State of the Race: So about those BAFTA longlists...

by Cláudio Alves

Is I SWEAR this year's little British film that could? Maybe.

The Oscar nominations are ever closer, so it’s time to start finalizing those predictions. And since this year, BAFTA will reveal their lineups after AMPAS, pundits everywhere must make do with the British Academy’s longlists. In the past, they’ve been a good indicator of what the industry’s feeling, and how it differs from the critics who’ve been dominating the awards conversations so far in the season. As expected, One Battle After Another has the most mentions, at 16, closely followed by Hamnet and Sinners with 14 each, Marty Supreme at 13, and both Bugonia and Frankenstein with 12. Still, what’s most surprising and enticing is how BAFTA can go its own way and zig when we expect a zag. Consider their love for Nuremberg, and such local success stories as I Swear and The Ballad of Wallis Island…

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“One Battle After Another” and Eva Victor among this year’s Dorian Awards nomination leaders

by Cláudio Alves

Eva Victor's SORRY, BABY was one of GALECA's favorite films of 2025.

Multiple members of the Film Experience team are part of GALECA - The Society of LGBTQ Entertainment Critics, so it’s only logical that we should highlight the Dorian Awards. As a voter, I don’t want to be too harsh on the results, though there will always be reasons to complain, as these sorts of collective picks can never feel as special or idiosyncratic as an individual’s selection. Even so, rejoice, Sorry, Baby fans, for Eva Victor’s directorial debut is among the Film of the Year nominees, rubbing elbows with such awards season favorites as One Battle After Another – leading the pack with 9 mentions – and Sinners – settling at a still remarkable 8 nods. Indeed, the nonbinary director is this year’s most-nominated individual.

Come see the full list of Dorian Award nominees, plus plenty of added commentary, right after the jump…

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Gotham Awards Revue: "Pillion"

by Cláudio Alves

Harry Lighton's Pillion has just opened in UK and Irish cinemas, ahead of a stateside February release by A24. This free adaptation of Adam Mars-Jones' Box Hill novella premiered at Cannes in the Un Certain Regard section, where it won the Best Screenplay prize. Still at the Croisette, Rosie, one of its canine stars, was also laurelled with a special Palm Dog – Mutt Moment Award. Sadly, other voting bodies don't have categories for the likes of Rosie, though Pillion has already scored eight BIFA nominations (the main ceremony is tonight!) and two wins for its costumes, hair and makeup. At the Gotham Awards, which will be handed out tomorrow, the film is up for two prizes – Best Adapted Screenplay and Outstanding Supporting Performance for Alexander Skarsgård. 

All this talk of awards may obfuscate what a fascinating piece of work Pillion turns out to be. Sensual like the kiss of leather straps on hard muscle, as tender as a fresh purpling bruise, Lighton's feature directorial debut is unlike most visions of queer love that get welcomed into the picture house…

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Screening Season in Los Angeles - Round 2

by Eurocheese

can we have father and son Skarsgård nominations, please?

In Round One (in case you missed it) I shared thoughts on One Battle After Another, Train Dreams, Blue Moon, Hedda and more. Here are a few thoughts on ten more films, ranked by personal preference...

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Cannes Diary 08: Queer Cinema Highs & Lows

by Elisa Guidici

Straight couples and monogamous relationships seem to be an endangered species at this year's Cannes Film Festival, especially in the sidebar sections. We've seen a wealth of films centered on queer love stories, set in a more open and aware contemporary world. Yet, this world often still struggles with a perspective that doesn't immediately stiffen when behavior is framed as "deviant." Unfortunately, mere representation doesn't equate to consistent quality. To summarize the spectrum seen here at Cannes, let's dive into the most exciting film and the most disappointing currently tackling these themes...

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