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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Melissa McCarthy (28)


Golden Spy

Manuel here bringing you an eye-catching poster to get this week going.

I love the random cartoony paws on her jacket.

I saw this golden poster for Melissa McCarthy’s upcoming Spy comedy and I couldn’t not talk about. It’s so amazingly silly yet self-serious. It’s precisely the type of eye-catching visual gag that this marketing campaign needs (better than the one-note poster Margaret discussed back in January). More importantly, it’s exactly the careful tonal balance the film will have to pull off if it’s going to succeed critically as well as commercially. I know it’s supposed to make me think of Goldfinger (and perhaps of Goldmember?) but all I could think was the posters for Dominic Cooper’s The Devil’s Double, a movie I know everything about exclusively from this (NSFW) post (thanks JA!)

They're clearly going for the Bond tie-ins with these character posters and why wouldn't they? If you're going to riff off the spy genre, there's really nowhere else to mine.

Perhaps it’s my affection for pre-Bridesmaids (ie. Gilmore Girls) McCarthy that’s getting to me, but I am hoping that her softer comedic side resurfaces at some point in her career. May Spy do the trick? Is the presence of real-life action figure Jason Statham and Jude Law in full-Bond mode enough to sway you to give Spy a chance this summer?


Yes, No, Maybe So: 'Spy'

Margaret here with an update on upcoming projects from Paul Feig, the bannerman for blockbuster female-driven comedy. He's following up the roaring success of Bridesmaids and The Heat with two more big-budget Melissa McCarthy projects due over the next couple summers. 

The buzzier of the projects is a female-led Ghostbusters reboot, whose main cast has just been announced. It's a wonderful lineup: Feig muse Melissa McCarthy, post-Bridesmaids movie star Kristen Wiig, the hilarious rubber-faced Saturday Night Live MVP Kate McKinnon, and comedy vet Leslie Jones, a recent addition to SNL as both a writer and a featured player. These choices, exciting on their own, are all the more gratifying when one considers all those rumors circa the Sony leak that they were looking at gamine young A-listers like Jennifer Lawrence and Emma Stone.

 While we bask in the casting news (and speculate wildly on the movie's plot), let's take a look at the Feig/McCarthy project coming to us mere months from now: the espionage thriller parody Spy...

Click to read more ...


Who you gonna call? Linkbusters

Vanity Fair Melissa McCarthy and other funny ladies in talks for Ghostbusters reboot. I'm rooting for Jillian Bell myself who is mentioned. Yay.
Buzzfeed a definitive ranking of Disney Prince butts - as great as it sounds though I'd place Prince Phillip higher because my imagination works (I love that former Prince BD Wong even replied to his ranking on Twitter)
Vulture let us all worship Charlize Theron who has demanded (and been given) equal pay to her male co-star for The Huntsman. It's not like people went to the first movie for Hemsworth...Insane. Sexism by the numbers.
The Film Grapevine Birdman and the unexpected virtue of Contrivance
A Socialite Life Andrew Garfield and Emma Stone photobomb someone actually trying to take a photo of them

Slate on why Wes Anderson movies have never been popular with the Academy Awards before (presumably) now. Fairly good reasoning
MNPP Wet Hot American Summer will become a Netflix series and the original cast is all returning on the women in Selma: the unsung heroines of the movement
THR Samuel Goldwyn Jr dies 
Theater Mania The Color Purple is coming back to Broadway (already?) with Jennifer Hudson as Shug 

Good Long Reads
IndieWire great piece on the definitions of patriotism and exceedingly pro-gun messaging of American Sniper. Please do not let this film be nominated for Best Picture. It's just not what we need right now...especially given how many people have been killed by guns lately in the States...and still no gun reform.
Grantland Wesley Morris on Selma. Love this sprawling, provocative review / thinkpiece. I've been totally appalled and confused myself at the way the media has latched on to the Lyndon B Johnson depiction but Morris makes a great point here that helps clarify, for me, the anger and nitpicking:

A quick survey of film history suggests that the depiction of racial themes in America has always been the province of white directors, whether it’s something as spectacularly diabolical as D.W. Griffith’s The Birth of a Nation or the antebellum revenge of Quentin Tarantino’s Django Unchained. These great-man movies tend to reflect the aspirations and identities of the people who make them, which is how so many stories ostensibly about black life wind up with white interpolators. DuVernay understands the fraught, imbalanced legacy a film like this pulls her into, and she’s been as fair as she needs to be. This is not a film that undermines or questions Johnson’s ultimate contributions to the improvement of black life in this country. (It very easily could have mentioned the two decades in Congress he spent opposing civil rights legislation.) Inasmuch as there are villains, they are Wallace, Hoover, and Selma’s sheriff, Jim Clark. But because this isn’t Johnson’s story, those accustomed to seeing the president as hero (or protagonist) ultimately seem dismayed by how little of the president there is here.

The bold is mine, not Morris's. People who are angry about Lyndon B Johnson's depiction really ought to look beyond the myth and think about reality. And once they do, rather than be disappointed, they should be as generous as DuVernay is who depicts him as an imperfect man who makes a great progressive decision which changes history.


Link is Strange

THR Grease Reunion! Olivia Newton-John sings with Didi Conn
Vanity Fair Rosamund Pike talks about that scene in Gone Girl (no, not the overrated nothing shower scene. the other one)
The Daily Dot offers up a chart of superhero films and the Bechdel test 
Awards Circuit Clayton shares his personal ballot. He has some weird notions about what "supporting" means (John Lithgow in Love is Strange. smh) but it's fun to see personal favorite lists. They're always more idiosyncratic than critics groups: lots of love for Wild Tales and Eleanor Rigby 
The Atlantic an article on a shift in Madonna's provocation... it's negative but interesting
Grantland has an even better piece on Madonna's consistency and her new old #unapologeticbitch phase. I'm always happy when Madonna inspires cultural thinkpieces. This Girl will never be Gone.

