Streaming Roulette, July 2022

We never know which films to cover since there are so many channels so please note that we welcome comments and requests for more in-depth coverage of new-to-streaming titles. 

Okay, time for this month's streaming roulette. You know the rules. We highlight new-to-streaming movies and an occasional TV series by freezing them on the scroll bar at entirely random places and just sharing what pops up. No cheating*!

Okay, we're going to have a nice CALM talk like we discussed, right?

LOVE, VICTOR (SEASON 3) on Hulu
Sad this show is ending but also relieved since so few high school shows wrap up at their natural ending point (senior year) before they've overstayed their welcome. Have you started watching the final season yet? Ana Ortiz (who is completely Emmy worthy for season 2) and James Martinez as Victor's parents are both so terrific and not at all the afterthoughts parents so often are in teen soaps...

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Hit Me With Your Best Shot: Yentl (1983) and Ex Machina (2014)

In Hit Me With Your Best Shot we choose a favourite images from selected films. Click on the images herein to be taken to the corresponding article from the participants.

Bronze - a star very much in control of her own image and its various crescendos into iconography

by Nathaniel R

Is there any generation that was so deprived of the movie musical as Generation X? The eighties and nineties were so bereft of live action musicals that whenever one did arrive it felt like both an anachronism and an event. Yentl (1983), as it turns out, still feels like both...

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Cláudio's Best Shot Pick: Yentl (1983)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Barbra Streisand's directorial debut, Yentl. In 1983, she was infamously snubbed for a Best Director Oscar nomination after winning the Golden Globe. You still have time to participate! Here's Cláudio's entry:

This isn't the first or second time I've explored the wonderful world of Yentl on The Film Experience. First, when writing about two instances when the same performance got nominated for both an Oscar and a Razzie, I defended Amy Irving's work, concluding she deserved the former rather than the latter. Then, when revisiting all of Babs' work as a director, Yentl emerged as her most passionate project as well as the best showcase for the star's behind-the-camera talents. Check out those other articles if you're interested.

My positive feelings about Yentl haven't changed with this Hit Me With Your Best Shot-prompted revisit. In other words, I'm still a fan…

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Showbiz History: Streisand makes history and Elijah Wood turns 40

6 random things that happened on this day, January 28th, in showbiz history...

1973 The 30th Golden Globes with The Godfather and Cabaret both winning Best Picture setting up their nail-biting historic Oscar night. Also on this night Diana Ross won the "New Star of the Year" award for playing Billie Holliday in Lady Sings the Blues for which she'd also be Oscar-nominated. Will Andra Day be as awards-lucky in the forthcoming United States vs. Billie Holliday?

1978 The 35th Golden Globes with The Turning Point and The Goodbye Girl winning the Best Picture prizes...

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Babs as director

by Cláudio Alves

Barbra Streisand is a powerhouse in every sense of the word. Her long career has encompassed many facets of show business, from night club singer to Broadway sensation, from Oscar-winning actress to successful producer, and so on. Considering we've been discussing 1991 for the past couple of weeks, it seems appropriate to consider Streisand's legacy, not as a music or movie star, but as a director. That was the year that she released one of her dream projects, The Prince of Tides, which was nominated for seven Oscars, including Best Picture. Streisand, however, was left out of the directing lineup despite an aggressive campaign and much publicity. The snub stung and robbed Streisand of the honor of becoming the second woman to be nominated for that award, after Lina Wertmüller in the 1970s. 

Still, while it's difficult not to see AMPAS' decision as a blatant rebuke of Streisand as a director, one has to wonder if she'd have deserved the nod. After all, 1991 had a stellar, and historic, Best Director lineup...

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