Venice: "Scarlet" is an ambitious misstep

Elisa Giudici reporting from Venice
With Scarlet, Mamoru Hosoda takes his boldest swing yet, and lands his weakest film. Even compared with his early commercial outings (Digimon, One Piece), this latest work is a misfire: ambitious in scope, but undone by confused storytelling and uneven execution. The premise fuses Shakespeare and isekai. The film opens in 16th-century Denmark, where Scarlet, daughter of a murdered king, vows revenge against her uncle Claudius, who has seized the throne. Before she can act, Claudius poisons her, and the story pivots into the logic of isekai: Scarlet awakens in a strange afterlife populated by dragons and people from different eras, suspended in time. Death here is permanent, raising the stakes but also exposing how little sense the world makes...




