Once more into the link

• / Film Russian Doll renewed for Season 2 "but we have questions"
• Movie City News AMPAS elected some new Borad of Governors members (they begin work on July 1st) including freshly minted Oscar winner Ruth Carter in Costume Design, and Ellen Kuras in Cinematography
• TFE What was happening on this day (June 12th) in film history including the glitzy premiere of Cleopatra in 1963
• Forbes How Godzilla vs Kong can avoid a disastrous reception (given Godzilla's plummeting box office)

More after the jump including Aubrey Plaza and creepy dolls, new animated features, an NSFW sex scene, and the aftermath of The Cher Show's Tony for Best Actress...

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Sunday Shorts: Seven Must-See Gay Films

by Nathaniel R

The Armoire (2009)

We thought it time to indulge in one of our least documented movie interests: short films. This new series might become anything or nothing but we love alliteration so Sundays it is. To kick things off let's discuss queer shorts for Pride Month. Short films don't tend to last the way features can, given that it's hard to be reminded of them, culturally, and they aren't "for sale" or advertised on streaming often in the way TV shows or movies are. Short films are no longer the primary calling cards they once were for up-and-coming directors given the prevalence of TV work and DIY webseries. Now, though, shorts are often direct sales pitches for features. Consider a recent popular movie like  Brazil's The Way He Looks (2014) which was first a short film named I Don't Want To Go Back Alone (2010). The American comedy Gayby (2012) and drama Pariah (2011) also started their lives as celebrated queer films of 12 and 20 minutes respectively before their feature expansions.

But the current in-flux state of the form aside, it's worth finding cinematic gems in whatever size or form they come in. See these famous and/or underseen gems, please. And we'd LOVE to hear recommendations of other short LGBT films that caught your eye in the comments.

7 GAY SHORTS WE'VE LOVED BEFORE
(in chronological order)

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Review: The Secret Life of Pets 2

by Ben Miller (who has small children)

What do we want from a film when it is obviously not for us? If I'm watching an indie about a life experience that's in no way relatable to my own, I can still admire the artistry and the humanity. If I’m watching a film about talking pets specifically aimed at children, I can enjoy it... but what am I supposed to get out of it? Films like The Incredibles, WALL-E or Wreck-It Ralph are “for” kids, but non-children can enjoy them on a number of levels beyond the bright colors, fart jokes or action sequences.  Those films dug deep into issues about family, loneliness and friendship and had an overarching theme to bring everything together in a coherent way.

The Secret Life of Pets 2 is not one of those films and doesn't try to be...

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"Up"... but to where?

Pixar's Up was released 10 years ago on this very day (the counterprogramming at movie theaters was Drag Me to Hell so you had a vertical choice that day). It seems hard to imagine it now, given that animated films rarely have the Oscar impact these days that they did in a very brief window in the Aughts, but it was nominated for 5 Oscars: Picture, Screenplay, Sound Editing, Score, and Animated Feature, winning the latter two.

Q1: Would you have voted for it in any of its Oscar categories?

Q2: If you could be dragged away by balloons today to your dream destination, where would it be?

Aladdin Pt 3: Free at last! A 'Whole New World' awaits.

In Part 1 Ben introduced us to the romantic heroes and their evil nemesis. In Part 2 of our re-watch of Disney's Aladdin (1992) Timothy took us into the Cave of Wonders where our 'diamond in the rough' met the whirlwind vocal performance of Robin Williams as the Genie. He discussed stylistic, color palette, and comic choices in the storytelling on the fantastical journey. We return to the film just as Aladdin has dropped his pompous prince pretenses and admitted that the Princess is not a prize to be won and promptly jumps off her balcony just as she requested.

Part 3 by Nathaniel R

- Startled by his sudden humility and agreement, as well as the not so mundane matter of magical carpets, Jasmine drops her own defenses and becomes curious about this new prince. She can't shake the feeling that she knows him.

- Does Jasmine have facial blindness that she can't remember the only man she ever almost kissed in her life? The one from the day before no less!

-Aladdin moves at quite a clip but we know it's been no more than two days due to the plot business because she has only three days to get married by the laws of both Agrabah and childlike-attention-spans-of-target audiences. 

- Tim spoke of Aladdin's intuition and it is a beautifully realized aspect of his character. He's not aware of it, per se, the way he is in regards to his other physical and mental skills, so he's more of an idiot savant when it comes to emotional intelligence. He instinctively gets the Genie's pride / Jafar's competitiveness / and Jasmine's need to roam. He harnesses all three in the course of the plot, the latter not to manipulate her like the other two but to free her spiritually/romantically though he isn't thinking of all this when he asks...

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Aladdin Pt 2: Manic Magical Improv, Sight Gags, and "Prince Ali"

In Part 1 of our re-watch of Disney's Aladdin (the proper one, from 1992, not the live-action thing coming out this weekend) Ben got us through the introductions to good-hearted "street rat" Aladdin, frustrated princess Jasmine, and up to the mouth of the Cave of Wonders. We enter as Aladdin takes his first step into a whole new world…

Part 2 by Tim Brayton

0:28:04 – Let's take just a minute to appreciate the atmospheric concision of this descent into the cave. First, we had a shot of Aladdin stepping over the tiger-god's teeth, dissolving into this beautiful wide shot of him (below) at the top of an impossible flight of stairs, a tiny bright dot in the overall gloom that shifts from cold blue to hot, threatening red as our eye glides down the lines of the composition.

Then another dissolve takes us to the foot of stairs, with Aladdin about to step into the heart of the cave. It's a swift, visually-driven way of taking us down into… Hell? It's hard to say just yet, but it creates a terrific sense of mystery, both promising and foreboding...

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