Split Decision: “Blue Moon”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, CLÁUDIO ALVES and NICK TAYLOR discuss Blue Moon...

CLÁUDIO: Since I'm the one organizing the Split Decision convos, I end up trying to assign everyone at least one film they love, or like, so they have something to defend against the naysayers. Sadly, that usually means I get to fill in the grumpy contrarian roles in most of the volleys I do. Not so this year, since I made sure to assign myself Blue Moon. I caught it at TIFF right after Nouvelle Vague, ready to be disappointed as I was by Linklater's French misadventure. And yet, what I got was one of the director's best films in a while, a text besotted with the musicality of florid verbiage and performances to match. It was love at first sight. I gather your experience was very different. Please share with the class, dear Nick. 

NICK: It was not! I really wish Linklater had given Blue Moon the same stylistic care he applied to Nouvelle Vague…

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Oscar Volley: "Best Original Screenplay" is sewn-up for Ryan Coogler. It's his coronation.

The Oscar Volleys continue. Today, LYNN LEE and BEN MILLER discuss the volatile Oscar race for Best Original Screenplay.

BLUE MOON took the slot many thought/hoped would be filled by SORRY, BABY.

LYNN: Ben, it’s been a long if not especially strange road getting here, and we’re in the homestretch now!  Other than the surprise of Blue Moon being the sleeper nominee, this race seems to be running pretty much as expected.  What do you think of the nominees?  Does Sinners have this in the bag, or could one of the international nominees score an upset?  I don’t think Marty Supreme is winning this one, and I swear it’s not just because it's my least favorite of the nominees.

BEN: As much as I love Blue Moon, I have to pour one out for my beloved, Eva Victor's Sorry, Baby...

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The Golden Globe Nominations are here!

by Eric Blume

ONE BATTLE AFTER ANOTHER leads the pack with nine Globe nominations. | © Warner Bros.

The 83rd Golden Globe nominations were announced this morning, and, despite a few clunkers, I'm going to give a HOT TAKE and say that, overall, these nominations are pretty fantastic. It'll be interesting to see how Oscar voters screw them up! But then, I'll go out on a limb with another HOT TAKE and say that, often, the Globes do better than Oscar wins for Brokeback Mountain, The Social Network, The Power of the Dog, Colin Ferrell, Kodi Smit-McPhee, etc. Let's take a look category by category...

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Critics Choice Voters All Infected By "Sinners"

by Nathaniel R

SINNERS

As a voting member, despite my votes rarely being reflected in nominations, it is my duty to share the annual Critics Choice Award Nominations. As is increasingly the case in modern awards voting, hardly a problem unique to the CCAs, there is far less spread the wealth than there use to be. I believe this is an unintended consequence of expanded Best Picture lists which theoretically narrow voters ideas about a) what they should watch and b) what they should vote for without "wasting" their precious few ballot spots. This year FOUR pictures had double digit nominations with Ryan Coogler's genre hopping vampire picture Sinners scoring 17 (gulp) nominations, just one shy of Barbie's all time record (18). One Battle After Another was in second place with 14 nominations. 

Anyway let's get to the nominations, some commentary, and a few Oscar punditry notes, too.... 

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Screening Season in Los Angeles - 10 Capsules

by Eurocheese

It’s that time of year! Los Angeles screening season is in full gear, with Oscar hopefuls sending out invites right and left. Here are my comments and rankings (by preference order)on the last batch of 10 films (!) with more to come soon.

One Battle After Another – A+. Paul Thomas Anderson’s brilliance can be hit and miss, but this is among his very best works. DiCaprio capitalizes on the comedic energy he’s brought to Tarantino films, bringing frenetic energy to this sprawling, action-packed epic. Teyana Taylor’s popping introduction, newcomer Chase Infiniti’s grounding steady hand and an insanely madcap villain from Sean Penn are all nomination-worthy, with even the smaller parts for Benicio del Toro and Regina Hall packing a punch. The must-see of the season...

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