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Entries in Colin Farrell (27)

Thursday
May112017

Bask in the Glow of "The Beguiled" Poster

Chris here. Like I'm sure many of you will relate, Sofia Coppola's The Beguiled is among my most anticipated of the Cannes lineup. The festival kicks off this coming Wednesday, but we'll have to wait for these repressed southern ladies until the back half of the festival according to the just released festival schedule. Cry not, readers, because we'll be hearing about Todd Haynes's Wonderstruck right out of the gate.

Also to dry your tears is a brand new poster in all its gauzy glory to knock you sideways - literally:

Click to read more ...

Friday
Apr142017

Three Fittings: Fantastic Beasts' Odd Costume Win

New Series! Three Fittings celebrates costume design in the movies. The number is necessary self-restraint for we love the art of costuming too much.

By Nathaniel R

Dear reader, I didn't think I'd ever need to see Fantastic Beasts and Where To Find Them (2016). I thought, solid reasoning given the golden trajectory of most franchises, that Oscar would want to move on after a year of regular craft nominations for the series. I thought, surely they'd never hand one of them an actual Oscar if they hadn't done so by now. But in the interest of completism, after Colleen Atwood's generous fourth statue for costuming this particular movie and its bluray release, I caught up. 

I was both impressed and utterly perplexed by what I found.

While Atwood does unusually understated work (for her), there are far fewer costumes than you might expect (approximately one per man, two per woman). Sussing out why they voted for this confident minimalism within a fantasy over more traditional costume perfection in Jackie, the primary color bliss of then-frontrunner La La Land, the erotic glamour of Allied, and the flouncy Most-ness of Florence, proves nearly impossible.

Nevertheless, here are three key looks to discuss:

Click to read more ...

Wednesday
Feb082017

Yes No Maybe So: "The Beguiled"

#vengefulbitches forever

The teaser for Sofia Coppola's remake of The Beguiled (2017) is upon us and it is glorious if surprisingly faithful. In fact, if you watched the original 1971 movie with us during the last season of Hit Me With Your Best Shot you'll be hard pressed to spot many immediate differences beyond of course the new cast. Nicole Kidman takes the Geraldine Page role (we worship Kidman but good luck topping one of Page's juiciest star turns), Colin Farrell gets the Clint Eastwood wounded womanizing soldier part, Kiki steps in for Elizabeth Hartman, and Oona Laurence (who was so good opposite Gyllenhaal in Southpaw) plays the Pamela Ferdin role. 

If you haven't yet seen the trailer or would like to watch it again (I'm on round 5) it's after the jump along with a short "Yes No Maybe So"...

Click to read more ...

Monday
Dec122016

Team Experience: Favorite Globe Nods  

We bitched and moaned about WTF snubs and inclusions earlier so now it's time to turn those frowns upside down. We polled Team Experience about their favorite Globe nominations in movies and tv and we hope you'll answer the same questions in the comments! Ready? Here we go...

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Thursday
Nov172016

Colin Farrell is nauseated by his new film

Colin Farrell is reteaming with his The Lobster director Yorgos Lanthimos for The Killing of a Sacred Dear. Filming has just ended on the movie and we probably should not expect it for at least another year. It has this cryptic logline:

A teenager's attempts to bring a brilliant surgeon into his dysfunctional family takes an unexpected turn.

Farrell is the surgeon, Nicole Kidman plays his wife, Alicia Silverstone is the teenager’s mother.

Farrell and Kidman on set

Farrell recently gave an interview to Business Insider, ostensibly to promote this week's Fantastic Beasts,  in which he told us exactly how he felt after reading the script for The Killing of a Sacred Deer:

I’ll wait to see what the film is, but it’s set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there’s this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.”

Knowing and loving Lanthimos’ warped sense of the world that he showed not only in The Lobster but also in his first international hit Dogtooth (2009), we are very intrigued. Specially after reading more of what Farrell said:

I can say it’s — ugh, God — it’s eerier than The Lobster. It felt pretty bleak to me. I mean, when I read the script it was extraordinary and to work with Yorgos again was amazing…There are so many interpretations that this film could be approached from. But Yorgos is so specifically minded, he’s so clinical in his direction of the film. He’s really a master I feel, I really do.

Are you intrigued by news of this film?
Monday
Aug152016

The Furniture: The Lobster's Phony Flowers

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber... 

In a 2014 interview, production designer Jacqueline Abrahams described her job as “creating an environment that is credible but sometimes incredible...always aiming to be authentic in spite of being made up.” As this was two years ago, she may not have had her work on The Lobster in mind. Yet the sentiment couldn’t be a more perfect fit for the weird universe of Yorgos Lanthimos.

The dystopia of The Lobster, after all, is not particularly flashy. It’s a world just like our own, only a little grayer. If every frame held immediate physical evidence of a dramatically different future, the carefully calibrated mood would collapse. Instead, the dystopia emerges subtly, through little gestures of performance and design.

Abrahams, a BAFTA-winner for her work on BBC’s Wallander, is an integral part of this achievement. Her presence is felt from the first shot, in which she makes her acting debut as the woman who shoots a donkey on the side of the road. Her design contributions are even more memorable.

The hotel for singles is a triumph of carefully planned ennui. If you look closely, you can pick up the tone from the very first scene within this last resort...

Click to read more ...