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Entries in Sigourney Weaver (35)

Monday
Jul182016

Ranking the Ghostbusters Orginal Star Cameos

Murtada here. It’s been a full 3 days since Ghostbusters has been released. The reviews, including Nathaniel’s, are respectable but not euphoric. Same with the the box office. It could’ve been much worse. The Ghostbros still won’t shut up, so let’s rank how their so called childhood heroes, did this time around.

Ghostbusters tried to blend nostalgia with a new story and characters, the same way that Star Wars did successfully last year with The Force Awakens. While I liked the movie and thought it was the best blockbuster released this lackluster summer season, I would say that its nostalgia blend was not successful. All of the original cast - except for Rick Moranis and Harold Ramis - came back for at least one scene each. But most of the cameos were extraneous to the plot and could’ve easily been cut. The actors’ commitment also left a lot to be desired.

Let the ranking begin! 

SPOILERS ahead, proceed with caution...

Click to read more ...

Wednesday
Jul062016

Visual Index: Working Girl's Best Shot(s)

Hit Me With Your Best Shot
Working Girl (1988)
Director: Mike Nichols
Cinematography: Michael Ballhaus

I wasn't fair to Working Girl in 1988. When it won the reader poll easily for coverage here on Best Shot, the old grudge flared up again. 'Why do people love this movie so much?' I thought. You see the Oscar race is often distorting. In 1988 Working Girl was a last minute disrupter with its Christmas bow, and I never forgave it for costing Bull Durham, Running on Empty, or Who Framed Roger Rabbit major nominations and prizes. There's no proof of course that it did -- but I believed it wholeheartedly.

But watching the film again, away from that distorting horse race, I could enjoy it fully without name-checking those films I held more dear. There's so much to enjoy all told. "It plays," as they say. It plays beautifully. Now don't get me wrong. I still wouldn't have nominated it for six Oscars. Six! But let's not return to the grudge and let's enjoy this mainstream bullseye and the cinematography by Michael Ballhaus, one of the cinema's greatest DPs. He's 80 now and still doesn't have an Oscar. He should be near the very top of Oscar's list for an Honorary.

See Nathaniel's 3 favorite shots and other Best Shot choices 'round the web after the jump...

Click to read more ...

Sunday
Jun192016

Review: Finding Dory

This review was originally published in Nathaniel's column at Towleroad

One of the best things about breakout supporting characters is that the fandom surrounding them comes honestly. Scene-stealers aren't handed their movies, but earn them. So it went with Dory, Ellen DeGeneres's forgetful blue tang who swam circles around every other character in Finding Nemo (2003), figuratively speaking, though she did sometimes swim in actual circles since she couldn't remember where she was going.

Thirteen years later, though Finding Dory takes place just after Finding Nemo ends, we're swimming in circles again with Dory, via a suspiciously similar movie. Let us count the ways...

Click to read more ...

Friday
Apr152016

A Monster Calls For A "Visionary Filmmaker"

Laurence here. Have you checked the children? Landing somewhat quietly in a week of splashy comic book trailers was something that looks, frankly, altogether more interesting than both. J.A. Bayona, director of The Orphanage and The Impossible, seems to have found the narrative intersection between both for his new film, A Monster Calls. We only have a teaser trailer so far so we won't give it the full YNMS treatment just yet, but it's an enticing, Burtonesque first glimpse.

Some more information on the film after the jump...

Click to read more ...

Tuesday
Mar082016

Visual Index: Best Shots from Ghostbusters (1984)

With the new riff on the ol' Ghostbusters property nearly upon us, what better time to look back at the original comedy smash? While the film's comic tone and dialogue are well remembered its visuals are less often discussed. The film was shot by the Hungarian cinematographer László Kovács. He logged a lot of quality time in the romantic comedy genre (What's Up Doc?, My Best Friend's Wedding, Say Anything...) but made his name in the 70s on scrappy, famous and/or ambitious pictures like Five Easy Pieces, Shampoo, New York New York, and Paper Moon.

Without further ado, let's see what the Hit Me With Your Best Shot club thought of the look of this picture and what slimy memories this revisit stirred up...

