Cannes Look-back: "The Class"

As we await the Cannes closing ceremony with all its awards glamour, let's take a look back at a previous Palme winner which has connections to a competition entry this year.  Here's John Guerin...

The Class, Laurent Cantet’s 2008 Palme d’Or winner, left me both exhausted and inspired. An autobiographical chronicle of François Bégaudeau’s first year of teaching French language and literature at an inner-city high school in Paris, The Class is an entirely self-contained glimpse into the daily challenges, joys, dead-ends, nuisances, amusements, and tensions in one especially spirited classroom. Although The Class is spatially confined to the school building, the currents of the outside world frequently wash ashore and brush up against Bégaudeau’s attempts to lead a discussion of the imperfect tense or find meaning in The Diary of Anne Frank or do just about anything constructive.

Cantet and Bégaudeau, with the assistance of co-writer and editor Robin Campillo (director of the underrated 2013 Eastern Boys and this year's Queer Palme winner 120 Beats per Minute), smartly avoid clichés of the Exasperated Teacher genre and opts instead for ambivalence over didacticism; there is no breakthrough in Bégaudeau’s attitude from frustration to satisfaction, there is seldom a transformation of student rancor into exuberance, there is no “saving” exactly, but the film doesn’t descend into cheap cynicism either... 

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Pedro Party: What Have I Done To Deserve This? & Volver

It's a Pedro Party. We're celebrating Almodóvar each day as we count down to Cannes 2017. Here's Daniel Crooke.

Women hold the universe together according to the peacock-feathered films of Pedro Almodóvar, and never more earthily or elegant than in his mirrored portraits of multitasking matriarchs putting out the fires of the men around them: 1984’s What Have I Done To Deserve This? and 2006’s Volver. Both domestic dramas with a hint of the supernatural, they showcase a pair of imperfect pragmatists – respectively, Gloria (Carmen Maura) and Raimunda (Penelope Cruz) – caught in the crucible of their everyday lives with no signs of slowing down, spinning an interminable amount of plates only to wash them straight after so they can serve their families dinner on time. While their inattentive lazybones husbands bark orders from the couch and fail to see the strength beyond their busts – no matter, as they’ll soon both be dead– Gloria and Raimunda are the breadwinners, juggling odd jobs and managing the affairs of family and friends to simply keep the lights on.

Strikingly feminist with an emphasis on the superhuman virtues of intergenerational sisterhood, What Have I Done To Deserve This? and Volver display two working women hustling on the verge with no time for a nervous breakdown...

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Netflix Screengrab Roulette (May 2017)

Just one of these months we'd love a slight surprise and for Netflix to throw a bone at the movie fans they built their empire on. I'm considering cancelling my streaming service and going DVD only -- the exact opposite of what the rest of the world does but I need my movies and, FACT, they just aren't providing them any more. Pickings gets slimmer by the month. Consider that this month they've literally added only two titles made before 2000s, one Bollywood picture and Forrest Gump. That is insane and, well, lame. They don't care about movie fans now that they have popular TV shows of their own to produce. 

Nevertheless we'll do a screengrab roulette of a few titles. First image that comes up gets posted, no cheating... 

Look at these lips. Those are kissable lips."

Don't Think Twice (2016)
I keep hearing this is good. Time to watch!

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Five (Other) Times Nicole Kidman Should Have Been Oscar Nominated

With Nicole Kidman returning to the Oscars this weekend as a nominee, here's Abstew on a handful of roles for which Oscar did not recognize her...

When I was a child there was an Oscar almanac that I would consult for my Oscar obsession (this was long before the days of the internet). The list of actors with multiple nominations didn't begin unless the actor had 5 nominations or more. Ever since then I've had it in my head that 5 is the magical number when it comes to Oscar; a sign of a better actor, showing that their body of work over the years is worth recognition, rather than the "one and done" that so many actors face. Since Nicole Kidman has always been one of my favorites, I've thought it odd that she's been nominated a relatively low number of times compared to the quality she produces. Certainly she ranks with Kate and Cate, for example, who both have 7 nominations...

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8 Days Until Oscar. Do "Moonlight" or "Arrival" have Oscar twins from the past?

With 8 days to go until Hollywood's High Holy Night let's compare our two pictures with 8 nominations each this year, Denis Villeneuve's thinky sci-fi drama and Barry Jenkins' ravishing memory/identity drama. While both films might come up empty handed on Oscar night they each have a reasonable shot at one or two statues -- Moonlight could theoretically win Supporting Actor and/or Adapted Screenplay and Arrival's best Oscar shot is probably in one or both of the Sound categories unless it surprises with Adapted Screenplay itself in what could arguably be a five way race if Moonlight is not as strong as pundits suspect there.

ARRIVAL	MOONLIGHT
Their 8 Nominations
Picture	Picture
Director	Director
	Supporting Actress
	Supporting Actor
Adapted Screenplay	Adapted Screenplay
Cinematography	Cinematography
Production Design
Film Editing	Film Editing
	Original Score
Sound Mixing
Sound Editing

In the categories where they're competing which film do you prefer?

For extra fun, though, let's find out if the either of these films have any exact Oscar doppelgangers from the past shall we?

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Odd Golden Globe Nominations This Century

by Brian Zitzelman

The Golden Globes take the spotlight again tomorrow night, however briefly. As the Oscars shine with prestige, the Globes remain its bratty little brother; he seems well behaved, but does enough wild things (drinks, watches too much tv, dresses down) that he'll never escape his elder sibling's shadow. And annually he let's strange nominees slip out the gate... 

This is not to say that Oscar doesn’t occasionally include films and performances that are immediately forgotten or unworthy, but nobody beats the Hollywood Foreign Press Association for oddball picks, both deserving and not. So, if you’re curious why the Globes are such an easy punching bag for movie hounds, while nonetheless being a delight for their originality, here are a few of the most peculiar nods of this century. Not all of these are laughably bad -some reveal a daring and interest in films outside the 'prestige' norm, yet in the world of film awards, they are indeed odd... 

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