Saving Private Ryan @ 25: Robbed or Not?

by Cláudio Alves

As Oppenheimer enjoys tremendous success worldwide, another World War II movie turned summer blockbuster celebrates a quarter century. Though, of course, while Christopher Nolan's movie ponders history away from the battlefield, Steven Spielberg drops the viewer in the middle of carnage, violence smeared on your face until you can't take it anymore. Yes, it's been 25 years since Saving Private Ryan opened in cinemas, receiving immediate critical acclaim and frontrunner status by the awards pundits at most major publications. Come Oscar night, though, the war story took 'only' five awards. It lost the Best Picture trophy to Shakespeare in Love in an upset that angers many people to this day. 

To mark the anniversary, let's celebrate the film's undeniable qualities, investigate some of its drawbacks, consider its competition at the 71st Academy Awards, and relitigate the controversy. Was Saving Private Ryan robbed? Well…

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Yes No Maybe So: "Asteroid City"

Sometimes I think I'd feel more at home outside the Earth's atmosphere.

Wes Anderson's new film Asteroid City, which takes place in a fictional townin 1955 arrives in theaters on June 16th. The official synopsis goes like so...

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Split Decision: Elvis

Team Experience has been pairing up to debate the merits of each big awards season movie. Here's episode 11 with Chris James and Glenn Dunks duking it out over Elvis. The series resumes will resume for a few final episodes after the nominations.

CHRIS: Well, well, well, Glenn. We meet again. Excited to talk about Elvis with you. Previously, I was a sourpuss about the cinematic excesses of Babylon. While I have mixed thoughts on Elvis, I think the excesses of this movie are more in service of the film and its titular subject. I went with a few friends to the Chinese Theater in Hollywood to watch it on opening night and had a blast reacting both with and at the movie. As a friend said to me, "maximalism is meant to provoke a response, even laughter." At the very least, Elvis is an enjoyable watch.

It's always good to see a movie for adults become a box office success, especially in the post-pandemic era...

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Who could surprise *without* SAG/Globe precursors on Tuesday?

The following article is reprinted from The Many Rantings of John with his permission. We have attempted to lure him to joining The Film Experience but we had to share this wonderful stat-fascinating piece! You should also follow him on Letterboxd. (Consider this piece a companion of sorts to Chris's piece on statistically who might still be vulnerable despite love from the precursors)

Sipping Oscar tea

by John T.

Every year since 2006 at least one nominee for the Oscars was not highlighted by either the HFPA (the Golden Globes) or SAG-AFTRA, and becomes the "shock" of the morning.  At this point in the season, predicting the Oscars is something of a slog because so much is "decided" so trying to guess who will be this nominee becomes quite fun.  

Here are the people from the past ten years who fit this bill:

2021: Penelope Cruz, Jesse Plemons, JK Simmons, Judi Dench, & Jessie Buckley
2020: Paul Raci & LaKeith Stanfield
2019: Florence Pugh
2018: Marina de Tavira & Yalitza Aparicio
2017: Lesley Manville
2016: Michael Shannon
2015: Charlotte Rampling, Tom Hardy, & Mark Ruffalo
2014: Bradley Cooper, Marion Cotillard, & Laura Dern
2013: Jonah Hill
2012: Quvenzhane Wallis, Emmanuelle Riva, & Jacki Weaver

Usually the types of nominees that get in under this designation fall into one of two categories...

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Weekend Box Office: M3GAN is Another Slasher Hit

By Ben Miller

As Smile and The Black Phone proved in 2022, no genre gets more bang for their buck than horror.  Avatar: The Way of Water was the top draw at theaters this weekend, but it's the murderous robot M3GAN that made the biggest splash.  Budgeted at a mere $12 million, Gerard Jonstone's film grossed a shocking $30 million to go along with jubiliant critical praise (93% on Rotten Tomatoes!).  After all, she is our new horror princess.  The Way of Water managed just a 33% drop in its fourth week with $45 million as it barrells it's way towards $2 billion worldwide.  Despite only being in theaters for four weeks, it's the seventh highest grossing movie of all-time.  James Cameron cannot miss (at least financially).

Weekend Box Office (actuals) Jan 6th-8th 🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
M3GAN	A MAN CALLED OTTO
1 ★ AVATAR: THE WAY OF WATER $45.8 (cum. $517.6) 4340 screens	1 🔺   A MAN CALLED OTTO $4.2 (cum. $4.2) 637 screens
2 🔺 ★ M3GAN $30.4 *NEW* 3509 screens	2 🔺 ★ CORSAGE $251k (cum. $342k) 317 screens

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