"No Other Choice" Deserves its Blue Dragon / Gotham nods!

by Nathaniel R

Byung Hun Lee in "No Other Choice" from CJ ENM / NEON

I had the pleasure of seeing No Other Choice by Park Chan wook shortly before its three well deserved Gotham nominations. I was especially happy to see Lee Byung-hun nominated for Best Lead Performance. I recognize that he has an uphill battle ahead of him for Best Actor Oscar consideration but if it were a merit based contest alone he'd be a shoo-in. At least he's worked in Hollywood regularly so he won't have the 'no one knows them' campaign problem some overseas stars encounter when they do award-worthy performance. Still, we know that the acting branch is quite resistant to Asian actors even when they're in an actual Best Picture powerhouse-- Everything Everywhere All At Once being the miracle exception -- and that's such a pity. The star is truly inspired here with a continuously surprising performance full of physical comedy, emotional undertows, and tonal command.  I can safely guarantee you that far less deserving performances are bound to suck up a lot of oxygen in the forthcoming awards race.

Frankly, I will be furious if No Other Choice isn't (at least) Oscar nominated in Best International Feature Film at the Oscars. No Other Choice won't be a lock but it has a shot...

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2025 Gotham Award Nominees

by Nick Taylor

With yesterday's announcement from the Gotham Awards, our very first nominees of the 2025 awards season have arrived. Setting aside my inherent disdain for the big-budget American films now allowed to compete alongside genuine independent cinema across the world, this looks like a pretty neat set of films! Let's dive into the nominees, and as always, share somoe verbose opinions despite not seeing all these features . . . .

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South Korean Film Awards & the Oscar Race

by Nathaniel R

THE UGLY... one of 19 films competing to become the Oscar submission

Since we've just starting hearing about Oscar submission decisions from the 100+ countries that Oscar invites to participate each year, let's talk about a country that wisely invested in their own arts, with both deregulation and regulation tactics (reducing government censorship whilst protecting home-grown cinema from Hollywood dominance via screen quotas) for the past couple of decades. The results have been impressive and South Korean entertainment is big in multiple countries now, including the US. While their cinema has been popular and lauded for some time, the American Oscars haven’t quite come around, with the sole exception of Bong Joon-Ho's Parasite (2019). It helped that Parasite had a) absolutely exquisite timing of festivals-to-theater-to-awards pipeline and b) was easy to spot as an instant classic / masterpiece. The former is hard (though not impossible) to manage and the latter is exceedingly rare! 

We suspect that Oscar’s resistance to South Korean cinema has to do with the Academy's general genre-aversion...

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