GO TO THE MOVIES!
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!

Oscar Trivia Madness
Oldest Years in Which All Oscar Nominees Are Still Alive

 

Comment Fun

What did you see this weekend?

"Summer 1993. Just beautiful." - Sarah

"I saw Hereditary and honestly thought it was a masterpiece. Fun that it's so divisive." - Philip H

"The best movie I saw this weekend was on PBS' Man with the Orange Shirt a great romantic gay film" - Jaragon

 

Keep TFE Strong

We're looking for 500... no 470 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in The Wizard of Oz (33)

Saturday
May262018

I Have Altered The Auteur, Pray I Do Not Alter It Further

by Salim Garami

What's good? This is opening weekend for Solo: A Star Wars Story, a Disney/Lucasfilm production that saw a bit of behind-the-scenes drama. It's hardly the first production of the space opera franchise to be so contentious: Rogue One had Tony Gilroy take over post-production in lieu of director Gareth Edwards and the still in-production Star Wars Episode IX interrupted its development when Colin Trevorrow stepped down as director to J.J. Abrams, returning from Star Wars: The Force Awakens.

After the jump, more on Solo and five films that had survived such a director change to a decent reception after the jump...

Click to read more ...

Wednesday
Feb282018

Soundtracking: The Best Oscar Winning Original Songs

by Chris Feil

While Soundtracking aims to look at the depth and relationship between movies and their music, one of this series’ minor ambitions is to defend the purpose of Oscar’s much maligned Original Song category. Complain about some of the weak nominees in recent years and you are (alone yet) not alone. But this category has a rich history of classics and film-defining tracks, some of which you may not know have their origins in the cinema. Case in point: holiday staple of hot takes "Baby It's Cold Outside" won the Oscar in 1949 for Neptune's Daughter.

While this year’s nominees run from the unfortunate to the immaculate, I’d also offer that Oscar’s Original Song is currently in an upswing in quality. It has also faced some underwhelming periods (take a look at the 50s) and may never return to its 70s-80s level of radio rotation, but Original Songs remain as essential as the films themselves. So to showcase the category, I’ve ranked the best of the Original Song winners! If your favorite didn’t make the list, consider that a reminder of how much you actually cherish the category...

Click to read more ...

Thursday
Mar102016

RPDR S8.1 Donut Come For Me! 

We're days late arriving to the conversation about RuPaul's Drag Race Season 8 but donut come for me (heh). There are only so many hours in the day. Watching the "Meet the Queens" teaser I predicted Bob, Kim Chi and Laila for the top three (in a betting pool) and then Laila landed in the bottom two the very first episode. Whoops! There goes a tenner.

Kim Chi, who describes herself as an anime character, did a Cowardly Lion homage (there are always movie references!). More after the jump if you're so inclined... 

Click to read more ...

Monday
Mar072016

Beauty vs Beast: Man Made Woman

Jason from MNPP here, hoping y'all have by now nursed your Oscar hangovers from last week, whether literal or figurative, and are feeling at least somewhat happy about what won (or maybe what didn't win - no judgment here) this year. I go into the show as cynical as a storm cloud every year but there was a long stretch in the middle of the show, as Mad Max swept up everything in sight like one of its desert twisters, where I was making many happy noises, and that's as good as it ever gets.

But my happiest noise of all issued forth (kind of an ecstatic coo, you might call it) at the night's biggest surprise, which our friend Manuel gave good love to right after the show -- Ex Machina's out-of-nowhere win for Best Special Effects over a crowd of popular behemoths. Those gears glowing and shimmering inside Ava's mid-section were low-key, gorgeous movie magic, and there's one image in the film (of a robot's self-abuse) that I won't be forgetting any time soon.

That said it seems time to finally place the Woman against her Maker here in our "Beauty vs Beast" series; I'd have nominated both of these actors for their performances myself, so this will contest of ours have to suffice...

