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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Olivia Wilde (8)


Linkbury, Linkbender and Linkichatpong LLC

The Sheila Variations and Playbill are all celebrating the 90th birthday of Angela Lansbury today. What a long all-mediums career that woman has had. Sing her happy birthday today and emphasize the "...and many more" at the end of your song, mmmkay?
The Stake has a grumpy but well argued take on Steve Jobs that says Michael Fassbender: Great; Movie: Not.
The Guardian on auteur Apichatpong "Joe" Weerasethakul's fears about Thailand military dictatorship - he won't be showing his new film Cemetery of Splendour there for fear that harm will come to him.
Indiewire Kate Erbland challenges you to read her interview with Olivia Wilde (Meadowland, Vinyl) without falling in love
Murtada and Jason, two of our Teammates have very split reactions on Crimson Peak.
• And there's no point linking to "news" that isn't really news even if it's being posted everywhere: i.e. Star Wars: The Force Awakens will get a new poster on Sunday and a new trailer on Monday so why write about them now when you can wait two days for actual news? TFE is totally over news announcing news that will announce news, you know? Like teaser countdowns that announce trailers that then have 4 more versions before the actual movie. ENOUGH. LIVE IN THE NOW.


Fistful of Films Andrew is taking a long hiatus from blogging but this is quite a finale: notes on his top 100+ favorite films. It's quite a range of countries, genres, styles and eras and I'm happy to see many Hit Me With Your Best Shot titles represented and if we even led them to a few of them then our series was a success. Though I must say that reading it, I'm sad he won't be there for our next two episodes - BUT DON'T LET THAT STOP YOU FROM JOINING.

TFE Housekeeping...
We will be hosting those last two Best Shot episodes this month but we've had to cancel that Smackdown '63 we planned. Both Best Shot and Smackdown will return in the Spring as per usual. I should've known better than to plan too much in September & October as it's impossible to do big projects during festival season, 100s of movies coming out, and the build up then countdown to Oscar.


Tribeca: Suffer the Little Children

Here's Jason with a real pair of downers to conclude our Tribeca Coverage. Thanks for reading along. Next up in the festival game: Cannes...

Bridgend -- I'm a little perplexed about Bridgend winning half of the awards at the fest; besides a few arresting visuals I found the film moribund on arrival. The film fictionalizes the true-life story of a town in Wales where a mysterious rash of suicides has plagued the hills. Lead actress Hannah Murray (best known in the US as Gilly on A Game of Thrones, although I didn't recognize her once while watching the movie and I'm a big Thrones fan) gives us a vivid enough slide into Crucible light hysteria but I never really bought what the movie was selling - it skims over too many unreasonable plot holes in deference to its stifling mood, and at times is downright silly with trying too hard. A literally shitty sex-romp on a dirty mattress in the woods is somehow played straight, even as visions of Divine in Female Trouble flood our minds.

Meadlowlands -- Also suffering from all outward signs of Film Festival Depression, where people suffer beautifully, so beautifully, Meadlowlands does have a few nice performances even as it wrings every manipulative drop out of Dead Kid Grief it can. Olivia Wilde and Luke Wilson play parents whose cookie-munching moppet gets snatched at the start of the first reel; the kid's never more than a plot device through which we can watch them suffer, and suffer they do, beautifully. Wilson gets the less overbearing arc to play which is good since he's an actor I appreciate for his low-key style; Wilde smartly under-plays her over-drawn hand (cutting and autistic kids, oh my) but man alive by the time the elephant shows up all I could think of was "Don't think about elephants."

18 reviews. A round of applause for Joe, Jason, and Abstew



Tribeca: "Third Person," An Inconclusive Panorama of Trust Issues

Just a few more Tribeca reports to go. Here's Diana on "Third Person."

In another chapter on writer stereotypes (see also: 5 to 7), Paul Haggis’ Third Person opens on Liam Neeson’s hulking handsome frame sitting at a hotel desk, staring at his computer, with an open bottle of red wine and an ashtray heavily weighted down by burnt out cigarette ends. In the midst of the toiling and typing, he hears a child’s voice say, “Watch me.” This phrase becomes an iteration throughout the film, linking together three stories of loss and trust issues. You know how Paul Haggis likes to link (see also: Crash). To paraphrase author Michael (Neeson), all three are weak, but each have strong, albeit bordering on cliche, choices.

Click to read more ...


