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2014
Mixed Media on Fruit, 9"x1½"

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Entries in Wes Anderson (18)

Sunday
Apr202014

Easter Podcast: Noah, Under the Skin, Budapest Hotel

SEASON PREMIERE
Ready for another year of the podcast? The gang is back: Nathaniel R, (The Film Experience), Joe Reid (The Wire), Katey Rich (Vanity Fair) and Nick Davis (Nick's Flick Picks) reunite to discuss this unusually robust auteur spring at the movies. 

This week's topics: Darren Aronofsky's peculiar muddy vision for Noah starring Russell Crowe, Jennifer Connelly & Emma Watson; Jonathan Glazer (Birth) and Scarlett Johansson's Under the Skin; and Wes Anderson's biggest hit The Grand Budapest Hotel. Did we want to check in and stay?

Under Noah's Skin at the Budapest Hotel
00:00 Noah (story diversion, auteur vision, character work)
18:45 Under the Skin (visual storytelling, interpretation, Scarlett)
29:00 Noah and Under the Skin (in communication)
36:30 The Grand Budapest Hotel (inside & outside friction, accepting Wes, art direction)
44:30 Ralph Fiennes and the movies Oscar buzz
49:00 Other movie recommendations: Le Week-end and Blue Ruin.

You can listen to the podcast at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments.me, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Under Noah's Skin at the Budapest Hotel

Thursday
Mar272014

The Linkettes

Wonkette crazed religious rightwing preacher says that Frozen will make you gay. And a witch!
Pajiba saves me the trouble of doing a Yes No Maybe So on the Teenage Mutant Ninja Turtles (2014) traiser
24 Frames Per Second Mynt Marsellus follows up on that "screenplays you must read" article we were discussing the other day with 5 screenplays by women or people of color to add diversity to it. Fine choices
People Emma Watson looks great in menswear

In Contention on the final James Gandolfini film The Drop from the director of Bullhead
The Exploding Kinetoscope demands that you take Summer Stock (1950) more seriously. There's more to that Judy Garland film than "Get Happy"
Los Angeles Magazine James Franco on his poetry and being on that "leaked" list of Lindsay's lovers...
TFE ...icymi we discussed that list here
Gilt City if you have $175-$235 to spare you can see Cate Blanchett, Isabelle Huppert and Elizabeth Debicki in The Maids on stage here in NY. Good goddess, what a trio. That's above my pay grade but if you see it, do tell me how magical it was. (Cheaper worse tickets go on sale and will surely sell out instantly) on Monday. 
MNPP [nsfw] JA's off to Italy but first a bath and a Mr Ripley reminder
AV Club... whoa. OCD VHS recordings are being put to good use in San Francisco 
Film School Rejects "are you hating movies properly?"

Today's Must See
Oooh, I don't know how I missed this yesterday but Just Jared posted set pics from Suffragette the new Carey Mulligan/Meryl Streep political period piece. FWIW, because no site ever gives credit on these things when they post set pics, the costumes are by Jane Petrie, a relatively new Costume Designer whose previous credits include genre pictures like An American Haunting, Moon and 28 Days Later. But she's moving straight into prestige films. She's got Suffragette as well as the Stephen Frears Lance Armstrong biopic if that one stays on track. 

Meryl in "Suffragette"

Today's Must Read
Ester Bloom, who wrote a couple of pieces here at TFE a few years ago, has a terrific essay up on Flavorwire about the sexuality (or lack thereof) in Wes Anderson's films and how Grand Budapest Hotel is and isn't a significant departure in this regard. Consider this bit.

Anderson is famous for fawning over his symmetrical landscapes the way other directors dote on their female stars; if he is turned on by anything, it seems to be dioramas. The people who fall in love in Anderson’s universes are either actual children, like the awkward tweens of Moonrise Kingdom, or metaphorical ones, like the emotionally stunted Herman Blume of Rushmore and Richie Tenenbaum of The Royal Tenenbaums. And all hearts break in the end.