Coming Soon Melissa McCarthy and Ben Falcone will be back in April 2016 with Michelle Darnell, a comedy about an insider trading excon. I'm rooting for them but please be more taut and more focused and funnier and just better than Tammy. PLEASE. 
Critic Wire asks us to stop paying attention to the Razzies
EW has an Ant-Man cover. Paul Rudd looks good but I have to be honest I'm a little tired of superhero outfits being these butch armorish leather things which has been going on for over a decade now. Let's bring back the bright spandex! 

Speaking of I do love the new poster...

Two Things I Never Tire of Loving About MNPP
Jason's love of Dominic Cooper
Jason's hatred of Jane Wyman 

Follow Ups
Frontiers Matthew Warchus comments on the Pride DVD debacle (discussed earlier)
Flavorwire defends the NSFC for their left field Best Picture choice (discussed earlier) though I myself would be far more eager to come to their defense if they'd exhibited any imagination at all in the other categories 
The Stake remembers some really great Meryl Streep quotes that reflect poorly on Russell Crowe's absolutely obnoxious comments about aging actresses (which we linked up earlier). Ageism is so pernicious and when combined with sexism its extra odious. I'm gearing myself up for another round of this when the new Madonna album comes out and all the people who hate the inevitability of their own eventual death will say she should "act her age" instead of still being a vibrant entertainer in her 50s.


Tweets o' the Week: Prada Reunion, Ill Juli, Flu Season

I have no idea if y'all like this now weeklyish roundup but I do so I'ma Keep On Keepin On. One fun thing that doesn't lend itself to highlighting elsewhere is reply conversations. So if you're interested in 'Bad Movies We Love' you should check out all the fun suggestions for favorite turkeys when I asked over Thanksgiving. I haven't seen several of the ones cited so I must get on that.

Anywhere here we go...

Tweets That Amused/Enlightened This Week, Non-Celebrity Division
Just for fun and with a smidge of Instagram...


LOL. "Starlog". Who is old enough to remember that magazine? Nathaniel asks while raising his hand sheepishly.

Best Broadway Trivia Ever

Click to read more ...


Review: St. Vincent

 Here's Michael's weekend review of St. Vincent, currently expanding to more theaters...

There is a moment in Theodore Melfi’s St. Vincent where it looks like the film might deviate from the relentlessly predictable path it’s been traveling up to that point. Oliver (Jaeden Lieberher) is the runty new kid at school, so of course he immediately picks up a squad of dedicated bullies, and of course they manage to locate him in a parking lot while he waits for the return of his crabby, neglectful babysitter, Vincent (Bill Murray). Movie law dictates that this is the cue for Vincent to swoop in to put a hurting on the bullies, thus revealing a new likeable side to this misanthrope, and sure enough Bill Murray’s seedy guardian shows up on cue. Only instead of intervening, he leans against his broken down old jalopy and lights up a cigarette, with Oliver getting the snot pummeled out of him all the while.

Is Vincent really going to just sit there and do nothing, we wonder? Does he side with the bullies? Does he think this will build character? Or is it that Vincent doesn’t think the eleven dollars an hour Melissa McCarthy’s single mom neighbor is paying him to watch Oliver while she works triple shifts covers rescue operations? Is it possible this guy is a genuine bum and not the cuddly curmudgeon we are expecting? 


Click to read more ...


you wouldn't be able to do these awful things to me if i weren't still in this Blog | But cha'aar, Link, ya'aar!

Boy Culture counts down 100 best Golden Girls guest spots - movie stars of yore!
The Daily Beast has an excellent piece on Tammy and Melissa McCarthy's career and body (also body of work) by Teo Bugbee
New Yorker thorough piece on the arguments for and against VOD for indies and the question of "cultural endurance" (I'm against VOD in general but I recognize that's probably because I live in NYC where I can actually see the movies and I think moviegoing is so much more immersive than watching things at home)

Me Says considers Notes on a Scandal (2006) the Whatever Happened to Baby Jane of our time 
Bad-Ass Digest on Exodus: Gods and Kings' 'white men with bronzer' cast. Will it finally crystallize the white-wash problem for people who still don't get it? 
Nathaniel R and have you seen that tacky black&white-in-color poster?
EW Dick Jones the voice of Pinocchio dies at 87 
Radar apparently Ryan Gosling and Eva Mendes are 7 months pregnant... I thought they broke up? I can't keep up with celebrity lovelives 
Cosmopolitan has a cool piece on top stuntwomen... stunts are on my mind alot given that it's blockbuster season and this piece a month back...
TFE an interview with Hollywood's top stuntman Bobby Holland Hanton
Movie Dearest interviews the screenwriter of the 80s shocker Crimes of Passion starring Kathleen Turner  

Finally, what do you make of this plea for a collaborative performance Oscar?

Outstanding Collaborative Performance: Andy Serkis and company from Press Play Video Blog on Vimeo.


On the one hand I absolutely agree that Andy Serkis needs an Oscar and I've been saying so since 2002. But, like Mark Harris, I don't think it needs to be a competitive one. Creating Oscar categories or changing Oscar rules due to one or two special things (like say a Batman movie directed by Chris Nolan or a really great year for animation) usually results in far more problems and undeserving honors than it's worth. I say bring back the special Oscar for cinematic achievements that don't have competitive categories. When I was a kid that was a semi-regular event and it was nearly always cool.