Happy Birthday, Jessica Lange (& Nina Foch)

by Cláudio Alves

Like Mark said in his Veronica Cartwright tribute, this 4/20 is an essential date for actressexuals... among others. After all, we celebrate the horror queen's 75th birthday and that of Jessica Lange as well. Initially, I thought about writing about the star's upcoming adaptation of O'Neill's Long Day's Journey Into Night, but that film seems trapped in some nebulous distribution limbo. By all accounts, production wrapped in late 2022 after a brief halt due to financing issues. Since then, there's been hardly any news, and Lange herself speculated it might not yet be finished in a Vulture interview. Let's hope we don't have another Blue Sky situation in our hands, though that farrago resulted in a Best Actress Oscar.

So, instead of dwelling on that mystery, why not remember The Film Experience's collective love for Jessica Lange? Going through the site, I came up with a selection of write-ups worth revisiting, plus some bonus Nina Foch to mark her centennial…

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Over & Overs: "Singin' in the Rain" (1952)

by Cláudio Alves

It's been a while since the Over & Overs series has shown up on The Film Experience's timeline, and it's as good a time as any to rectify that. Indeed, revisiting a beloved picture one has seen more times than one can count is the perfect idea for today's celebration. You see, a century ago, Stanley Donen was born in Columbia, South Carolina, the son of a dress shop manager and future movie lover. He'd also be a movie magician, capable of turning the screen into materialized joy, like an alchemist who used the camera to transform and transport his audiences. Though one finds several titles are worth appraising in his filmography, a single picture stands above all others, the musical to end all musicals. It's Singin' in the Rain, of course…

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"The Color Purple" and the Best Supporting Actress Oscar History

by Cláudio Alves

A shadow of uncertainty has loomed over the awards season for a long time. It was the enigma of a major contender yet unwatched until last week when the first screenings of The Color Purple movie musical finally took place. Now, it feels like the race is truly on, with the Blitz Bazawule's picture firmly established in the run for gold. And of the categories it might compete in, Best Supporting Actress is the surest bet. Indeed, some folk are already predicting Danielle Brooks for a sweeping victory thanks to Sofia, the sing-and-dance version of the same role that earned Oprah Winfrey a nomination 38 years ago. On stage, both Brooks and Felicia P. Fields have earned nods for the part, too. But will Taraji P. Henson's Shug Avery follow her into the 96th Academy Awards ballot? 

These matters make one think about the history of the Best Supporting Actress Oscar, its embrace of musicals, and its propensity for nominating multiple people from the same film…

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Glenda Jackson (1936-2023)

by Cláudio Alves

WOMEN IN LOVE (1969) Ken Russell

Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.

On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…

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Tony Awards in Review

by Nathaniel R

To support the WGA or not to support the WGA? This is not, of course, even a question for the arts community and audiences. But the 76th Tony Awards, held last night at the gorgeous United Palace in Washington Heights, made an accidental case that maybe writers should be banned from awards shows moving forward (not as nominees -- but as, you know, writers of the ceremony).

Gone were the scripted jokes, awkward intros, and agonizing filler that disrupt the three-pronged reason we all watch awards shows in the first place: the drama of the awards and acceptance speech, seeing lots of celebrities, and enjoying "clips" of the nominated art. In the case of the Tony's the 'clips' are always live performance of nominated musicals...

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