Entries in Babs (22)
I've been struggling for inspiration today which is a good reason to clear my head via the dispensing of a whole lot of randomness. And by randomness I mean, compilation lists.
We have so many Oscar races to discuss and a few more interviews and I don't know what's keeping me but until the next post, please to enjoy these marvelous tweets from the week that was, divided into helpful subcategories for your skimming pleasure. These are the only posts you are allowed to skim. Otherwise you should read. Reading is fundamental.
Jupiter Ascending: I found 90% of it incomprehensible but the other 10% seemed to be a sci-fi remake of Maid In Manhattan.— James King (@jameskingmovies) February 3, 2015
Still think someone should make a narrative film from @MarkHarrisNYC's Pictures at a Revolution. Whoever plays Rex Harrison wins the Oscar.— Kristopher Tapley (@kristapley) February 10, 2015
Streisand! Kidman! Beyoncé! Grammys!
and more after the jump
For this very special and ultimately quite spontaneous edition of the podcast, Nathaniel calls a few of his team members to grill them about their moms & the movies. Sadly the entire team was not available -- some of them were being good kids en route to visiting their mothers so they have a good excuse -- but you get to hear from a few of us and how our moms factor into our cinephila. Expect name-droppings of Margo Martindale, Susan Sarandon, I Remember Mama, The Lord of the Rings, A Separation and much more...
You can listen to the podcast here at the bottom of the post or download the conversation on iTunes.
14:00 Anne Marie
20:30 Tim Brayton
27:00 Funny Girl Interlude & Surprise Guest
32:00 The Guest of Honor, Nathaniel's Mom!
40:00 Exit Music "Baby Mine" with Bette Midler
I can't interview each and every one of you out there listening about how your moms shaped your moviegoing but if you have any key stories, please share them in the comments. I actually teared up making this one. Keep the love a-going. And call your mama or take her to a movie today!
Further Reading To Enhance This Podcast
Anne Marie's "A Year With Kate"
Tim's Home Schooling Essay on "Mean Girls"
Amir's "Hello Cinema"
How Many Barbra Streisand's Have You Seen?
Loretta Young, Nathaniel's Mom's Favorite
The Year in Review continues with Michael Cusumano on Jennifer Lawrence's box office coronation, a more impressive achievement than you think.
At the sound of the closing bell, Iron Man 3 clings to the title of top grossing domestic release of 2013, but Tony Stark should savor the honor while it lasts. He is all but certain to relinquish the crown to Katniss Everdeen in the early weeks of 2014.
If one wants proof that this is all but a done deal, one need only compare the grosses of the first Hunger Games to its sequel. According to Box Office Mojo, Catching Fire’s 398 million is 24 million ahead of its predecessor at the same point in its release (41 days). Since the first Hunger Games’ final gross of 408 million is nearly tied with Iron Man 3’s 409 million, unless the grosses of Catching Fire unexpectedly crater it’s a safe bet that when we close the book on the 2013 the second entry in the Hunger Games series will hold true to its protagonist and emerge from the arena the final victor.
That a film with a strong, capable female protagonist as its sole lead is the year’s number one film is reason to cheer. That I was unable to recall the last film to duplicate this feat emphasizes the rarity of the achievement. It made me curious:
When was the last time a film led solely by a female character topped the domestic box office in its year? [The answer is after the jump]
The audience of the 41st Academy Awards roared its approval when Ingrid Bergman announced that Hollywood newcomer Barbra Streisand had tied Katharine Hepburn for Best Actress in a Leading Role. But though Streisand has since achieved immense popularity and icon status, this win is still questioned by some. After all, Hepburn was a giant among giants, giving the performance of her career in The Lion in Winter alongside a stellar cast with a sizzling script. Barbra was certainly the best part of an otherwise unremarkable musical. As a highly fictionalized version of famous vaudevillian Fanny Brice, Stresiand packed a ton of charm, chatter, charisma, and chutzpah into one role. But is that enough to warrant an Academy Award?
Actually, yes it is...
It was the night of April 14th, 1969. The Dorothy Chandler Pavilion was packed with stars for the 41st Academy Awards. When it came time to award the Oscar for Best Actress, presenter Ingrid Bergman stuttered with shock as she announced that two women had tied. Her surprise was understandable; there had been no tie in the acting branch for over thirty years. Barbra Streisand, only 26 years old, tripped over her sparkling sailor suit as she approached the podium to accept her Oscar for Funny Girl. Katharine Hepburn was characteristically absent for her historic third win, so the director of The Lion In Winter accepted on her behalf. This joint win was more than just a peculiar footnote in Oscar history. This was a rare case of the Academy getting it exactly right twice with one award.
As has been extensively documented here at The Film Experience, the Academy is often maddeningly predictable in its awards-giving. However, at its best an Oscar can be a celebration of an explosive newcomer on the cusp of an incredible career (e.g. Vivien Leigh in Gone With The Wind) or a salute to a seasoned veteran for a risky performance at her artistic peak (e.g. Vivien Leigh in A Streetcar Named Desire). In 1969, both happened: Katharine Hepburn won for the second time in a row for a virtuosic, against-type performance as Eleanor of Aquitaine in The Lion In Winter, and Barbra Streisand won for her instantly-iconic turn as Fanny Brice in her very first film, Funny Girl. While these two women can share that Oscar win, they certainly cannot be confined together to a single blog post. If you'll forgive my fangirl squeals of excitement, I'll start with Hepburn.