Oscar Volley: Is "Best Actress" tied up with a bow for Jessie Buckley?

The Oscar Volleys continue. Today, LYNN LEE and NICK TAYLOR discuss the surprisingly stable Oscar race for Best Actress.

Jessie Buckley in HAMNET | © Focus Features

LYNN: At the risk of stating the obvious, Nick, Best Actress has been the most predictable stable of the four acting races by far. Is there a world in which Jessie Buckley doesn’t take this? And are we basically fine with that?

NICK: I mean, where else is there to start? Buckley’s the surest winner of the acting categories, and among a handful of artists (PTA, Ludwig Göransson) who have to know they’re winning the Oscar. I’m not complaining. Buckley’s been delivering ambitious, awards-worthy turns since she debuted with Beast in 2017, and her turn as Agnes is such an ideal use of her screen persona. The practical intelligence, the precise-yet-walloping emotions, the way her characters are so irreducibly themselves that their odd edges and peculiar beliefs doom them to black sheep status even when things are looking their way. She’s incredible, and just because the grieving mother is an easy type for awards groups to notice shouldn’t diminish how powerful her work is in Hamnet...

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The 14th Annual Team Experience Awards: "OBAA" and "Sinners" lead the nominations

by Cláudio Alves

SINNERS | © Warner Bros.

One Battle After Another and Sinners lead the 14th annual Team Experience Award nominations. Both films scored twelve nods each, a bit below their Oscar haul in the horror flick’s case, but still respectable. However, neither beat the Team Experience Awards record set by The Favourite, which scored 13 nominations in 2019. As ever, it’s worth reminding that these honors are voted on by The Film Experience writers, excluding Nathaniel, who does his own Film Bitch Awards, wholly separate from this list. He probably wouldn’t have allowed the tie that expands this year’s Best Director roster to six slots. Oh well, it’s more cinema to celebrate, more artistry to cheer and applaud. So, let’s get to it!

Discover the full list of nominees, in our 20 categories, after the jump…

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Nathaniel's "Best" of 2025 (Part 2)

by Nathaniel R

THE FANTASTIC FOUR: FIRST STEPS

Consider today's list of abundance a sequel to Tuesday's overflowing cup of film joy. We previously covered honorable mentions which featured films from Brazil, Argentina, France, Vietnam, the American indie scene and Hollywood. Today we move on to the cream of the crop. Herewith a baker's favourite dozen films of the year. I heartly recommend seeing each and every one of them.

My absolute favourites of the year proved to be largely contemporary pictures coincidentally set in the only two countries I happen to have ever lived in: the US and Norway. The latter country arguably had their best film year ever with not one but five multiple award-winning pictures (Sentimental Value, The Ugly Stepsister, Dreams, Sex, Love) in international release. That said, this best / favourite list cannot be so easily pinned down to two countries in the present day. The best movies of 2025 transcend time and place just like that phenomenal "I Lied to You" sequence in Sinners, to include turn of the century England (17th century to be precise), the Jim Crow era South (rural Mississippi in October of 1932 to be exact), and the corner of 42nd and Madison here in New York City... albeit in some alternate universe where it's both now and also the 1960s. Aside from those detours and contemporary peaks at life and lives in the US, UK, and Norway, this list runs through a bustling night market in Taiwan, and holds tight to a dream home in South Korea that is really far more than its owners can responsibly afford.  Let's go to the movies...

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Oscar Volley: Is Best Adapted Screenplay in the Bag?

The Oscar Volleys continue. Today, EUROCHEESE and ABE FRIEDTANZER  discuss the Oscar race for Best Adapted Screenplay 

Why can't Park Chan Wook get any Oscar love?EUROCHEESE: Excited to chat with you again Abe, though I must admit, this doesn't feel like the most suspenseful category. There's a clear frontrunner, one arguable spoiler and then a few also-rans. It's too bad we get a snoozy 5/5 match with Best Picture when there were so many exciting options. I know you weren't as big a fan of this film, but I really wish we could have made room for No Other Choice here - Park Chan-wook can't seem to get Oscar love in any form. I've seen ads for Pillion leading up to its wide release - what a fresh, provocative script, which received far more love than I expected through the awards season. I was also surprised how charming I found Nouvelle Vague - if only Oscar voters loved it as much as the Globes! I could name several more, but don't want to steal your thunder - any outstanding "wish you were here" honors you'd like to bestow?

ABE: It's true this is a done deal and one of the categories I would be most surprised to see a different winner than the juggernaut we're all expecting. Pillion is a great call that maybe wasn't ever going to click with mainstream American audiences, but I loved it! I did like No Other Choice even if it wouldn't have made my list here, and it's a shame that it was the only NEON international title not to make the International Feature cut...

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Oscar Volley: Can anyone beat Frankie in "Best Production Design"?

More Oscar Volleys are upon us. Today, ERIC BLUME and BEN MILLER discuss the Oscar race for Best Production Design...

ONE BATTLE AFTER ANOTHER's Florencia Martin and Anthony Carlino are just happy to be nominated. They have non chance of winning.

ERIC:  Hi Ben, let's take a look at our five nominated films for the Best Production Design Oscar:  Frankenstein, Hamnet, Marty Supreme, One Battle After Another, and Sinners.  Maybe just for funsies, we can go backwards.  What are the two films that you think stand the smallest chance of winning this award?

BEN:  Frankly, there aren't many categories where One Battle After Another stands very little chance, but I think we have finally arrived at one...

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