Hello, Gorgeous: Best Actress of 2018

A new series by Juan Carlos Ojano

Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year. 

One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them (Aparicio, Colman) worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them (Lady Gaga, McCarthy) are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.

Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.

Are you ready? The year is 2018...

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Barbenheimer - Ten Great Box Office Showdowns

by Christopher James

This is the summer of "Barbenheimer". What started as a rivalry has morphed into a marketable double feature. In a way, they’ve hyped each other up, making this past weekend (July 21st-July 23rd) the most exciting and anticipated movie weekend of the summer. Both movies exist at opposite poles of the gendered film divide to a comical degree - the hot pink colored Barbie against king of the film-bros Christopher Nolan and his three hour 70mm extravaganza, Oppenheimer. The ultimate winner is the audience, who get two big-budget auteur-driven swings in one weekend. (Barbie won but both movies had huge opening weekends which will talk about tonight when the actuals come in)

This isn’t the only time counterprogramming has pitted a “boy movie” and “girl movie” against each other for a star-studded showdown. Here are our top 10 box office showdowns that served as fabulous precursors for Barbenheimer...

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Judy Garland @ 100: "A Star Is Born"

Team Experience is revisiting nine Judy Garland movies for her Centennial. Here's Cláudio Alves on the star's first Oscar nomination.

A Star Is Born is Hollywood's favorite legend about itself, a mythic middle point between propaganda and self-critique filmed four different times from the 1930s to the 2010s. Five, if one considers George Cukor's What Price Hollywood? since that was likely the basis for the '37 version. Though flexible, the story remains mostly unchanged throughout its interpretations. Norman Maine, an alcoholic star on the decline, meets Esther Blodgett and immediately falls in love, with the woman and her undeniable talent. Opening doors for her in the entertainment industry, he watches as she's rebaptized Vicki Lester and rises to the top, far surpassing him. After their wedding and an awards night, whereupon Norman ruins Vicki's moment, she considers giving up her career to take care of him. Realizing this, he kills himself, intent on saving his beloved from his downfall. 

Though every A Star Is Born has its merits, the 1954 musical tends to be the consensus pick for the best iteration in no small part due to Judy Garland's performance in the titular role…

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Revisiting the original "A Star Is Born"

by Cláudio Alves

As the next Supporting Actress Smackdown approaches, The Film Experience is celebrating the cinematic year of 1937. It was then that Hollywood consolidated its favorite myth about itself. While the story model had been making the rounds for ages, both in gossip and on-screen (check out What Price Hollywood?), William A. Wellman's A Star Is Born is the first movie of its name. The tale of Norman Maine and Vicky Lester, his downfall and her rise to fame, would be told three more times to great effect, but one should never forget the original. Not when the movie is this pristine, written to formidable effect by a team that included the legendary Dorothy Parker and performed with utmost conviction by Fredric March and Janet Gaynor…

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What Other Movies Should Get The Justice League Snyder Cut Treatment?

By: Christopher James

Sequel culture has led to remake culture and now... recut culture?  HBO Max recently released Zack Snyder’s four hour cut of Justice League to subscribers. Snyder left the film in 2017 in the wake of his daughter’s suicide, leaving the project in the hands of Joss Whedon. When the film was released in November, Justice League was savaged by critics and audiences alike. The two hour film had very little character development, laughable dialogue, an unmemorable villain, bad CGI and made very little sense. Sequel culture has led to remake culture and now to recut culture of movies of the recent past.

While we prefer new movies and the classics to reworking old-IP, why not join in on the fun and ponder the alternate realities of what could’ve been had Justice League been 4 hours or had Mrs. Doubtfire been rated R? If streamers have hoards of IP and buckets of money, what other cuts of old movies should they bring to life?

Here are ten suggestions…

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