GHOSTBUSTERS
Directed by Ivan Reitman. Cinematography by László Kovács. 
Starring: (in order of billing) Bill Murray, Dan Ackroyd, Sigourney Weaver,
Harold Ramis, Rick Moranis, Annie Potts, William Atherton & Ernie Hudson.
Click on the 12 images to read the 15 corresponding articles

Bill Murray. What does make him tick?
-54 Disney Reviews 

The look on their faces tho... 
-Daniel Laferriere *first time participant*

Grown white men have their fun while the rest of the world cleans up their mess...
- Bennett Prosser *first time participant*

A good old fashioned 80s Improvement Montage, complete with a song that is either brilliantly awful or secretly genius...
-Scopophiliac at the Cinema *first time participant*

It arguably has endured as a beloved classic precisely because the people in it are so full-heartedly human.
-Nebel Without a Cause

 I'm well aware that this is nobody's idea of a scary movie...
- Antagony & Ecstasy

it’s fun to see things pop in and out of frames, especially when the frames are static. It’s almost like seeing a painting being disturbed...
-Coco Hits NY


 It’s useless to try to deny my love for her and it’s inescapable that my best shot features her...
-Magnificent Obsession 

Bill Murray's chemistry with everyone... and I mean everyone in the movie.
-Movie Motorbreath

The images of Sigourney keep getting richer and sexier as the insanity mounts
-The Film Experience

We Need to Talk About Dana Barrett’s Apartment.
-FilmMixTape

Recreating the Exorcist as a screwball comedy date...
-Bohemian Cinema Salon *first time participant*

The movie doesn't really get interesting, narratively and visually, until midway when Weaver's character gets possessed by the spirit of Zuul.
-Sorta That Guy


Most of my favorite shots are when the movie embraces its crazy and over the top nature.
-Wick's Picks *first time Best Shot participant!*

Ghostbusters is a perfect '80s blockbuster version of the classic 50s monster B-movies...
-Dancin Dan on Film

 

NEXT WEEK: Joe Wright's adaptation of Ian McEwan's Atonement (2007) with James McAvoy, Keira Knightley & little Oscar nominated Saoirse Ronan. [Keira Knightley Voice] "Come back to me it."

Tuesday
Mar082016

Stay-Puft, Sigourney, and the "Ghostbusters"

This is Nathaniel's entry into this week's Hit Me With Your Best Shot topic, Ghostbusters (1984). Tonight, we'll see what others chose!

This may shock readers of a certain (young) age but would be blockbusters used to open directly against each other rather than giving each other wide berths to accumulate loot. No really, they did! Ghostbusters and Gremlins, courting the same demographic, opened simultaneously on my birthday weekend in 1984. I chose Gremlins (which little me loved) and caught Ghostbusters a few days later with school friends. Ghostbusters emerged as the clear champ with the public but little me thought Gremlins ran circles around the supernatural comedy: scarier, funnier, cuter monsters, better-paced... only faililng in its lack of SigWeavieness. They were both big hits, of course, but Ghostbusters was HUGE -- Stay-Puft Marshmallow Man walking amongst skyscrapers huge. And it stayed ahead in pop culture, too, netting Oscar nominations (Original Song & Visual FX) and endless sequel or revival talk thereafter.

Cut to 2016: With the gender reversed reboot on the way, it was a topical choice for Hit Me With Your Best Shot. Plus I figured I'd finally see what charms eluded me way back then...

Click to read more ...

Wednesday
Oct072015

Familiar Faces: The Ridley Scott Players... do any exist?

Ridley & Giannina on the red carpet last yearThe Film Experience recently had the chance to sit down with director Ridley Scott, currently enjoying one of the warmest receptions (great box office and reviews, of his career, for The Martian. We'll share that interview later in the season but here's one detail up for discussion right now that you won't get elsewhere.

We've always been fascinated at The Film Experience by the familiar faces that pop up in the filmographies of famous auteurs. The average moviegoer knows, for example, that De Niro and DiCaprio are Scorsese pets and that Tim Burton has trouble leaving his bed if it doesn't involve putting a camera and weird makeup and Johnny Depp. But do we really think of any particular faces when we think of Ridley Scott? His tightest collaborations are behind the scenes. The editor Pietro Scalia, and the production designer Arthur Max, both of whom he started working with on G.I. Jane (1997) have worked on most if not all of his films since that Demi Moore military pic. Costume Designer Janty Yates won an Oscar for their first collaboration on Gladiator and she's costumed nearly ever picture since. Ridley's cinematographer of choice at present is Darius Wolski who has shot every feature since Prometheus (2012) but he switches DPs from time to time. He switches casting directors even more regularly which could also contribute to the lack of "familiar faces" that we like to point out in this intermittent series of course. 

I asked him about this in our interview and he quickly cited his most well known collaborations (Russell Crowe and Sigourney Weaver) but shrugged the lack of general repetition off, diplomatically, as a matter of timing. If he made smaller pictures, he explained, he'd jump at the chance to work with actors he enjoyed the first time around again. Before we switched topics he name-checked Chiwetel Ejiofor and Michael Fassbender as happy repeats. Perhaps as a result of the scarcity of examples, any repetition of actors in his filmography feels like something of a happy accident to we moviegoers rather than an intentional choice. 

Let's look at Ridley's repeat actors after the jump... who would you like to see him work with again? 

Click to read more ...