"Flow" and the Year of the Cat

by Cláudio Alves

FLOW | © Janus Films / Sideshow

As Nathaniel mentioned in his rundown of new Oscar trivia, records, and similar stats, Flow was the first film about a cat to win the Best Animated Feature Academy Award. This victory for cat people everywhere couldn't have happened to a better movie or to a more fitting cinematic year. After all, 2024 was positively full of felines on the big screen, and even some on the small. They ranged from heroic protagonists to supporting scene stealers, animated to live-action, Hollywood stars to world cinema revelations, from cute to cuter to cutest. There was even a robot kitty for those who love sci-fi. Let's look back on a year of cats…

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Oscar Volley: No matter who takes Best Animated Film, we’re all winners!

The Oscar Volleys are back for some post-nomination talks. Today, Cláudio Alves and Nathaniel Rogers discuss Best Animated Film...

FLOW | © Janus Films / Sideshow

CLÁUDIO: Last year, I got to go to the Annecy Animation Film Festival and was lucky enough to watch Gints Zilbalodis' Flow shortly after its Cannes premiere. I loved it on the spot, besotted by complicated camera choreography and the cuteness of its feline lead, but couldn't imagine what was to come. Looking at my original review, I even mentioned hopes that it'd get international distribution, which, at the time, wasn't guaranteed for the small Latvian production. Goodness, how things have changed. It turns out that Flow was the tiny film that could, storming through the awards season like a meowing underdog. Beyond becoming a cause célèbre for its home country, the film overcame Pixar's blockbuster hit Inside Out 2 to become The Wild Robot's biggest competition for the Best Animated Feature Oscar. 

And the best part is that, whichever of the two wins, we'll have a fantastic champion in our hands, something both of us know shouldn't be taken for granted. Isn't it wonderful?

NATHANIEL: It is bliss, yes. Both films are in my top 20 of the year (top ten list coming very soon)…

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TIFF '24: "The Wild Robot" brings Monet to a Miyazaki Forest

by Cláudio Alves

Many have rightfully said that animation isn't so much a genre as a different medium than live-action cinema altogether. Though many of the same rules apply, audiovisual grammar and specific dramatic codes, there's a depth of craft and intentionality to its image-making that exceeds what can be achieved between a camera and our material reality. Such rhetoric tends to manifest only when analyzing more avant-garde efforts in the realm of animation, but even the most mainstream of productions deserves these considerations. Chris Sanders' The Wild Robot is a good example, borne out of DreamWorks with eyes set on the future of its medium, expanding technological horizons while inventing new forms of cinematic beauty…

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Review: A cat faces the apocalypse in "Flow"

by Cláudio Alves

Is there a more cinematic animal than the cat? By all accounts, one of the first – if not the first – use of a closeup in film history featured a cat. Yes, dear reader, cat videos harken back to the 1900s, when George Albert Smith's The Sick Kitten proved a delightful diversion. More than a century later, the big screen has seen many felines, from MGM's Leo to Chris Marker's cat-forward experiments, going through a panoply of animated pusses in between. Yet, the seventh art continues its love affair with the cat, finding new ways to celebrate and elevate these natural-born movie stars. 

Just look at Flow, Latvian director Gints Zilbalodis's new film. It premiered on the Croisette before bowing at Annecy, where it won four prizes, including the Audience Award…

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Annecy 2024: A First Look at "The Wild Robot"

by Cláudio Alves

Photo by Marc Piasecki | © Getty Images for DreamWorks Animation

Paper airplanes fly through the air, zipping across the auditorium and above the audience. Some crash land on unsuspecting heads, while others sway wild into oblivion, lost in dark corners of the cinema. It's a merry sight, which only grows merrier when these crafts arrive at their intended destination – the stage – prompting applause from the crowd in good festival fashion. Within this hubbub of enthusiasm, a sense of community prevails, made more heartfelt by the presence of children among press folk, the families of filmmakers and animators excited to see how the world reacts to their work. Such was the scene at the Annecy Film Festival, as DreamWorks Animation came to celebrate its 30th anniversary and present The Wild Robot…

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