Oscar People at the Grammys - How'd They Fare?

by Nathaniel R

A Golden Globe reunion at the Grammys: Teyana Taylor and Nikki Glaser

Did you watch the Grammy Awards last night? We did. Though it was no match for last year’s pop diva ecstasy –it’s tough to beat a year in which Charli XCX, Chappell Roan, and Doecii all provided jawdropping performances –  it still had a few noteworthy moments. Lady Gaga is, of course, always an event; it was a hoot to see Cher be both very present and absent-minded simultaneous, giving an excellent ups-and-downs of showbiz speech before wandering off without presenting her award. In fact Cher was so memorable in her goofiness around the envelopes that it was almost giving Elizabeth Taylor's "GLADIATOR!" and I love any of you who remember that.; Host Trevor Noah made the most out of Bad Bunny’s contractual obligation to NOT perform (due to the upcoming Superbowl) anything despite winning Album of the Year; and Lola Young (who I would have voted for her in heartbeat in Best New Artist) was “Messy” in the happiest imaginable way. But for today’s post let’s look at how the various Oscar nominees fared during the Music Industry’s big night…

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2025 in Review: Music Music Music

by Nathaniel R

Charli XCX has four feature film projects arriving in 2026. But still found time to make a great music video in 2025

I promise we'll pull this back to music in movies at the end of the post but for a curveball we'll first share favourite music videos of 2025. Those mini-musicals haven't had a true "home" in decades (after the initial heyday of MTV many moons ago) but they still continue to be a fascinating shortform offshoot of cinema itself. We use to think of them as training ground for future film directors but it feels like that's been a long while since it was a "path" to Hollywood. How long until we get another music video master that moves up to auteur status? It's been 30 years since that happened for David Fincher! Still, we're always hoping it will happen again...

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Drag Race RuCap: "Grand Finale"

No one had a better time at the DRAG RACE finale than Daddy Nurve.

NICK TAYLOR: The seventeenth season of RuPaul’s Drag Race has come to a close, and with it our third year of RuCaps. Sadly, it’s a pretty deflating limp across the finish line. Our repeated comments about this season’s success as reality TV carried by the queens through brute force has proven true via an episode which showcased its contestants as little as possible. No RuGirls from years past in the audience, no group numbers with the cast, paeans to live performance that are 200% per-recorded, it’s all just weirdly hollow. Last week’s LaLaPaRuZa had much better momentum, plus it got to lean on the personalities of the queens in a way this episode simply couldn’t. At least the right queen won in the end, plus we got a lovely tribute to Liza. The Oscars couldn’t fucking do that. What did you think? 

CLÁUDIO ALVES: Meh…

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Poll: What's Gaga's Best Leading Lady Turn?

by Cláudio Alves

Have you ventured into the movie theater to watch the bomb of the season? Joker: Folie à Deux has confounded film critics and fans alike, leading many to point fingers at its creators in hopes of finding someone to blame. Some hate its moroseness, others can't stand the showtune numbers or the entire song and dance idea. Still, in the middle of this ruckus, one name should be left out of the discussion. Lady Gaga is the best thing about the DC Comics musical, even if she's terribly underutilized by Todd Phillips. Indeed, many Little Monsters have taken to social media to catalog every shot seen in the trailer or behind-the-scenes footage that centered on Mother Monster but somehow didn't make it to the finished flick. One can only imagine that more Gaga would have done Folie à Deux a world of good.

Regardless, the singer turned movie star's latest production seems to consolidate her screen siren status. A Star Is Born was no fluke, and though House of Gucci didn't nab her a second Best Actress Oscar nomination, it didn't blemish her filmography too much. Which leads one to ask – what's Gaga's best leading lady turn? You can vote, after the jump…

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Review: "Joker: Folie à Deux" needs double the Folly and more Gaga, too!

by Cláudio Alves

Back in 2019, Todd Phillips accomplished the seemingly impossible, taking a DC Comics movie to the Venice Film Festival and walking out with the Golden Lion. Predicted to be a dangerous provocation by alarmist critics, Joker soared to brilliant box office results and Oscar glory to boot. From its eleven Academy Award nominations, it won two – Best Original Score for Hildur Guðnadóttir and the Best Actor trophy for Joaquin Phoenix. Sure, there were naysayers, but the project's success was undeniable by most metrics. Cut to 2024, when Joker: Folie à Deux was received with polite dismissal at the Lido before clumsily dancing its way to theaters where it's bound to disappoint just as many people as its predecessor entertained—maybe more.

Philips does all but spit in the face of the first movie's fans and comic book aficionados, too. Musical maniacs may well balk at the reedy vocals and uninspired staging, while Little Monsters have plenty of reason to ask for more Gaga. It comes to a point where one almost has to respect the director for his commitment to displease. If only he did anything worthwhile with it…

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