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Entries in musicals (706)

Tuesday
Mar032026

Drag Race RuCap: "Fannie: The Hard Knock Ball Rusical"

"Fannie: The Hard Knock Ball Rusical" as told through wigs.

NICK TAYLOR: It appears a major theme of this season’s post-talent show episodes is the psychological torment of Juicy Love Dion. The diva has gone from being season 18’s first two-time winner to sending home two of her closest friends in the competition, including her own grandmother. She’s been struggling hard, and who knows how long this gauntlet of pain will last. You can tell Ru really wants to push her queens this season, all the better to win that Emmy and make some drama. This push has led to the best Rusical since season 15 and a heartbreaking lip sync battle, in spite of a guest judge and lip sync song with the combined impact of powdered milk. The race is tight, the queens are on fire, and the teaser promises even more shenanigans to come. But let’s not hit the end before the beginning, yes? What’d you think?

CLÁUDIO ALVES: What did powdered milk ever do to you? Anyway, I’m happy that my predictions in our private convos have proven mostly right, while also begrudging the show for being so damn predictable in its storytelling…

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Sunday
Jan182026

2025 in Review: Music Music Music

by Nathaniel R

Charli XCX has four feature film projects arriving in 2026. But still found time to make a great music video in 2025

I promise we'll pull this back to music in movies at the end of the post but for a curveball we'll first share favourite music videos of 2025. Those mini-musicals haven't had a true "home" in decades (after the initial heyday of MTV many moons ago) but they still continue to be a fascinating shortform offshoot of cinema itself. We use to think of them as training ground for future film directors but it feels like that's been a long while since it was a "path" to Hollywood. How long until we get another music video master that moves up to auteur status? It's been 30 years since that happened for David Fincher! Still, we're always hoping it will happen again...

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Saturday
Dec132025

Power Ranking the Songs and Performances from "White Christmas"

by Ben Miller

WHITE CHRISTMAS (1954) Michael Curtiz | © Paramount Pictures

In my house, few Christmas traditions persevere more than my wife's annual viewings of 1954's White Christmas. From a few days after Thanksgiving, up until Christmas day, three yearly screenings are par for the course. With such an ingrained viewing experience, I feel uniquely qualified to power rank the songs and performances from Irving Berlin's holiday classic...

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Thursday
Nov202025

Review: Erivo and Grande can’t save "Wicked: For Good"

by Cláudio Alves

Months before it arrived on Broadway, when it first opened for previews in San Francisco, Wicked was already being criticized for an act-two problem. Some finagling was made on the trip to the East Coast, yet the show that premiered at the Gershwin in October 2003 suffered from many of the same structural issues. They didn't stop it from becoming a commercial success or a cultural phenomenon, but still. Two decades later, the revisionist tale of the Wicked Witch of the West and Glinda the Good was announced as being split into two movies, alarming those who were familiar with the show and its problems. Financial incentives aside, the decision allowed the first act to soar higher than it would were it still chained to an unsatisfying conclusion, but it left the second part unmoored. Bloating the runtime to double what it is on stage and transmuting a 15-minute act break into a year-long wait didn't help either.

This is not to say that Wicked: For Good was fated to fail, simply that it faced bigger obstacles to success than its predecessor. Sadly, Jon M. Chu and company weren't up to the challenge, no matter how hard the dream team of Cynthia Erivo and Ariana Grande tried...

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Sunday
Nov162025

Something "Wicked" this way comes!

by Cláudio Alves

Ariana Grande, Jon M. Chu and Cynthia Erivo photographed by Giles Keyte on the set of WICKED: FOR GOOD | © Universal Studios. All Rights Reserved.

In 1900, L. Frank Baum published the first book in what would become a series and a cultural monument – The Wonderful Wizard of Oz. Two years later, he'd adapt Dorothy's adventure into a musical extravaganza for the stage, and six years after, that Kansas girl would walk the yellow brick road into the silver screen for the first time. But it would take MGM's 1939 Technicolor miracle of a movie for The Wizard of Oz to reach its full potential. In 1995, Gregory Maguire used Baum's creation to question the workings of American propaganda through a revisionist tale. In 2003, Wicked reached the stage, reimagined as a mega musical that would take the world by storm. Last year, Jon M. Chu's film adaptation of the show's first act wowed audiences and, next week, the story ends, For Good.

It's been a long journey to get here, and I was lucky enough to attend the London premiere of Wicked: For Good, experiencing one of 2025's most anticipated movies firsthand, along with the fervor of die-hard fans and the media fanfare of a promotional roll-out the likes of which we rarely get to witness...

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