So long, linkwell, au wiedersehen, adieu

Policy Mic Olivia Wilde humorously condemns Hollywood's sexism with a gender reversal anecdote
Chicago Tribune really strong piece on the camerawork and cutting (or lack of it) in the three films dominating the Oscar race: 12 Years a Slave, Gravity, and American Hustle 
Gawker a sad day for Sound of Music fans. The last remaining member of the original Von Trapp family singers has died.

NY Times great interview with RuPaul on his unlikely career now in its second huge act
Salon looks at Oscar Original Songs that time forgot. But this is really just scratching the surface. There's a couple of them each year!
Backlots a letter about Joan Fontaine from her friend and secretary
In Contention 12 Years a Slave wins 4 prizes and The Butler wins Best Actor at the NAACP Image Awards


NYFF: A Few Thoughts on "Her"

Jose here. The New York Film Festival is coming to its end this weekend and earlier today we were treated to Spike Jonze's Her, which has its official world premiere at the festival tonight.

The film takes place in a not so distant future where human communications have evolved into something quite fascinating: people get paid to write handwritten letters, video games push your buttons and force you to try harder and computer operating systems have personalities that you can even fall for. This happens to the film's protagonist Theodore Twombly (Joaquin Phoenix) who falls madly in love with his OS named Samantha (voiced by Scarlett Johansson).

The film is a small masterpiece that will undoubtedly appear on endless Top Ten lists at the end of the year and here are a few random thoughts I had about the film and at the press conference that followed which included appearances from Jonze, Phoenix, Amy Adams, Rooney Mara and Olivia Wilde.

More Jonze, Phoenix and ScarJo after the jump!

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Top Ten Olivias

Here's a top ten stream of thought quickie for you. Let's just say it's in honor of Olivia Wilde who has been bouncing around in my head since that Boogie Nights live read last week and who won the StarMeter award from the IMDb last night. Congratulations on being so eminently, um, searchable, Livvy.

Olivia Wilde in Rush

I have to admit I don't quite get her appeal but Congratulations! Her career is white-hot right now (Rush is playing at TIFF and winningly surprisingly strong reviews) and she's engaged to Jason Sudeikis. Without further ado, off the top of my head and just for fun... 

The Ten Greatest "Olivia"s

10 Olivia Pope on Scandal
I don't watch Scandal (forgive) and the one episode I did see was atrocious and made me wonder what everyone is smoking when they praise it (blasphemy?) but I've been rooting for Kerry Washington since the very beginning of her film career (Our Song, holla!) and don't really wish to jump ship despite a few stumbles. Plus, she's up for an Emmy in this year's small screen Best Actress competition for this role, which is really quite historic if you check, television wise. If you love Scandal PLEASE explain why in the comments. [TFE's Interview]

09 Olivia Hussey
Romeo & Juliet need, desperately need, to be played by very young actors to maximize the authenticity and resonance of their tragedy. But it wasn't until Franco Zeffirelli's gorgeous gorgeous gorgeous 1968 adaptation that people finally understood this en masse. I am on record as complaining about the constant revivals of Shakespeare on stage and in the movies. But Romeo & Juliet I especially don't understand any more at least in movie form. [more...]

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TIFF: Boogie Nights Revisited as Radio Show

Jason Reitman's Live Reads have long since gained "event" status on the West Coast and occasionally here in Toronto. Last year's TIFF event, a live reading of  American Beauty won so many raves that I knew I had to be there for the live read of Boogie Nights, another 90s classic and one much dearer to my heart. ... My crotch? Somehow Boogie Nights played much dirtier read aloud which got me to appreciate the unbelievable balancing act of the movie all the more. Somehow Mark Wahlberg's dumb sweetness, Julianne Moore's eager-beaver maternal warmth, Melora Walters and Don Cheadle's lost soul puppy love and the entire cast's totally committed work in Paul Thomas Anderson's classic elevate the material (already great to begin with of course) into something both stylized and authentic and totally endearing.

This time through without the visuals what I appreciated most was the comic glories of its dimwitted poetry.  Like this from Dirk:

You don't know what I can do! You don't know what I can do, what I'm gonna do, or what I'm gonna be! I'm good! I have good things that you don't know about! I'm gonna be something! I am! And don't fucking tell me I'm not!

Or literal dimwitted poetry like this from Reed...

I love you, you love me | Going down the sugar tree |  We'll go down the sugar tree, and see lots of bees: playing, playing |  But the bees won't sting, because you love me


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