirks that it was a lack of character. It's a testaments to the depth of the film's portrait of the game that we know exactly what he’s talking about.

Beyond creating a fully realized battlefield for the characters to clash, the technical know-how achieves something even more crucial to the film’s lasting success: It makes the movie incredibly cool. This is what I responded to most strongly when I first found this film as a teenager. These guys weren’t just hotshots. They were religiously devoted to the game. The question of the best was as weighty in the pool hall as it was in the world of chess or dance. With the aide of Mosconi, Rossen was able to show, for the first time to most of the public, that the pool hall was a worthy arena for this level of drama.