WGA Winners: CODA, Don't Look Up, Succession, Hacks...

by Nathaniel R

The Writers Guild of America has revealed their winners for the 2021 film and television year and it's good news for Adapted CODA and Original Don't Look Up as they head towards Oscar night a week from now. But their competitive pool is different at the Oscars of course since different things are eligible at the WGA each year. Complete list of winners and a few comments after the jump...

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Best Picture, Black-and-White Edition

by Cláudio Alves

Ever since NEON released a black-and-white version of Parasite during the awards season's peak, we've begun a tradition here at The Film Experience of looking the Best Picture nominees each year, and trying to imagine what they'd look like devoid of color. Naturally, we'll never know that since making a black-and-white movie is much more complex than simply turning the saturation to zero. Matters of design and lighting are involved, as are other elements of pre and post-production. Still, it's fun to peruse movies in search of striking imagery. But of course, beyond personal amusement, there's another component to this exercise…

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Best Film Editing Oscar Volley

Team Experience is discussing the various Oscar categories. Here's a particularly volatile race given that BAFTA, CCA, and ACE Eddie Awards all chose different winners.

ERIC BLUME: Tim and Carlos, we're the lucky gang to discuss the Oscar nominees in the Best Film Editing category.  This year our five nominated films are: 

• Don't Look Up
• Dune
• King Richard
• The Power of the Dog
• tick, tick...Boom!

Last year's win for The Sound of Metal was uniquely exciting as it was an out-of-the-box winner in terms of its smallness (this award often goes to "big" movies). Maybe that means people are thinking a bit more carefully about this category?  I bring this up in hopes there might be some genuine support for my  favorite pick of this bunch, which is the editing duo for tick, tick...Boom...

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Mixed results for pop stars in the nominations

by Elisa Giudici

The most surprising snub of this round of Oscar Nominations was Lady Gaga missing her earned spot in the Leading Actress category. I am not speaking of quality, but about campaign effort. She did and said literally anything 'an Italian girl living in NY' can to fit the profile of an Oscar-nominated actress, at least 1990s style. I have to confess I am going to miss her ability to offer up a new small, crazy detail or anecdote each interview about how immersive and challenging it was to play Patrizia Reggiani in House of Gucci.

She is in good company. With their glamorous attitude and dazzling personas pop stars tend to catch the attention of Hollywood, but this year the results with Academy voters were not all welcoming...

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Oscar Volley: Who knew that Best Original Screenplay would so divide us?

Our Oscar Volleys continue with  Eric Blume, Baby Clyde, and Gabriel Mayora with surprising confessions, hot takes, and unexpected sentiment.

Eric Blume:  I suspect we have three locks for nominations in this category: Paul Thomas Anderson for Licorice Pizza, Kenneth Branagh for Belfast, and Adam McKay for Don't Look Up!  I am a colossal fan of PTA, but it makes me sad to think he could finally win his Oscar for one of his weaker pictures.  I am mystified by the rave reaction to Licorice Pizza, which is wonderful in patches, but the screenplay is so meandering and fails to culminate in anything dramatically. Plus, it's a genre we've seen hundreds of times. PTA is able to bring his directorial dazzle to it, but as a script, it's severely undercooked.  I do think Don't Look Up! has a magnificent setup for a comedy, but the jokes are flabby and tepid, and it's not exactly razor sharp in terms of structure or dialogue.  The script just kind of lays there.  Of the three, I think Branagh's script is the strongest: it indeed does culminate in something dramatically, plus it's tight and contained, and captures the Irish humor dead-on. 

Belfast is no masterpiece, but it feels true, has some vivid characterizations, and Branagh finds a good balance between how the personal and political flow over each other.  What are your feelings on these three contenders?

Baby Clyde: I disliked Licorice Pizza immensely...

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