HOT TOPICS


NOW PLAYING

in theaters



new on dvd


review index

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Beauty vs. Beast

 

ALMA or HUD ? For you cynical hotties
 Beauty vs Beast 

Comment Fun

COMMENT DU JOUR
Supporting Actress: My Ballot & Yours

"Carrie Coon who in her screen debut steals Gone Girl from the much bigger names. Also can we just talk about how between Nora Durst and Margo Dunne that no one has as impressive a breakout in 2014 then Coon. " - Eion Daly

"Agata Kulesza blew my MIND in "Ida," so she easily gets my top ballot." - Lawson

"Keira Knightley. She just seemed like that rare person who can make you want to be better. So endearing, charming and she also has moments where she shows that she knows more about the world. A silent revolutionary." - MCV

YOURS? And what'cha think of mine?

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in musicals (215)

Sunday
Dec212014

Stage Door: "Side Show" Brings Out the Auteur in Bill Condon

Jose here. Last week as I sat in the audience for Side Show on Broadway, I was suddenly struck by the fact that beyond the show’s obvious brilliance and many charms, I was also witnessing the apotheosis of Bill Condon as a true auteur of screen and stage. Now bear with me as I make my points...

Condon is perhaps best known for his work as a screenwriter, his adaptation of Chicago having earned him an Academy Award nomination, and his meticulous work in Gods and Monsters having won him an Oscar for the Best Adapted Screenplay of 1998. Some of his other notable projects have included writing and directing Kinsey, Dreamgirls and also the last two installments of The Twilight Saga. If you take all of his important works and analyze them, it’s clear that in bringing Side Show back to Broadway, he has finally found the one project where he finds all of his obsessions unified.

Click to read more ...

Thursday
Dec182014

News of the Century: "Bombshell" From Smash Is Happening. June 15th, 2015

FAKE AD FROM THE TV SHOW. BUT THERE WILL BE A REAL ONE IN 2015.

That's right show queens, "Bombshell" is finally getting a stage production. [src] It's a one night only benefit event in NYC so who knows if it will be way above our pay grade but you have to start somewhere.

The Film Experience's troubled marriage to "Smash" the ill fated NBC series about the making of a Marilyn Monroe musical named "Bombshell" lives on! It's impossible to get a full divorce actually from that show and especially the show within the show because social media has guaranteed that all TV series with a devout following remain somehow in the pop culture conversation like they're still on the air.  I can't tell you how many times someone mentions Smash in my twitterfeed (#notcomplaining) and my eyes always flash a bit, like an ocular exclamation point. 

There's no word yet on casting but if Megan Hilty isn't playing Marilyn at this one night only event there's really no point in that day in the world's timeline even existing. This is our only mandatory requirement*. Otherwise proceed, producers. Our hearty gratitude and possible our dollars, depending on ticket prices, await you.

*Requirements are different than wants but we got a string of those too if you need 'em.

Tuesday
Dec162014

Kendrick Sings and Sings Some More

Manuel here to give you two new-ish videos with which to feast on if you’re famished for some Anna Kendrick. It’s probably unnecessary to remind you that Anna Kendrick has become the poster gal for movie musicals. In a stretch of 8 months she’ll have premiered The Last Five Years, Into the Woods and Pitch Perfect 2. We’ve already done a YES/NO/MAYBE SO for Into the Woods and for Pitch Perfect 2 and while I’d love to write one up for The Last Five Years, I’m afraid I’m too much of a YES to nitpick about this beautiful trailer. Plus, snap/blind judgements that come from trailers don’t work as well when the film’s already been seen and reviewed. Case in point: Nathaniel already reviewed it back at Toronto. back in Toronto.

Anna sings twice after the jump...

Click to read more ...

Friday
Dec052014

Monty the Cat Pundit Smells a Jennifer Aniston Surprise!

Monty is getting on in years and has all but retired from Oscar punditry. When I show him my swag in the hopes that he'll reveal some innate feline wisdom about awards season these days he looks away with disdain, grumpier than ever. He's even ignored all the boxes which must be like an alcoholic strolling past an open bar without stopping.

But FINALLY engagement. This week he lept with glee into a box containing various Into the Woods substances (I wasn't quick enough with the camera but he obviously approves. Does this mean that Into the Woods can muscle into the Best Picture race after all (it's kind of a toss-up right?) or is it just a reminder that Monty has a thing for musicals? His first Oscar call ever was Best Original Song for Björk in Dancer in the Dark (2000) when he was just a 2 year-old. He would race to the CD player (remember those?) whenever it came on and plant himself there.