It's been a couple of weeks since our last edition, which faced off the Witches of Oz in honor of the release of The Witch, but I don't know about you - I still haven't stopped thinking and talking about The Witch. Anyway as for Oz it was a blow-out for her beautiful wickedness herself - The Wicked Witch of the West walked away with over 80% of your vote! Take that, goody-two-shoes Glinda. Said Yavor (sharing the sorts of factoids that make TFE great):

"Nicole Kidman says that watching the WWOTW was what first made her want to act."

Wednesday
Mar022016

Judy by the Numbers: "Over the Rainbow"

Anne Marie is tracking Judy Garland's career through musical numbers…

How do you talk about this movie? How do you talk about this song? Sure, there are star-turns. There are underdog stories. But there is nothing in Hollywood legend so powerfully wedded as Judy Garland and The Wizard of Oz. It's the kind of lightning-in-a-bottle marriage of star and song that comes once every couple of generations. This was the number that would define Judy Garland as she defined it. It would be her biggest hit; one she recorded and re-recorded. It would follow her throughout her career, and outlive her when she died. Every moment before and after in the story of Judy Garland, MGM, and Studio System Hollywood lives in the shadow of "Over The Rainbow."

The Movie: The Wizard of Oz (MGM, 1939)

The Songwriter: Harold Arlen (Music & Lyrics)

The Players: Judy Garland, Margaret Hamilton, Billie Burke, Frank Morgan, Ray Bolger, Bert LahJack Haley, directed by Victor Fleming

The Story: Louis B. Mayer did not take gambles. When he bought the rights to The Wizard of Oz, he wanted it to be the biggest, most expensive, most profitable musical in MGM’s history. Mayer started by assembling the best talent he had: producer Arthur Freed, director Victor Fleming, a cast of A-list comedians, and that no-fail, bonafide box office guarantee, Shirley Temple. By the time production was underway, 9,000 extras were dancing past cutting-edge special effects played on 65 sets built on all 29 MGM soundstages, totaling in a budget just under $2 million.

Of course, Fox wouldn’t release its tiny tapdancer, so Mayer had to resort to his second choice: Judy Garland. Since she was the new star of MGM’s biggest film, Judy’s studio education was put into high gear. Her teeth were capped, her hair was dyed, she was enrolled in dance and poise classes; all designed to polish down the rest of her rough edges. What this regimen couldn’t do was dull what made Judy unique.

Judy singing “Over The Rainbow” is the perfect distillation of star and studio power. She’d shown signs before of what would make her great - vocal power in “Americana,” joyful musicality in “Got a pair of New Shoes,”  deep longing in “Dear Mr. Gable,” - but with “Over The Rainbow,” the rest of the pieces fall into place. Judy loses her adolescent awkwardness, though she keeps her deep yearning. Accustomed to lip synching, she is able to act throughout the song - wistfulness, sadness, restlessness, hope. Judy Garland wasn’t even old enough to vote, but a combination of raw talent and rigorous training matured her into an exemplary performer.

previously: "The Land of Let's Pretend" (1930), "The Texas Tornado" (1936), "Americana" (1936), "Dear Mr Gable" (1937), "Got a New Pair of Shoes" (1937), "Why? Because!" (1938), "Inbetween" (1938), “Zing Went the Strings of My Heart” (1938)

Monday
Feb152016

Beauty vs Beast: The Witches of Oz

Jason from MNPP here, trying to stop myself from making a deal with the devil to wish this entire week away before it's even really begun -- how can I hold off though? The Witch is out this weekend! I've been clamoring for the Sundance sensation since last year's Sundance, where it was a sensation, LAST YEAR, for Satan's sake. My patience is as worn-thin as the hair on a witch's chinny-chin-chin, yo. Anyway I was bothered and bewildered this morning to see that I have never used the most famous pair of witches of ever for our "Beauty vs Beast" series, so I'd say that it's high time we conjured this contest up (and we're talking about the 1939 film here, so keep Wicked out of it)...

PREVIOUSLY Turns out it wasn't just at the box-office that interest in the Zoolander films turned out to be very unpretty indeed - the contest between Will Ferrell and Ben Stiller's mad sexy creations was pretty uneventful too. It was the male model with the most-est who strutted off with the win though, taking 52% of the vote. Said Steven:

"The reason for Zoolander over Mugatu..... Magnum!!!!"