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Entries in musicals (684)

Monday
Nov132023

Paul Mescal is the Melancholic Heartthrob of Our Dreams...

by Cláudio Alves

...but not even he could make Foe worth watching.

Since Normal People hit the small screen in 2020, the Irish actor has enjoyed a rise to fame like few before. Still, his breakthrough performance as Connell Waldron could have been a one-hit wonder with its staggering vulnerability never to be repeated. Thankfully, that wasn't to be. Though his big-screen debut, The Lost Daughter, didn't ask much from the Maynooth-born hunk with perpetually sad eyes, the 2022 double feature of Aftersun and God's Creatures revealed surprising range. So much so that he secured his first Oscar nomination for the Charlotte Wells stunner, a rare honor for its kind of understated work.

Garth Davis' Foe is the first significant stumble in a mostly impeccable resume. Still, that need not be the end-all-be-all of Mescal's 2023…

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Thursday
Nov092023

This isn't your mother's "Mean Girls"

by Cláudio Alves

Maybe this trailer deserves the "Yes, No, Maybe So" treatment, but why do all that work when the answer is a resounding NO? Though the musical of Mean Girls isn't an especially well-regarded Broadway property, there was some hope regarding its transfer to the screen. That was before it kept getting delayed until landing on the dumping ground of January 2024. Everything's pointing to it being a disaster, and the first trailer only accentuates those doubts rather than dispelling them. And no, it's not just because it's so eager to make the original audience for Tina Fey's teen comedy feel as old as Methuselah…

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Saturday
Jul152023

Barbie Prep: Letterboxd, Watchlists, Oh My!

by Cláudio Alves

We're in the home stretch, less than a week until Barbie arrives in theaters like a shock-pink supernova. The promotion has been near manic in intensity, with the cast showing off their best Mattel cosplay worldwide and Warner Bros. pulling no punches. However, it's not all red-carpet glamour and real-life dream houses, with writer-director Greta Gerwig doing much to excite the global cinephilia by hinting at her Barbie's debt to great cinema of yore. She's been very vocal about the cast and crew watch parties, studying the hyper-artifice of studio classics, and even getting on the phone with Peter Weir to get some tips relating to The Truman Show.

In a recent Letterboxd interview, Gerwig went into a personal watchlist she curated, starting with 29 titles that eventually expanded to 33 during the conversation. It's a vast collection of titles, from 1930s screwball to modern Almodóvar…

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Thursday
Jun222023

A Marilyn Monroe Top Ten

by Cláudio Alves

In June, we don't just celebrate Pride. For those in the know, it's also the time to honor the immortal memory of Marilyn Monroe, born in the dying breaths of spring, June 1926. As a birthday present to her fans, the Criterion Channel organized a sampling of the actress' best films, making a delicious collection everyone should check out. Inspired by that list, here's my own selection of Marilyn's peak, her ten most excellent performances in a career, a life, cut tragically short. After all, one mustn't confuse the iconographic impact with a lack of substance beyond the surface. Too many have done that already. 

Marilyn Monroe was a tremendous thespian, so seamless that people, in her time and our own, still assume character and interpreter were one and the same. In any case, let's forego defensiveness for joyful exultation. Without further ado, here's the Marilyn Monroe top ten, in chronological order, unranked…

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Friday
Jun162023

Queering the Oscars: Calamity Jane's "Secret Love"

For Pride Month Team Experience is looking at LGBTQ+ moments in Oscar history. 

by Nathaniel R

When we decided to do this series we left it up to contributors to pick their topics. Does an movie achievement qualify as queer because of an aesthetic sensibility? Because the artists involved were LGBTQ+? Because of subject matter or characters? Any of those! With Old Hollywood movies one of the most common 'qualifying' reasons -- it's all very subjective of course -- is whether or not a movie or singular element of a movie was 'adopted' by the queer community. In this regard "Secret Love," the Oscar-winning ballad from the western musical comedy Calamity Jane more than qualifies...

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