Oscar Volley: Is "Best Actress" tied up with a bow for Jessie Buckley?

The Oscar Volleys continue. Today, LYNN LEE and NICK TAYLOR discuss the surprisingly stable Oscar race for Best Actress.

Jessie Buckley in HAMNET | © Focus Features

LYNN: At the risk of stating the obvious, Nick, Best Actress has been the most predictable stable of the four acting races by far. Is there a world in which Jessie Buckley doesn’t take this? And are we basically fine with that?

NICK: I mean, where else is there to start? Buckley’s the surest winner of the acting categories, and among a handful of artists (PTA, Ludwig Göransson) who have to know they’re winning the Oscar. I’m not complaining. Buckley’s been delivering ambitious, awards-worthy turns since she debuted with Beast in 2017, and her turn as Agnes is such an ideal use of her screen persona. The practical intelligence, the precise-yet-walloping emotions, the way her characters are so irreducibly themselves that their odd edges and peculiar beliefs doom them to black sheep status even when things are looking their way. She’s incredible, and just because the grieving mother is an easy type for awards groups to notice shouldn’t diminish how powerful her work is in Hamnet...

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Kate, please inspire Michelle to try again with Oscar.

Diane Kruger, Michelle Pfeiffer and Kate Hudson attend the Giorgio Armani Prive 2026 show in Paris pic.twitter.com/xvGyuKwoGB

— Michelle Pfeiffer Updates (@La_Pfeiffer) January 27, 2026

Plz and thank you. It's been 36 years since Pfeiffer's last Oscar nomination (Love Field, 1992). Just saying...

The Best Actress Race: Nomination Tracks & Frankenstein Fusion

by Nathaniel R

I should probably switch this up as I've been doing it annually, but I can't resist. I love imagining a Frankenstein-fusion of the parts of all the  BEST ACTRESS nominees.  If you smoosh or stitch Renate, Kate, Emma, Jessie, and Rose together our Best Actress Category Avatar is a mid-career still-ascending brunette star on her second nomination. She's also dabbled in musicals, played Sally Bowles in "Cabaret", and BAFTA recognized her genius before Oscar voters did!  Maybe she has false memories of winning an Oscar but this is only her second nomination. Her director has a proven track record with guiding actresses -- she may have even worked with them before -- to stellar performances. She's a fire sign with earth rising, a wife, a mother of two, and she just turned 40.

The movie she's nominated for is a drama about a young grieving mother struggling to balance her artistic career ambitions, with her obnoxious needy child--- wait, is she Alice from Alice Doesnt Live Here Anymore?. No uh, never mind, the movie is weirder than that. There's a darkly comic subplot about incels and mysterious holes in her ceiling but the main thrust of the narrative is that the most important man in her life (was it her dad or husband? I forget) is perpetually absent, consummed by his own artistic career ambitions, and has no time for her needs! 

See the updated Best Actress chart 
The chart includes a daily poll, "How'd They Get Nominated?" speculation (not meant as judgment -- nobody is nominated on performance alone!), stats, anecdotes, and trivia. 

Oscar Volleys: Best Actress or Jessie Buckley vs. the World

The Oscar Volleys are back! Tonight, it's time for Nathaniel Rogers, Cláudio Alves and Eric Blume to discuss the Best Actress race...

Nathaniel's last Best Actress predictions, from November 11.

NATHANIEL: Hello, my fellow lovers of all things actressing! I have been tearing through screeners and at the movie theater a lot this past week  (missing festivals is deadly when it comes to keeping up). So, I want to start this Best Actress volley by saying that I'm just now coming back down to earth after watching two movies, nearly back-to-back, that are about "performance," even when they're not directly about Acting. They were Sentimental Value (in a packed theater) and Hedda (at home, streaming). Renate Reinsve and Tessa Thompson are both gifted with the kind of "bring everything you got" roles that I'm sure a lot of actors would kill for…

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Review: "Glass Onion: A Knives Out Mystery" Ups the Ante to Glorious Results

by Christopher James

Sometimes, bigger is actually better.

Over Thanksgiving weekend in 2019, Knives Out became a sleeper hit, delivering a perfectly fun and witty whodunnit perfect for all generations. The Netflix sequel, Glass Onion, ups the ante in every way possible. The set is bigger, the cast is starrier, the cameos are plentiful. Despite the excess on screen, none of the magic of the original is lost. In fact, Glass Onion improves on the original, taking a character we know and love and thrusting him into a funnier and more zany mystery. The heart is still there so sign me up for plenty more chapters of Detective Benoit Blanc (Daniel Craig) solving elaborate mysteries.

For those concerned, never fear. No major spoilers are ahead. The latest Benoit Blanc tale, which just opened in cinemas, deserves to be seen with as fresh of eyes as possible...

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