Brokeback Mountain @ 20

by Patrick Ball

Brokeback Mountain, I’ll never wish I knew how to quit you. I turned 17 in 2005, the year I came out to my parents, and the quiet revolution that was Brokeback Mountain was the first movie I took them to. We saw it on a misty winter afternoon at The Pruneyard in Campbell, CA. It was the first movie I took them to and said “this is me”.

It’s hard to grapple with the fact that 2005 was 20 years ago. That this film, this miracle of cinematic craftsmanship wrapped around a  soul aching romantic drama, was met with both snickers and scorn upon release. Though critically acclaimed, and championed by those willing to embrace “the love that dare not say its neigh-me”, its immediate legacy was riddled with jokes. “The gay cowboy movie”, “I wish I knew how to quit you”, Michelle Williams’ immortal utterance of “Jack Nasty”...

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Oscar Trivia: When the Academy Nominates Lovers Together

by Cláudio Alves

Love is in the air…at the Oscars. Both lead and supporting acting categories feature a nominated couple. Penélope Cruz and Javier Bardem are on the hunt for their second statuette with Parallel Mothers and Being the Ricardos, respectively. Then, there are Kirsten Dunst and Jesse Plemons, who played a married couple in the movie that finally earned them long-deserved Oscar nods. The Power of the Dog stars are the first real-life romantic partners to earn nominations for playing an on-screen couple since Michelle Williams and Heath Ledger in Brokeback Mountain – though, of course, the Burbanks have a better marriage than the doomed Del Mars. 

But how often do couples get nominated together at the Academy Awards? As it happens, much more often than you'd think...

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#TBT: The Imaginarium of Dr Parnassus

by new contributor Maggy Torres-Rodriguez

 

Today’s special #TBT goes to the magnificently odd Terry Gilliam picture The Imaginarium of Doctor Parnassus, which premiered at the Cannes Film Festival 10 years ago this week. Lush with extravagant dreamscape sets, innovations in CGI, and an all-star cast, it still holds its own today.

Minus that one scene with Verne Troyer in blackface that was meant as a joke, but generated more of an uneasy murmuring of “oh no, baby what is u doin?” from the audience. But... problematic decisions in Hollywood are made on the daily, so everyone kind of just ignored that and focused on the fact that it was Heath Ledger’s last film... 

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Does 2017 = 2005 in Best Actor?

by Ben Miller

Film blogger Jordan Ruimy posited an observation a month ago on Twitter: 

In 2002 Gary Oldman would have been a cinch to win Best Actor, in 2017 he's a major question mark. The Oscars have changed.

While the awards season definitely shifted thereafter, his tweet remains at least partially true. Look at the history of the Best Actor Oscar.  From 1990 to 1997, every winner had a specific ailment (criminal insanity, alcoholism, AIDS), while 1998 to 2001 had a run of death scenes.  Of the past 16 years, starting with Adrien Brody in 2002, 10 winners have been for portrayals of real people (Casey Affleck's win last year broke a four-year run of biopic winners). There are always patterns to Oscar behavior.

This year’s slate of Best Actor nominees has an interesting parallel with the Best Actor race of 2005.  Let’s take a look back at the lineup...

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The Furniture: The Chicanery and Posterity of 'The Imaginarium of Doctor Parnassus'

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

The Imaginarium of Doctor Parnassus will always be known, perhaps primarily, as the movie interrupted by the tragic and sudden death of Heath Ledger (10 years ago today). This part of its reputation precedes it, particularly given its relatively muted critical reception. The story of its making, and the enlisting of Johnny Depp, Jude Law and Colin Farrell to fill the void, is essential to its reputation. It’s become a marker in time, an unplanned moment in the history of celebrity culture.

It is also, interestingly, a fairly specific moment in the development of visual effects. It lost the Best Production Design Oscar to Avatar, after all. These films stand for two dramatically different ways of using design and CGI to create cinematic worlds, even if they are both fantasies on the surface. And, perhaps, The Imaginarium of Doctor Parnassus comes out ahead...

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