And tonight, the most curiousity yet this season as he began circling one of three new packages He would barely let me touch it. What's it for?

Click to read more ...

Thursday
Dec042014

PETER PAN LIVE! Live Blog with Margaret & Anne Marie

ANNE MARIE: Good evening, Lost Boys & Girls. Anne Marie here with the ever-youthful Margaret to live-blog NBC's Peter Pan Live! Or it would be live, but Los Angeles does everything on a delay, so instead it's a late-blog three hours after the original event began.

MARGARET: Thank goodness they don't do this with the Oscars.

ANNE MARIE: A word on my credentials: Like millions of children, I was basically raised on the Mary Martin/Cyril Ritchard broadcast. Until I was six, I thought I was going to grow up to be Peter Pan. I've also been in it, designed for it, and seen the Cathy Rigby version (twice).  Oh, and for actual credentials, I have a minor in theater and have stage managed in LA for six years. I also liveblogged The Sound of Music Live! last year. This isn't my first trip to Neverland, is what I'm saying. 

MARGARET: While I haven't Anne Marie's technical background, I also grew up a huge fan of the Mary Martin production. My copy was taped from a TV broadcast on an ancient VHS (look it up, kids) and I watched it so much I memorized the commercials. Since I am also a great fan of (1) celebrities looking uncomfortable and (2) anything with a strong potential for disaster, tonight's entertainment is right up my alley. I hope I'm not alone in that.

ANNE MARIE: If you're on the East Coast, check in with us and think back on fond memories made just three hours ago. If you're on the West Coast, follow along as we experience childhood anew. If you're in one of the middle states, then you're kinda like the Lost Boys: nobody pays attention to you and we spend a lot of time flying over your head. 

Are you ready? OFF TO NEVERLAND!

Click to read more ...

Tuesday
Nov252014

Stage Door: Emma Stone in "Cabaret"

Jose here. Earlier this year I reported back from the Kit Kat Club to share my impressions about Michelle Williams’ performance as Sally Bowles in the Roundabout Theatre production of Cabaret. Last night I went back to see what Emma Stone (Spirit-Nominated this morning) brought to the part...

Halfway through the first act of Cabaret, Sally Bowles realizes that life with her naive, new lover Cliff (Bill Heck) might be exactly what she needs. She sits with Cliff on a chaise lounge and for a moment she sees herself living the life of a wife and mother, satisfied with keeping home and raising her child. Suddenly, the Emcee interrupts this precious moment by bringing a microphone, its allure too powerful for Sally to resist, and drawn towards it as if under a spell, she performs “Maybe This Time”.

Onstage, the heartbreaking irony of this moment (Sally selling her soul to showbiz, while fooling herself into thinking she’s doing the opposite) is hard to detect if the actress playing her is too eager, or not eager enough; a delicate balance which I’m thrilled to report was beautifully achieved by Emma Stone.

Having already proved to be a truly magnetic screen presence, Stone brings her unusual sensuality to Sally Bowles by subverting the quirkiness that makes her so much fun to watch in movies. Gone are the traces of the goofy girl from Easy A, or the naivete of her Gwen Stacy in The Amazing Spider-Man. If anything, she’s taking on the introspective self-destructiveness of her Sam from Birdman, the same volatile qualities that make her appealing and scary. Her Sally is a teenager who has convinced herself she can fool others into thinking she can play with the grown-ups. Her levels of delusion are such that she fails to notice she hasn’t really fooled anyone but herself.

Stone is also smart enough to know that in the stage version, Sally isn’t the star, she’s part of the ensemble. To a certain degree she's also a memory conveyed by Cliff who “writes” the show as it goes by looking back at his Berlin experiences. Stone’s Sally, while not the star of the show, is so seductive that we miss her whenever she’s not onstage, partly because we want to see her again, and partly because we are afraid of what will happen to her when we’re not looking after her. The audience develops caretaker feelings towards her, combined with sexual desire, making for Stone’s most mature performance to date.

And can she sing you ask? While she is obviously no Liza (then again who is?), Stone successfully delivers her numbers, bringing a raspy, sensual quality to them. (She often sounds like Lindsay Lohan did in her pop star moment!). Stone knows that singing isn’t her (or Sally's) true forte, so she lets this be an essential part of the performance, delivering the last third of the title song completely out of pitch, furiously fighting against the notes coming from the band. If a man can’t restrict her, why does this song think it can?