Review: "Oz: the Great and Powerful"

This review was originally published @ Towleroad in my weekly column

You're basically asking for a trouble with that title, you know? OZ: THE GREAT AND POWERFUL. It doesn't take a crystal ball to predict how this will turn out. If the movie is neither great nor powerful, tomatoes will be thrown. It feels weird to abbreviate the new picture as simply Oz, since it's a derivation rather than an original, so we'll call it Great and Powerful moving forward despite the misdirection. The filmmakers would approve since the movie begins with a clear and charming admission that James Franco's "Oscar Diggs" is no wizard at all but a travelling con-artist. So I come not to throw tomatoes (too easy), at least not at first, but to marvel at how red they are as they fly through the air.

The trailer brags that the movie comes from the producers of Tim Burton's Eyesore in Wonderland, a gargantuan box office success but one of the worst films of the new century, so there was cause to worry. Could any film be as simultaneously garish and muddy to look at? The happy answer is no. 3D technology has come a long way and director Sam Raimi (most famous for the Spider-Man and Evil Dead trilogies) has far more taste and control of his color palette than Burton has had recently. 

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Did You Gag on "Killer Joe"?

My screenings these past two weeks -- cram session! -- to complete year end business, have been like one wild tonal shift after another swinging as they have from meta rib-nudging (Seven Psycopaths) to the hormonally twee (Take This Waltz), severely depressed (Oslo August 31st) and on through the defiantly stiff and self-medicated (The Deep Blue Sea)... I can't possibly write about them all. But I did feel the night to blurt out (choke out?) a few sentences on William Friedkin's Killer Joe based on the play of the same name by Tracy Letts.

Friedkin and Letts aren't quite joined at the hip as collaborators go despite the Oscar winning filmmaker taking the cinematic reigns on both Bug and Joe. Letts most acclaimed play August: Osage County went to another filmmaker though it's fascinating to think what Friedkin might have done with the material. He is, after all, at least as willing as Letts to attack his material with edgy flair, wicked humor and artistic abandon... for better and worse.

[NC17 madness and two SPOILER images after the jump]

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Interview: Eddie Redmayne Talks Live-Singing, Skinny-Dipping, Name-Calling

If there's a surprise name called out as one of the Best Supporting Actors this year on Oscar Nomination morning, might it be Eddie Redmayne? The rapidly ascending 30 year-old actor, a recent Tony winner for "Red" on Broadway, stood in as surrogate for our enduring communal crush on Marilyn Monroe (Michelle Williams) in My Week With Marilyn just last season but the spotlight is even brighter now. Les Misérables' entire second act romantic structure spins on his swooning revolutionary Marius. In one of the quirks of movie awardage, male actors aren't generally honored for their facility with romantic drama, but Redmayne's secret weapon could well be his rendition of the grief stricken show-stopper "Empty Chairs at Empty Tables" in which he mourns his fallen brothers who died at the lonely barricades... at dawn. He'll undoubtedly jerk at least some tears from the Academy's acting branch this week as they finalize their ballots (due on January 3rd).

Marius is getting married! Eddie Redmayne in "Les Misérables"

I asked Redmayne about the massive pressure he must have felt approaching this famous number in Les Misérables and our conversation stretched back to Oliver! The Musical on stage and on through his non-musical duets with Cate Blanchett, Julianne Moore, and Michelle Williams in his young but vivid filmography. [More...]

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Yes, No, Maybe So: "Oz, the Great and Powerful" (Plus "Wicked")

Technically we should resist going all Yes No Maybe So on teasers. When we have in the past everyone expected it all over again with the subsequent full trailer... and I can't do redundancy like that. I don't have it in me like all those heavy traffic movie blogs that will post at least five identical posts on everything "rumor. denial of rumor. updates of rumor. facts concerning rumor. rumor becoming fact." or slight variations thereof and a post for each and every minor iteration of a trailer and each batch of stills and each poster that appears for a grand total of about 250 posts about each film before the readers have even seen it. The studios know how to play the internet these days. But that's why we see too much of movies now before we even see them if you know what I mean. Nobody has any self control and we're all starting to ruin our virgin experiences with new movies. 

But I'm a Friend of Dorothy so I can't resist Oz. I'm whisked up in that tornado every time.

yes no maybe so breakdown if you click your mouse three times...

there's no place like blog. there's no place like blog.

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Red Carpet Convos: Hungry Premieres

After a brief glamour break post-Oscar it's time to walk the red again as 2012 heats up. To kick off a new season of Red Carpet Convos, I nabbed Guy Lodge for a moment before we were both due to jet off to previous appointments. Let's discuss the Hunger Games premiere looks and other recent premiere looks.

Nathaniel: Hi Guy, we haven't talked since ‪I don't know when ... Oscars? And Jennifer Lawrence is already Best Actress campaigning at the premiere for Hunger Games.‬ What else can a gold dress mean?

Guy: ‪I was about to say -- she's clearly taken a leaf from Meryl‬. Are those figures all in proportion? Looks like you've given Lil' Josh Hutcherson a boost.

Cato, Effie, Peeta, Katniss and Gale

Nathaniel: H‪ee. I didn't meant to give Josh a boost as remove the high heels from Katniss and Effie but I think I did push it a little. You know on set they'll give him boxes to stand on or some such.

Guy:  ‪Aha! Either way, he still ends up as his own pocketable action figure.‬

Nathaniel: He comes from a long proud tradition of short leading men. Although it's trending away from the pocket-sized hunks with people like the Hemsworth boys and Alexander Ludwig (far left) and so on.‬

Guy:  ‪Which Hemsworth boy is this? I can't keep up. I only learned to distinguish Thor Hemsworth from the other Chrisses last year.‬

Nathaniel: ‪This is Liam to the far right.‬ Who also auditioned for Thor if I recall.

Guy:  ‪Looking very junior copywriter at Sterling Cooper, which is always a good thing‬

Nathaniel: Mmmm Sterling Cooper. If I didn't love Hiddlesloki so much i would suggest that maybe it would have been cool to cast actual brothers as Loki and Thor.‬

Guy:  ‪I'm amazed they resisted!‬

Nathaniel:  ‪but wait. WRONG FRANCHISE. back to Hunger Games. Have you read it?‬ (Guy's answer and more conversation after the jump)

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