Hit Me With Your Best Shot: Yentl (1983) and Ex Machina (2014)

In Hit Me With Your Best Shot we choose a favourite images from selected films. Click on the images herein to be taken to the corresponding article from the participants.

Bronze - a star very much in control of her own image and its various crescendos into iconography

by Nathaniel R

Is there any generation that was so deprived of the movie musical as Generation X? The eighties and nineties were so bereft of live action musicals that whenever one did arrive it felt like both an anachronism and an event. Yentl (1983), as it turns out, still feels like both...

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Cláudio's Best Shot Pick: Yentl (1983)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Barbra Streisand's directorial debut, Yentl. In 1983, she was infamously snubbed for a Best Director Oscar nomination after winning the Golden Globe. You still have time to participate! Here's Cláudio's entry:

This isn't the first or second time I've explored the wonderful world of Yentl on The Film Experience. First, when writing about two instances when the same performance got nominated for both an Oscar and a Razzie, I defended Amy Irving's work, concluding she deserved the former rather than the latter. Then, when revisiting all of Babs' work as a director, Yentl emerged as her most passionate project as well as the best showcase for the star's behind-the-camera talents. Check out those other articles if you're interested.

My positive feelings about Yentl haven't changed with this Hit Me With Your Best Shot-prompted revisit. In other words, I'm still a fan…

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When Oscar met Razzie

by Cláudio Alves

Founded by Mo Murphy and John J. B. Wilson, the Golden Raspberry Awards, more commonly known as Razzies, are the evil twin to the Academy Awards. Instead of celebrating the best achievements in world cinema, they award the worst, ridiculing them in the process and daring anyone to go accept their gold sprayed statuette in good humor. They've been handed out since 1981 when Xanadu and Can't Stop the Music battled out for the title of Worst Picture. Since then, the Razzies have made many controversial choices, showing an especially troubling fondness for lampooning female-centric stories or examples of campy entertainment.

Today we'll be talking about two instances when the Oscars and the Razzies tastes diverged so much they ended up nominating the same performances…

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Horror Actressing: Amy Irving in "Carrie"

by Jason Adams

When we talk about Brian De Palma's 1976 horror masterpiece Carrie we talk about Actresses. But we tend to talk about the Big Two -- Sissy Spacek as Carrie White and Piper Laurie as her mamma Margaret, who were both rightfully Oscar-nominated. (They both should have won too, says me!) Then if there's oxygen left in the room after talking those two we'll gravitate towards the showier female roles below the line -- Nancy Allen playing one of cinema's greatest bitches Chris Hargensen, or wondering if Betty Buckley's Miss Collins is, in the grand tradition of P.E. teachers, same-sex-oriented.

What I haven't seen nearly enough love for is Amy Irving, who's celebrating her birthday tomorrow and who gives a truly complicated performance as Sue Snell, the girl whose motivations switch midway through, the one who sees through to the error of her ways but too late, and the one who ends up giving the film's tragedy, Carrie's tragedy, its shape....

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