It's a really good read so click on over

Monday
Mar102014

Box Office: "Budapest" En Route to Becoming Anderson's Best?

Amir here with the weekend’s box office report, or the interesting part of it at least.

As expected, 300: Rise of Even More CGI and Mr. Peabody and Sherman and Non-Stop topped the charts, so we’ll skip right past them and get to the interesting stuff. Wes Anderson’s The Grand Budapest Hotel entered the all time top ten list for per screen average on an opening weekend. On four screens alone, the film has raked in $800,000 dollars already and will probably pass the one million mark later today. That’s an incredible coup for the director and Fox Searchlight already, but can we gauge anything about the film’s final box office performance from this number? Well, maybe...

Click to read more ...

Thursday
Feb062014

"Budapest" in Berlin: Fun Press Quotes from the Cast

The 64th Annual Berlinale began today and though The Film Experience can't be there (we're still recovering from Sundance) we are watching from afar. The events began early today with jury introductions and the press conference for Opening Night Gala film Wes Anderson's Grand Budapest Hotel. The conference was fun if not exactly informative. Wes Anderson kept getting questions about the aspect ratio (it's apparently square like a 30s movie) and questions about his influences and where his ideas spring from that he didn't really answer but for generalities. He watched a lot of Ernst Lubitsch for this one and admitted that he loves Stanley Kubrick and his "systems", too, whatever that means. I wouldn't have ever grouped Lubitch and Kubrick, myself, but I'm pleased that someone out there can alchemize them. 

Herewith the best moments featuring Tilda Swinton, Edward Norton, Bill Murray, and more...

Click to read more ...

Friday
Jan312014

We Can't Wait #2: The Grand Budapest Hotel

the brilliant new poster[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's Michael Cusumano on The Grand Budapest Hotel.)

The Grand Budapest Hotel
Ralph Fiennes plays Gustave H, romancer of wealthy old ladies and concierge extraordinaire at a hotel in a fictional European country caught between wars. Told through the eyes of Zero Moustafe, Gustave’s lobby boy protégée, the tale concerns the theft of priceless Renaissance painting and the battle for a tremendous family fortune.

Talent
Wes Anderson’s latest rivals Gosford Park for the sheer volume of the cast. There are the returning Anderson champs like Tilda Swinton, Jason Schwartzman, Owen Wilson, Willem Dafoe and the grand marshal of every Wes Anderson parade, Bill Murray, alongside newbies to Wes World like Fiennes, Saoirse Ronan and Léa Seydoux. Equally exciting is the reunion of Wes and Moonrise Kingdom production designer Adam Stockhausen. (The title Stockhausen squeezed in between Anderson films? A little project called 12 Years a Slave.)

 

Why We Can't Wait
Even if you’re an Wes Anderson agnostic up to this point I don’t know how anyone can resist the ornate visual splendor promised by this film. The trailer was so beautiful I was tempted to put it on my top 10 list for 2013.

Grand Budapest looks like a perfect culmination of Anderson’s career up to this point. Rather than reinventing himself, Wes appears to be trying to see how far he could push his signature style, a choice I’m entirely on board with. Grand Budapest has the potential to be the director’s most purely farcical film that doesn’t feature stop motion woodland creatures. Even operating at his most screwball, though, I would be surprised if Anderson omitted the melancholy soulfulness that has become his trademark.

On a non-Wes related note this looks like the most fun Ralph Fiennes has had on screen since In Bruges. Comedic Ralph is my favorite Ralph Fiennes and it comes along all too rarely.

But We Do Have To Wait
The early months of the year can be a dead zone for interesting film but at least we won’t have to wait long. Anderson’s latest will open Berlinale in February before hitting theaters on March 7.  

Previously
Foxcatcher 4 Under the Skin 5 Inherent Vice 6 Into the Woods
Snowpiercer 8 Nymphomaniac 9 Boyhood 10  Big Eyes 11 The Last 5 Years
12 Gone Girl 13  Can a Song Save Your Life 14  Veronica Mars 
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