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Entries in Sigourney Weaver (38)

Wednesday
Sep142016

TIFF: Michelle Rodriguez & Sigourney Weaver in (re)Assignment

Nathaniel R reporting from the Toronto International Film Festival

We must ban the use of the word "problematic" so that it may be deployed to describe pop culture offerings which are PROBLEMATIC in all caps. (re)Assignment is one of those, even if its too dumb to capitalize on its sophomoric provocations.

A hired hitman named Frank (Michelle Rodriguez...with prosthetic dick because her figurative big one wasn't enough) is drugged and operated on by an amoral vengeful doctor (Sigourney Weaver) and wakes up with breasts, vagina and a smoother more beautiful face...

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Sunday
Sep112016

A Cocktail with Sigourney

Nathaniel R reporting from the Toronto International Film Festival

That's me telling Sigourney Weaver some story (presumably about how awesome she is). It's all a blur...

You have to act quickly in these situations as you only get a minute. The event was a party for A Monster Calls in which Sigourney plays the emotionally distant British (!) grandmother of a young boy (Lewis MacDougall) whose mother (Felicity Jones) has cancer. As escape from his life or possibly as solution to it the boy meets regularly with a giant tree monster (voiced by Liam Neeson) who tells him morally ambiguous stories about witches, princes, and apothecaries.

I didn't once mention Ripley because I'm sure Sigourney hears this daily (on the red carpet outside there were people with Aliens posters wanting her to sign them) but took the opportunity to tell her how much I loved her on Broadway in Vanya & Sonya & Masha & Spike. Especially in the second act with her Snow White costume.

I almost wore that tonight.

...she quipped. Hee. Then she said it was funny I'd mentioned it because she had just emailed a playwright friend saying "we need a reunion" because she'd love to get back on stage. 

Now off to another screening! TIFF moves so quickly on the first weekend.

Saturday
Sep102016

Stage Door: Toruk - The First Flight

Errisson Lawrence © 2015 Cirque du Soleil

Jose here. While worldwide audiences wait for the impending Avatar sequels, the folks at Cirque du Soleil are aiming to quench their thirst with a new spectacle called Toruk - The First Flight, which bills itself as being “inspired by” the James Cameron film, but feels more like just another chapter in what’s become a “universe”. Imagined for those who maybe don’t like video games, are too passive for amusement parks, and have deep admiration for the human body, the show is a two hour long arena extravaganza in which Pandora comes to life in “real life 3D”.

Avatar borrowed elements from films like Pocahontas, Dances with Wolves, Fern Gully, and to an extent some of Cameron’s own oeuvre (Aliens star Sigourney Weaver was two seats away from me and was always the first to applaud, during a particularly complex sequence she held both her hands near her face and sighed in relief when the acrobats gracefully pulled it off...

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Monday
Jul182016

Ranking the Ghostbusters Orginal Star Cameos

Murtada here. It’s been a full 3 days since Ghostbusters has been released. The reviews, including Nathaniel’s, are respectable but not euphoric. Same with the the box office. It could’ve been much worse. The Ghostbros still won’t shut up, so let’s rank how their so called childhood heroes, did this time around.

Ghostbusters tried to blend nostalgia with a new story and characters, the same way that Star Wars did successfully last year with The Force Awakens. While I liked the movie and thought it was the best blockbuster released this lackluster summer season, I would say that its nostalgia blend was not successful. All of the original cast - except for Rick Moranis and Harold Ramis - came back for at least one scene each. But most of the cameos were extraneous to the plot and could’ve easily been cut. The actors’ commitment also left a lot to be desired.

Let the ranking begin! 

SPOILERS ahead, proceed with caution...

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Wednesday
Jul062016

Visual Index: Working Girl's Best Shot(s)

Hit Me With Your Best Shot
Working Girl (1988)
Director: Mike Nichols
Cinematography: Michael Ballhaus

I wasn't fair to Working Girl in 1988. When it won the reader poll easily for coverage here on Best Shot, the old grudge flared up again. 'Why do people love this movie so much?' I thought. You see the Oscar race is often distorting. In 1988 Working Girl was a last minute disrupter with its Christmas bow, and I never forgave it for costing Bull Durham, Running on Empty, or Who Framed Roger Rabbit major nominations and prizes. There's no proof of course that it did -- but I believed it wholeheartedly.

But watching the film again, away from that distorting horse race, I could enjoy it fully without name-checking those films I held more dear. There's so much to enjoy all told. "It plays," as they say. It plays beautifully. Now don't get me wrong. I still wouldn't have nominated it for six Oscars. Six! But let's not return to the grudge and let's enjoy this mainstream bullseye and the cinematography by Michael Ballhaus, one of the cinema's greatest DPs. He's 80 now and still doesn't have an Oscar. He should be near the very top of Oscar's list for an Honorary.

See Nathaniel's 3 favorite shots and other Best Shot choices 'round the web after the jump...

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Sunday
Jun192016

Review: Finding Dory

This review was originally published in Nathaniel's column at Towleroad

One of the best things about breakout supporting characters is that the fandom surrounding them comes honestly. Scene-stealers aren't handed their movies, but earn them. So it went with Dory, Ellen DeGeneres's forgetful blue tang who swam circles around every other character in Finding Nemo (2003), figuratively speaking, though she did sometimes swim in actual circles since she couldn't remember where she was going.

Thirteen years later, though Finding Dory takes place just after Finding Nemo ends, we're swimming in circles again with Dory, via a suspiciously similar movie. Let us count the ways...

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